Ice Cream (RP)
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While Persephone is in the shower, Circe glances at the paperwork in the folder, puzzled by its contents. She did not expect to be part of her sister's dates —shudder— and saw how shy Viv was when meeting, she hopes Persephone doesn't break that poor girl's heart.
Circe's thoughts are interrupted by a knock at the door. A bedraggled and slightly damp person stands there. "Delivery for a 'Benji'." They say, not sounding enthusiastic about it. They appear to be a struggling college student, maybe a bit younger than Circe herself.
What does she do?
"There are no Fae in London." Moss says, rather sadly. "They were driven out at the end of the last millennium, in a process started decades before by 'The Iron Lady' towards then end of her reign." This is the first time you have heard any concrete 'facts' about the Faeries, everyone else has been very vague. This guy clearly knows more than he is letting on.
"You certainly have a vivid imagination." Moss says happily at your description. "I confess, I have not read your book, but now I do believe I will give it a try. How do you imaging such a one would... I don't know... eat? And read, with fireflies for eyes?" He asks, almost as though this question matters.
"Frogs? Egads! I hope not!" He exclaims. You notice that, while conducting a conversation and 'being present in the moment (in the room)' you can't really hear the frogs and any bird are probably just damp pigeons.
What do you do?
"You seem to know an awful lot about me, and about the Fae. What are you, exactly?"
Circe looks at the papers again, puzzled. This looks like ...real estate or something. What does this have to do with demons and vampires?The knock comes to the door and Circe opens it. When the bedraggled courier speaks, Circe squeals with conspiratorial glee and leans close to him, saying, "So, like, do you work for Them? You know, the D-E-M-O-N-S?? What is it like? Did you have to sign a contract too? Like, are you trying to get out of it? How do people get out of it, anyway? ....Oh. I did that thing again where I overwhelm someone with talking. OK. Uh, here, I'll take that. Sorry. Bye, I guess?" She sheepishly takes the package and shrugs an apology before closing the door on the poor bewildered kid.
She walks over to the kitchen and quietly says, "Um, Benji? I have something for you..." He doesn't immediately stir, so she grabs a knife off the counter and cuts open the package, causing two blood bags to spill out onto the counter! And they are still warm!! She yelps in surprise and a bit of horror and jumps backwards. As she does so, she sees that her careless opening of the package with a steak knife nicked one of the bags, which is now slowly leaking a pool of warm, ostensibly human, blood, onto the counter where Benji is resting his head.
"You are rather famous." Moss says, though you may recall, from your first phone call —when you were still rather out of it— that Blossom possibly had to look you up. "And the Faeries are great. I have spent my life studying them." He looks old enough that he was probably around before they went away, though he would not have been very old back then.
"They can be a great help to us, if we would just set aside our prejudices." He says with a slight edge of what might be anger to his voice. "Look at me, I am but a simple 'Faith Healer', but I only started to see any real results after I let the faeries in."
What do you do?
"You’ve actually seen them?!" she perked up "What are they like? How can they help us? Are you in contact with any of them?"
Being overwhelmed, she only stammers, "What? Oh, um sure?" She turns and leaves the door open and returns to the counter, tearing paper towels. The young man enters and looks confused, then approaches Benji.
He cuts himself off as he takes in the situation. Warm blood spilling across the countertop. Circe trying to clean it up in a panic. Someone he doesn’t recognise standing nearby, bedraggled and still damp from the rain.
Bewildered, Benji looks to Circe for an explanation, though his attention keeps drifting back to the blood on the countertop. "What- what’s going on? Did I miss something?"
The raggedy student replies, clearly confused and uncomfortable about the blood, saying, "Uh, yeah, they said I had to be, like, in front of you and hand it to you and say..." he clears his throat and says something he has clearly been told to say verbatim. he says, "Ahem... I have a delivery, and I'm here in case you have the need." He clearly is struggling to understand the meaning of the words, but does not see the mortal danger he is in.
Circe is beginning to put two and two together, however. She stammers, "Wait... Wait. Like, wait. Like HE is the package too? No. Benji, no. Please don't..." She begins to back away, frightened and concerned.
He turns his attention to the pool of blood on the counter and gingerly picks up the punctured bag to stop it leaking everywhere. It feels warm. Maybe it’s fresh and not all chemically like bagged blood usually is? "Persephone sent for all this for me? That was very thoughtful of her. And generous." He frowns. "Come to think of it… where is she?"
Not wanting any more blood to be wasted (or spilled all over the fancy countertop), he puts the punctured corner of the blood bag in his mouth.
When she returns, she sees Benji drinking blood from the bag and her confusion eases. "Ah, ok," she says. "I was wondering, like what kind of vampire are you? I thought, you know, vampires were ravenous predators." She looks thoughtfully and then adds, "But then again, I guess sometimes they are like Louis from Interview with a Vampire, right? Like, for a large part of the book, he refuses to even drink from humans, settling for rats and stuff, and by the end he only drinks like you do, out of blood bags. So do you, like, have a connection at the local blood bank or something? or do you drink animal blood?"
About this time, Persephone emerges from the bedroom for a moment, in a robe and with her hair up in a towel. She says, "Oh good, you got the package. I hope it's palatable for you? I don't really know anything about your kind, but I assumed my employer would. OK, I am going to get ready for my date. Circe, I'd like you not to be here for the evening; your presence would likely deter Viv's libido." Circe gets a look of disgust at Persephone's callousness a comments, "Sis, we NEED to get that tattoo thing off your back. You are super gross with it. Like, seriously sociopathic."
Persephone swishes her hand as if swatting away Circe's concern like a fly. Then, seeing the papers, Persephone says, "Oh yes! Benji, please examine those papers. Henry acquired them; they concern some real estate near Hyde Park that Chaudry and the Club folks trade in, and it may include the land beneath which I met my death. I'd like to see if we can discover a weakness, or perhaps some leverage."
He smiles when Persephone emerges from the bedroom. "Persephone! I was just wondering where you were! Yes, this is lovely, thank you!"
He picks up the papers Persephone indicated but as soon as she leaves the room again, he says to Circe, in a low voice, "What’s this about a sociopathic tattoo?"
Circe shrugs and says, "Well, I don't know if it's actually a tattoo. Maybe it's like, a temporary tattoo? Or a sharpie drawing? Maybe we just need to, like, erase a part of it, like in the movies when they break the protective circle and let the demon out, or whatever."
Circe nods and says, "Um, OK, can we text her or something?" She thinks for a moment and adds, "Hey, maybe, it's like a henna tattoo? Like, maybe it will last for a few days but then fade? She said it was so she could function again, after having a breakdown from the trauma of being ...um... murdered. Did that REALLY happen, by the way? Like, HOW? Why was she alone? Who would want to kill her? Why didn't... why didn't anyone protect her?"
"Seen? No, no, no. There are no faeries in London." Moss reiterates wistfully. "But I have studied them all my life."
When you ask what they are like he goes into a long explanation about benevolent protectors of nature and helpful tinkers that clean houses and repair shoes. "They could teach us a lot a renewable energy and climate change." He concludes. "I mean, look at how the world has gone to hell in a hand-basket in the decades since they have been gone."
He studiously avoids answering your question about 'being in contact', it may be wise to wait till he is finished his work before risking pushing on that point.
What do you do?
The papers Persephone asked you to look at contain details of real-estate deals in the area, there is mention of The Ivy Club (often by inserted notes linking the named buyers to organisations they control) but also mention of Elliot (also sometimes through third-party intermediaries).
You probably know that Elliot was interested in real-estate, or, at least, that he owns a fair bit of it. Among others, they both seemed to be vying for a old, dilapidated hotel in Mayfair that was put out of business by not being able to compete with the likes of The Lanesborough or The Ritz. Why anyone would want to buy such a place it beyond you.
What do you do?
Circe listens as Benji explains what happened to her sister and, as he does so, an expression of horror and grief spreads across her face. At the mention of so much blood--her sister's blood--she cries out, "Oh my god, No! Persephone, no!" She runs toward her sister's bedroom in tears. Before she reaches the door, Persephone emerges, drawn by the noise. She looks vaguely annoyed by the interruption. Her hair and make-up look absolutely exquisite, as does her whole ensemble -- even better than Benji has seen her appear before. Circe crashes into her, embracing her in her tears. Persephone becomes agitated, as an emotional response begins to emerge, but then she grunts in pain and falls to her knees as the symbol on her black flares with an infernal red light bright enough to be seen through her linen top. Persephone grunts again, as if the symbol flashing is causing her pain.
Circe falls with Persephone and they are now both on their knees, Circe clinging to Persephone while Persephone struggles with the symbol. Circe cries out, "Pers! We need to get this effing thing off your back now! It's gonna kill you!" The light fades and Persephone pulls herself back to standing. Calm comes over her again -- or coldness, really -- but a look of concern remains. She observes Circe and says, "Hmm. I can't function very efficiently if that is going to happen with any frequency. Wait a moment; you are obviously distraught. More than usual, I mean. Why?" She looks to Benji, expecting him to be able to provide a more coherent explanation than her sobbing, angry little sis.
Circe eventually calms down and pulls herself to standing. Persephone sighs heavily and says, "I suppose it is all rather upsetting. Or, rather, it should be. But I am... numb. As if that part of me has been... quarantined." She looks at Benji with almost no expression at all on her blank face. She asks, "This is likely unhealthy, isn't it? I suspect it isn't sustainable long term, either; I wonder if my Patron has decided I am a liability and has chosen to use me in this way for the short term until this burns me out. Alas, I have no way of knowing. Do you know anyone who has experience with such things? Perhaps your bookstore friend?"
Circe has finally composed herself enough to rejoin the conversation, adding, "Yes! Benji, please. Pers is willing. We need to do this, now."
Dear Yasmine,
I hope you are well and that the process of rescuing Jacob’s books is going smoothly! I am just writing to you because I was wondering if you might know anything about magical tattoos? My friend, Persephone, has one that she would like removed as it seems to be tampering with her emotions. Please write back soon!
Yours,
Benji
While they wait for a response, he picks up the papers Persephone gave him to look over and says, "I’m afraid that the business side of this is well over my head, but I can tell you about Elliot Parry, at least. He’s the vampire lord who used to control this part of London and a… a friend of Emma’s." He narrows his eyes in disapproval as he says the word friend. "He went missing very recently."
Yasmine responds a short while later:
> Where have you been? I tried calling you! What did you do with the frog?
You can feel the interrobangs implied in her text, even though she does not type them. One would have thought that the idea of 'magical tattoos' would have interested her, but she seems much more concerned about other things.
What do you do?
"Yasmine!" he says, as soon as she picks up. "Sorry, I was trapped underground for a few days and my telephone wasn’t working. I didn’t realise you had called. I released the frog in St James’ park. Why do you ask? Is everything all right?"
"Can you... no, forget it." Yasmine says, completely skipping over the story of being 'trapped underground for days'. "The park is flooded, isn't it?" She sounds a bit defeated by this news.
What do you do?
"Nevermind. It was just one frog... not like one can cause an ecological disaster, right?" Yasmine sighs. "These eggs must have been externally fertilised. That's how frogs work, right?"
What do you do?
She's not a tall woman by any means, but she has an aura of someone 'large for their size,' and her presence seems to take up more space in a room than it really should. She walks with confidence and grace, and a hint of wary danger, like a predator pacing its enclosure simply waiting for a chance to spring to freedom. Her blonde hair is kept in a tousled but aesthetically pleasing mop, with wild bangs that hang to the right side of her face, and intense blue eyes. She wears mostly black leather, pants and a jacket, hanging open with a plain gray T-shirt beneath. She carries a worn duffel bag across her back.
When she gets to Titania's door, she pauses to admire the sheer contrast of the sign with the rest of the building. Who did they think they were fooling? Surround yourself with a dump like this, everyone would think you were a dump no matter how ritzy you looked on the inside. Without knocking, she enters.
She pauses to give the room's inhabitants a brief scan before she approaches the receptionist. "Hi," she says cordially. Her voice is husky and direct. "I'd like to make an appointment. Unless you do walk-ins? That's... probably not a thing, huh?"
"Eggs." Yasmine says, searching for the word. "Frogspawn? The pond was full of frogspawn. They hatched. Thousands of little têtards ... tadpoles."
She is overly concerned about the impact that introducing foreign frogs into the ecosystem might have, you may have to steer her back to the issues at hand.
What do you do?
"Hello daarling!" The receptionist says, giving you a happy smile. "You look fabulous. Love the leather, and that hair! Don't change a thing." This last is possibly a bit of a strange thing to say in a plastic surgery clinic.
The receptionist studies you for a moment, as if trying to remember someone they have not met in a long time, then she is forced to ask, slightly apologetically: "Can I get your name?" Her fingers hover over her computer keyboard.
What do you do?
"They are not 'local'." Yasmine says. "I looked it up. I don't know where it came from pr what sort they are. Don't worry about the catching them... I sorted it out." She deliberately does not elucidate how she 'sorted it out', she saw that you are a bit of a softy when it comes to animals, so you probably don't want to know.
"Tattoo? What?" She says, then you hear the phone move away from her face as she checks your message. "Oh. Interesting. Many people regret getting a tattoo, they often make them feel bad. I don't know a lot about removing tattoos, but if it is magical she might need more than just the tattoo removed. Bring her over, I can take a look."
What do you do?
You can overhear most of the conversation Benji is having with Yasmine. Circe looks on incredulously as the talk of invading frogs turns to a casual conversation about 'magic' like any of this is normal.
You met Yasmine, and probably noticed her many tattoos, they seemed to have mystical relevance, so she may well be the best person to go to with this issue. But you are already dolled-up and expecting Viviana for your date, you don't have much time for gallivanting around dealing with inconsequential tattoos and emotions.
What do you do?
The receptionists fingers flit across the keys, then her eyes across the screen and down, there is clearly information there.
"I'm sorry, dear." She says apologetically. "We just don't have any openings." The waiting room is empty except for an older man reading a book, he does not look like a patient —though one can never tell— and they are not busy. Whatever information the computer brought up was probably about your past life, your criminal life, and possibly reports you as 'aware of the supernatural, but no one of consequence'.
• How widespread is the knowledge that you have changed? Would the sight of a 'werewolf bite' be a revelation?
What do you do?
Silently, she continues staring in silence at the receptionist, ignoring the implied request to leave long after it becomes awkward, gauging the woman's reaction carefully.
Rolls
Figure Someone Out - (2d6)
(15) = 6
"Oh, it is!" The receptionist replies, her smile looks a lot more plastic now that she has looked you up, it is likely she, now, knows who you are, and she does not seem to approve.
Your approach is going to be much harder than you might have hoped. It was always going to be hard, they are not covered by the NHS (National Health Service) and their prices are reputedly astronomical, but you may have to offer them something really special to overcome their prejudices.
"Is there anything else?" The receptionist asks by way of dismissal.
The older man in the waiting room has been watching. You can't know this, but you are the second person he has seen get rejected and he is ever so slightly curious why his daughter-in-law was so easily accepted on such short notice.
What do you do?
She was still curious to learn how he gained the ability to heal. If it was some inborn talent, or something anyone could learn - maybe even her. But she didn't ask him about it just yet. She wanted to see how good his 'healing' really was first. He could be nothing more than a quack for all she knew, preying on her desperation. After all, she was in a state to believe almost anything.
Leaning back in her chair, she allowed him to work in peace, taking the time to look around the room and pick up any odd little details while she waited.
Rolls
Persuade an NPC - (2d6-1)
(56) - 1 = 10
Time slips by, the room is peaceful and undemanding, and it is easy to relax and let your worries fade away. If you let your attention drift from the here and now, you might start to hear the background sounds of nature, the birds and the frogs and the rain soothing all your cares.
• What 'odd little detail' do you pick up on? Be it in the room, or merely in the background sounds, or nothing at all.
After what feels like no time at all, but will turn out to have been hours —as promised— Dr Moss takes his hands off your thigh, looking away from you face and trying to ignore all but the 'wound area'. "Fantastic!" He says in appreciation. "I knew you were a good candidate." There is a little hint of joy in his voice that suggests he, maybe, was not quite as confident as he is making out to be in his 'knowing' that it would work, but that is well hidden behind his enthusiasm for the result.
You saw the wound yesterday, while in the hospital, so it may be with some trepidation that you look down at your ruined flesh again. But there is no sign that there ever was an injury there, your leg is, once more, perfect.
What do you do?
The receptionist's eyes narrow a little and she looks nervous, confirming that they know of you. "Look, we don't want any trouble." She says. "The doctor is with a patient and can not be disturbed. What exactly is it you want?" She does not really believe the 'appointment' story you came in with.
The older gentleman in the waiting room looks away, uncomfortable with the language and the threats. He raises his book as a shield, pretending he is not there.
What do you do?
She suddenly lands her eyes on the old man hiding behind his book. "Hey Grandpa," she addresses him. "Anyone comes in, be a dear and tell 'em it'll be a minute before the receptionist comes back."
Then she steps around the counter as though she owns the place. "An office would be lovely. What's your name then? I ain't gonna call you sweet cheeks again."
'Grandpa' looks scandalised and a little intimidated, he swallows and looks to the receptionist pleadingly.
"Sorry, Charles." She says. "Um... just give us a shout if anyone needs me out here. Do you want another cup of tea?" She asks as she follows you to the back, you don't see his response.
"Uh... B...Blossom." She introduces herself, directing you towards the kitchenette and away from the closed door that possibly leads to 'the surgery'. "Do... do you want tea?" She offers looking at the kettle for comfort.
What do you do?
She spent the next couple of hours floating in the hazy borderland, neither fully asleep of fully awake, until Dr. Moss finally drew his hands away, and she blinked herself back into the room, suddenly aware of the absence of his touch. She looked down, with some hesitation, at her thigh, bracing herself to look upon her rendered flesh - but there was nothing.
The skin was flawless, smooth as if she had never been hurt at all. No scar, no discoloration, no trace that there had ever been a wound. Holding her breath, and still not quite sure that she wasn't dreaming, she touched the spot with her fingers, half-expecting it to be some kind of an illusion. But there was no flare-up of pain. Only her own, perfect skin.
"How… how is this possible?"
"The faeries offer many gifts." Moss says with a satisfied hint of 'I told you so'. He reaches behind himself for a chair and drops into it, looking exhausted.
"If we would but open ourselves to them." He finishes his thought.
What do you do?
She moves around the room as if giving it a brief inspection, then leans casually against the kitchenette counter. "Here's your deal. Everything from Angel Street to Falcon Square is under my protection. I don't run an extortion racket, and I don't force civilians into crime. In most respects, I let people conduct their business as they see fit. But community is important to me. And refusing service to an individual such as myself doesn't really seem like a healthy community."
"So, one of two things is going to happen. Either you're going to follow my rules, which I will explain to you and you will find reasonable. And once I'm finished explaining them to you, we're going to return to your desk and book me an appointment as soon as the doctor's schedule opens up. Or you're going to be gone by tomorrow. We clear?"
"No. Not just anyone." Moss says. "Not everyone is receptive enough to receive their gifts. Too many are too closed off, out of touch with ... 'nature'." He waves his hand vaguely, not quite settled on the word 'nature' but too tired to find a better fit.
"And it takes work. Work most —even most of the 'receptive'— are probably not willing to put in." He says sadly.
"But you know how it is." Moss adds. "The lengths one need to go to be one's best." He indicates you and your body, the way you look, acknowledging the effort involved.
What do you do?
Blossom looks a bit scornful when you disclaim an extortion racket, that is exactly what it sounds like. But she does not argue your 'right' to 'protect' your Territory, she is obviously cowed.
"And, how will you be paying for this?" She asks, turning back to business as her own protection. You have heard that their bills are astronomical. "We don't work for free." This last statement has a little venom to it, you get the impression is it non-negotiable.
What do you do?
"Beyond that, most important thing is that you respect this community and everyone in it. Which means you don't turn away anyone from this community. You can still charge them an arm and an asshole, not a charity, we've established that."
She was coming home to David now, and leaving all this craziness behind her.
Finally looking up at him, she studied his face for a moment before asking the question that has been bugging her:
"So why me, then? Why are you helping me?" she paused, and then added: "And who is Titania?"
"You... you want complete control over everything we buy? The teabags?" She indicates the box she is still holding. "And the surgical supplies, medicines, and ... toilet paper? And we don't get a say in who we treat, we have to take every patient, even if they are not something we can heal?" She sounds incredulous, but also too afraid of you to argue with you... to your face.
"And what exactly is it you want done? The nose? Of course." She says, possibly just trying to be mean and attack your insecurities out of spite. "What else?" She looks you up and down, judging every inch of you, and clearly finding you a lot less 'fabulous' now that she has met you.
What do you do?
"Why, you are..." Moss says when you ask about who Titania is. He watches your expression for any reaction to this statement.
"... And I am, and Blossom is. We are all: Titanias" Which might explain the lack of apostrophe in the name.
What do you do?
Then she pulls her jacket back a bit and pulls up her T-shirt, revealing puncture marks surrounding a hideous bite scar. "My nose happens to be beautiful. This is what I want taken care of. How much is it gonna cost me anyway?"
OOC: Changed wound to scar, since that's more accurate.
"Aren't you?" Moss asks rhetorically. "Do you feel like a queen? That part may just have been Shakespeare, but it is hard to say how much his words shaped reality." You are reminded of a feeling of pressure —just beyond perception— when you described what you thought Moss might really look like as a faerie, words have power.
What do you do?
"You said 'everything'!" Blossom wails, she is clearly scared out of her wits by your strong-arm tactics. "We don't do anything illegal..." She tries to claim, but looks away, guiltily, giving up that lie.
"You can really get our current dealer off our back?" She asks, somewhat hopefully. She does not look too upset about that part, but also sounds dubious. "I can't give you his name." She says. "He will kill us if he finds out." She is clearly hinting at something, you think you might know who she is dealing with, which is bad news.
• Who is Titanias' current 'dealer'? What have you heard about them? Are you worried?
Blossom sniffs dismissively at your claim of a beautiful nose, hers is a little out of joint so she is feeling spiteful. She looks at your bite-wound in a defeated way. "That's just the thing, though. It is easier to say 'no appointments' than to try to explain spiritual alignment and receptiveness. That scar is on your very soul, it is cursed. But you know this. No one can heal that till you ... 'let go'." She looks sheepish (and sheep-like). "And, no, I can't explain what that means any better than that, you will need to discover that for yourself.
"But, take off your top. I will snaps a few photos and Dr Moss can take a look when he is done. Maybe he can try." She sighs. "We can give you a... 20% discount, best we can do." She names a price... it is astronomical... as in: 'probably the sort of money those billionaire celebrities paid to go to space for a quarter of an hour (or, at least, the deposit)' and well out of your price-bracket, you could buy a house for what they are asking ... though probably not in this area. Apparently it is also more politic to say 'no appointments' than 'you can't afford it'. She does not seem to be exaggerating, their prices are in line with other top firms, or a little higher to pay for their 'miraculous reputation'.
What do you do?
When Blossom explains that she can't be treated Max raises her brow incredulously. "Really? I thought this was a surgery clinic, what is your doc? A faith healer?" A little suspicious after that song and dance, she nonetheless takes off her jacket and shirt and allows Blossom to take pictures of her mauled stomach. "Alright. If he can't help me, he can't help me. We'll do the consultation anyway. And the discount is greatly appreciated." She's too stubborn to admit that she can't afford the bill if the surgery is actually greenlit but... she can't afford the bill, and it's not her intention to force the clinic to work for free. She thinks about ways she might raise the money. Save up? Borrow it from someone powerful? Take out a loan? None of it seemed very likely.
She lists her fee for strongarming Jack. It's quite expensive itself, but certainly nothing near the astronomical price she'd just been quoted, and it even includes a 20% discount. "I only take payment in cash, of course," she concludes.
"We really don't like using the term 'faith healer'." Blossom says, though what she really means is: 'I wish my partner would stop using it in front of people'. "But there is a ... holistic, metaphysical element to our practice, and that requires ... compatibility of spirit." She does not think your 'spirit' is compatible, but she does not want to say that to your face.
When you give her your quote she blinks in confusion. "You want us to pay you to get rid of our supplier... because you want to be our supplier?" She asks, but then cowardice takes over and she agrees. "The discount is greatly appreciated." She says, managing to hide the mocking tone.
What do you do?
She slipped her panties back with an unhurried motion, still allowing her hand to wantonly caress her smooth skin, as though she couldn’t quite stop marveling at it. After tugging her pants back up with a soft sigh, she looked up at him once again:
"Thank you, Dr. Moss… for everything."
She turns to Circe and says, "If you wish to accompany us to the occultist bookshop, get your things, because we are leaving. And I need the condo empty when I return."
She prepares to leave, looking at Benji to join her. She doesn’t pay much attention to Circe, allowing her to do whatever she likes.
For her part, Circe gets a very annoyed and insulted look but grabs her things with a huff and joins them to go.
Before they go, Benji grabs the remaining blood bag and brings it with him to drink in the car, more to stave off the tiredness than the Hunger.
"'A Nymph'? Certainly." Moss agrees. "We must be what we must be." He distractedly watches you dress, his mind seemingly on other things, and not many could say that, given the circumstances.
"Oh, it was my pleasure." He says when you thank him. "Maybe your charm and influence can help us overcome the stigma attached to the faeries in this day and age?" No one has spoken about payment, but this last statement sort of feels like a veiled reference to 'mutual benefit'.
"Normally I would say: 'I hope we I don't see you again'... you know, given what that would mean happened... but if you have any questions... I am always happy to talk." He says.
What do you do?
The car is waiting. The driver does appear perturbed by the presence of a vampire, nor by the blood, and does not even seem concerned about spillage on the immaculately clean leather seats.
"Where am I supposed to go?" Circe is wailing as you get into the car. She does not feel that tossing her out on the street at night is very fair. She tries to ignore the vampire sucking a bag of blood in the seat beside her.
There isn't parking by Yasmine's place, and the car can not drive into Cecil Ct, it is bollardded and has old, iron light poles in the middle, so you have to walk the last bit, the narrow alley is somewhat protected from the wind, so an umbrella keeps the rain off most of you, not significantly messing up your ensemble.
Yasmine's shop is a lot warmer than it was last time, the heating turned up to the max. There is an odd, musty smell to the air.
Circe looks around, disappointed by the sheer ordinariness of the place.
What do you do?
"But if I’m going to be a serious advocate, I would have to know much more about the faeries. Otherwise no one will ever take me seriously. Right now everyone is blaming them for the rain, but if they could somehow help resolve this crisis, I think it would go a long way toward restoring trust" at least she hoped it would. There was still a missing piece of the puzzle there: "Do you know why the faeries were driven away in the first place?"
She gets dressed quietly. "Alright, seems I misjudged you. You aren't turnin' away folks because their parents weren't rich, or because you're bigots. I'm gonna let you do business as you see fit in that case."
"So," she says conversationally as she begins to head back to the reception area. "When's my consultation?"
"Rampant British industrialisation." Moss says standing slowly and looking exhausted, both by the hours standing by your side and probably also by the outpouring of energy into you, you feel invigorated.
"They stood against what was perceived as 'progress'. Warning of the perils of the path we were on, that we would doom the planet... which we have." He sounds sad, but also like so many conspiracy theorists or hippies. "There was a clash, and not just of ideologies. Apparently there was fighting? They were branded as terrorists and the army came in with their tanks and their bombs and their bombs and their guns. Anyone who did not knuckle under was exterminated or driven out."
He opens the door for you, leading you into the hall. "You say people are blaming the faeries for the rain?" He asks, curious. "I have suspected that might related to them trying to return..."
What do you do?
Blossom continues to look on you with incredulity. "Uh... only the petty cash." She says when you demand money. "Tomorrow?" She sounds a little panicked at the idea of your coming back, and is desperately thinking of ways out of this situation, and whether coughing up the petty cash would get you off their back for a bit.
From the hall outside the open kitchenette you hear a door open and a man speaking about 'fairies': "You say people are blaming the faeries for the rain? I have suspected that might be related to them trying to return...
"...Oh, hello." He says, espying you. "What's this about a 'consultation'?" He sounds tired, but also curious and interested in new cases, this seems like the doctor.
Behind the doctor is probably the most beautiful woman you have even seen, the poster-child for plastic surgery 'after' examples. You recognise her: Emma Harper, the writer.
What do you do?
Bumping into the doctor in the hall, she smiles when their eyes meet. "Ah, you must be the doctor. Your lovely associate here was just about to schedule me a..."
Max trails off when she sees Emma, her eyes going wide and her lips parting in shock. She pushes past Moss to get a closer look. "Emma? I mean... Emma Harper? Holy shit you're my favorite author! Your supernatural erotic-thrillers are the tits! Damn... sorry to just walk up to you like this but... I mean, can I shake your hand?"
Circe is appalled. Persephone sneers at her expression and replies, "Don't be naive, girl! You think a man twice your age is interested in you for your mind? Hardly. If you are so prude, then here, get a hotel." She fishes out a credit card and hands it to Circe.
Circe is so stunned by the casual cruelty of the exchange that she just takes the card, agape.
---
Once at the shop, Persephone walks in, uninterested in books, instead seeking out Yasmine.
The cat eyes you warily, but does not hiss at you this time.
"I'll be with you a mo'." Yasmine calls from the back, and you hear something heavy and wooden scrape and settle before she appears from among the stacks, wiping her hands on her dress.
"Benji!" She greets warmly, holding out bother her hands and leaning in for la bise. "Glad you made it back. You must tell me about your adventure underground. Persephone." She greets slightly less warmly. Then: "'Ello. I am Yasmine." She says, holding out a hand to Circe.
"Now? Which one of you has the regrettable tattoo?" She asks, straight to business.
What do you do?
"That’s terrible," she said at last. Violence was always terrible. She wished there were some way for people and faerie to reconcile their differences, but she was starting to suspect it was going to be a tad complicated if the faeries truly believed the planet was doomed if they failed to act.
"Thank you again" She squeezed Dr. Moss’s hand warmly, allowing him to guide her toward the hallway "I’d be grateful if you could help me get in touch with them. But even if you can’t, I’ll do whatever I can, just the same."
She barely had a moment to get her bearings before the woman rushed past the doctor to greet her. She still found it difficult to believe anyone could be so excited to meet her. Her rise to fame was fairly recent, and she hasn't got used to being recognized, let alone knowing how she ought to respond.
"Oh, hi." she broke into a warm smile "I’m glad you liked it!" She extended her hand without hesitation, even as she tried to get a better measure of the young woman
"Really? You want to try make contact?" Moss says eagerly. "I will look into it and let you know. Maybe we can try something?"
He greets Yasmine just as warmly when she emerges from the back, glad for some better company after the chilly car ride. He gently takes her hands and reciprocates the gesture, so well fed and sleepy at this point that putting his face in such proximity to her neck doesn’t bother him at all. "Yes, of course! But another time, perhaps. Persephone’s problem is more pressing." He ushers Persephone forward so that she can show Yasmine the mark.
"Real doesn’t always mean good" she said wistfully "At least not when it comes to stories" she quickly added, though it didn't sound like she meant only that, "Do you know much about 'Faeries'?"
She nods and follows Benji, saying, "Well, it is more of a sigil, I think. I don't know if ink and needles were used. And It is rather useful to suppress all of my messy emotions, so I am still uncertain it is regrettable, thank you very much. Before I received this, my fool of a sister was about to have me committed for hysteria or some other 19th C nonsense."
"Well, you were acting hysterical." Circe mutters under her breath, she is till a little salty about how you are treating her.
"You do not know how you got it?" Yasmine asks, staying out of the family drama if she heard your sister.
"Did you loose time? Or did it just appear?" She asks, which is a slightly unusual question out of the blue. "You want me to take a look?" She has not asked about your 'messy emotions', but she eyes you in a slightly funny way that suggests she may see some traces of your resurrection-ordeal.
What do you do?
She brightens as though a thought just occurred to her. "Hey, maybe you'd like to continue this conversation over a coffee, beer, or other beverage of your preference? Ah, maybe that came out wrong, you're a married woman after all, I did read the author blurb in the back. Lemme just give my card, eh? If you feel like chatting, give me a ring."
Max hands Emma a business card she produces out of her jacket. It's suspicious in the extreme since it says nothing about her credentials, experience, or job, it simply has her name on the front, and a phone number on the back.
She reached to her side, then, remembering something, frowned to herself as she realized she had nowhere to put the card at. She ended up pulling her phone out instead, snapping a picture of both sides of the card before handing it back "Thank you" she forced a smile to her lips "That way I won't lose it"
Nodding to Dr. Moss, she said her farewell before heading to the waiting room:
"Thanks again, Dr. Moss. I'll be waiting for your call"
"Call?" Moss says, clearly lost in thought. "Oh, yes. I have some ideas already. I need to consult my books. I will give you a call tomorrow."
What do you do?
"So?" Dr Moss says, looking intently in your direction and possibly seeing something interesting. "You need 'a consultation'?" He completely misses Blossom's desperate attempts to wave him away from the topic, he does not know anything about you, but seems interested.
"The doctor needs to rest." Blossom interjects, and he does indeed look exhausted, but he smiles indulgently and poo-poos her concern.
"Pish posh." He says.
What do you do?
"Hi" she bit her lip, flustered about how she was ever going to explain this "Emmm..thank you for waiting for me this whole time. I think we can go now"
She turns to the Doctor with a smile. "Ah, your lovely associate was just about to schedule a consultation for me regarding a wound. She was explaining that you might not be able to help, but she was generous enough to allow that you take a look nonetheless."
"But you really do look tired, Doctor. You can get all the details from her after you've had a breather, I'm sure."
"All fixed up?" Charles asks, noting that you are walking without pain but not yet twigging on to the significance of the lack of crutches. He picks up his book from beside his empty tea cup on the table next to him and slips it into his coat pocket.
"They seem nice." He observes as he offers you his arm for support, just as he did when you arrived home. "Was it grueling?" He asks sympathetically, he is walking a little stiffly, his legs asleep from the hours of sitting, but you feel energetic and rejuvenated.
What do you do?
"Very well. If you are not in a lot of pain." Dr Moss says. He sounds a tad relieved, but he seems a bit of a pushover and it would be easy to take advantage of him... if not for his fierce protector.
What do you do?
"I still want to pick up my purse" she smiled at him apologetically "They gave me the security guard’s address. I can drop you off at home first, if you want, or you’re welcome to come with me. It's not a terribly long drive"
She crosses her arms and looks Yasmine in the eye. She confronts her, saying, "I came here once before and asked indirectly about demonic contracts and you were less than helpful. I am not even certain if removing this mark is something desirable. Nevertheless, I would hear your thoughts; can you remove it and should I allow you to do so? I will take your suggestions under consideration."
"It's no problem." Charles says, maybe he is being gallant, but maybe he is not overly eager to return to the flat and to the tension over there. "Where are we going?" He asks, clearly thinking he is still driving. He offers to carry your crutches so you can manage the umbrella.
It takes a little while to get back across town, but at least there is space in Llewis' flat's visitor's parking lot. The car should be safe, even though it is not the best neighbourhood. Charles opens his door, intent on helping you and keeping you safe.
What do you do?
Moss and Blossom take the statement: 'I'll see you soon' rather differently. Blossom is a bit reticent to give a hard date for an appointment, saying that 'the doctor may take a few days to recover' and suggesting deciding tomorrow.
There is a few hundred in the petty cash box. Blossom again offers it to you in the hope it will stave off your return tomorrow.
What do you do?
Yasmine listens to your tail. She seems to take special note of your mention of the name, though this is unlikely to be a 'true name' she can use for anything binding.
She also seems interested in the parts about the hellhound, and interrupts you briefly to enquire about whether you think being 'consumed' was related to your transportation —she is disappointed when you get the part about being teleported out of hospital as this indicates you were not 'shat out into hell'.
"You actually met with your patron?" She asks, as though this would be a highly unusual occurrence, and you are reminded about the whole 'Dude' smokescreen. "But, no. I do not expect they would be at all informative. Sharing information is not characteristic."
She seems very impressed that you were returned to life. This is kind of a big deal, apparently, just as one would expect it to be. Yasmine looks on you with renewed appreciation, and a little trepidation about what this might mean, but she does not make a show of it.
"No. Somehow I doubt your mind's wholeness is of much importance. Not if it can be paved over with a patch." She does not comment, but you get the impression she might have thoughts about the 'value' of having demons reconstruct your psyche for you.
She is impressed by the amount of power required to teleport a person from one place to another, this probably being less than that needed for resurrection —though it is hard to quantify that— and she asks some questions about 'distances and elevations'.
"'Fear' is an important part of being human." She points out. "It serves a purpose, it keeps us from doing foolish things." She does not comment on the inherent foolishness of making deals with demons, nor on how fear often plays a role in when such deals are offered, be it fear of loss or some other fear. "Maybe remind yourself to think twice before you make any decisions you might have been wary of before? Mm."
She bristles slightly when you denigrate her previous helpfulness, she feels her advice and offer of further help was very generous, especially given how little you shared and that you offered nothing in return, but she does not say anytyhing.
"Better take a look at this tattoo." She says when you are done.
If you allow her, she sorts through the variety of glasses hanging around her neck on strings, peering at the mark through one after the other, and even through more than one pair at a time, sometimes turning them as though to create diffusion patterns or polarisation or something. After a while she pokes and prods at it, going 'hmm...'
"You. Sister." She says, not having gotten Circe's name. "Make her angry." This is said in a scientific manner, as though it is a controllable thing that Circe can do like the flip of a switch.
"What? How?" Circe says sullenly. This has not been nearly as exciting as she thought it might be.
• What does Circe to that would have irritated you if not for the patch?
What do you do?
Blossom does not have the guts to say what she thinks about your thug-denial. She merely agrees to postpone it till tomorrow, not believing the claim that it will be painless.
You are not making a brilliant impression as a 'protector'. What you do with Jack the Merc will have important implications going forward.
What do you do?
She texted Llewis on the way over to make sure he hadn't left for his shift yet. Leaving her crutches in the car, she slipped out to stand beside Charles, opened her umbrella and allowed him to hold it as they crossed the street together. Once at the door, she knocked lightly, and waited for someone to answer
She departs Titania's and retrieves her umbrella from her duffel bag, taking the train back to her 'home.'
Even with the en route text, LLewis did not have time to prepare for a visit, and he answers the door with his hair wet from the shower and looking like he dressed hastily. He would probably have liked to have cleaned up a bit, but the place is fairly tidy, there are only today's dishes, and a damp towel on the weight rack showing the lack of prep, that and a prosthetic leg standing in the corner.
Llewis greets you eagerly, his face only falling a little at the sight of your chaperone. "Would you like to come in?" He asks, glancing around the street in what seems like habit.
What do you do?
Rolls
Comes With The Territory - (2d6+1)
(12) + 1 = 4
"Oh, I wouldn’t want to trouble you. If you could just fetch my purse, I’ll be on my way."
"Oh." Llewis seems disappointed that you don't want to hang out and are all business, but accepts that you are important and he is nothing but a lowly security guard.
"Of course." He says, going back inside. You hear the sound of a safe opening and then he returns, purse in hand. "I kept it safe for you." He says.
It looks like it is all there, though you have no way of knowing if he skimmed a little off the top... but then, he has no way of knowing that you have no way of knowing...
What do you do?
She couldn't wait to get in her car. She had to make sure everything was there. The cash she stolen emancipated from Eliot's safe wasn't her first concern. She absentmindedly took out one thick bundle after another from her purse, until her fingers finally brushed against the backup drive, near the bottom of her purse.
"I can’t thank you enough" she let out a sigh of relief, eyes sparkling as she looked at him "You really saved me. I owe you, big time!"
"Hey! Don't flash that about!" Llewis exclaims, his hand reaching for a weapon he no longer wears and looking around the street.
Charles' eyes nearly pop out of his head at the sight of more money than he earned in his lifetime.
What do you do?
Emma lifted the bundles to her face, drawing in the scent of crisp bills, letting it flood her senses for a moment. With a reluctant sigh, she pushed the stacks back into her purse, then leaned in and brushed a quick kiss against Llewis’ cheek
"Thanks again. You really are a lifesaver."
Turning toward Charles, she gave him a small nod, waiting for him to take the lead them back to the car.
"Yes. Put that away." Charles hisses nervously. The sight of the famous, but never seen, £50 notes making him equally worried for your safety.
Llewis flushes at the kiss, but still looks worried. "Uh..." He says. "Let me get my car. I will escort you out?" He is asking permission, keeping people safe is his job, but you have not noticed anyone noticing your performance.
What do you do?
Persephone turns and arches an eyebrow curiously. She comments, "My dear, I doubt there is anything you could say that could compare to what I've experienced recently. But very well, do your worst." She looks bored by the whole process.
An angry look spreads over Circe's face as she recalls all of the many hurtful and cruel things that her big sister has done to her just in the past few hours, not to mention since her arrival here. She sets her jaw, steps close to Persephone, and says, "Do you remember your grad school fiancé, Vincent? He and I were sleeping together. Regularly. That's right; I was a freshman in college and he was 24 and he was planning to marry you but he preferred sleeping with me. You're a joke, and you'll probably die a sad old woman."
Circe steps back, appalled at what she has just said. She had clearly accessed a part of herself -- a skillset, let's say -- that Persephone is quite good with, but that Circe had always eschewed as awful. Well, the sisters are more alike than they may have realized.
"Uh... I don't know..." Llewis says hesitantly, but you are already moving, Charles also not wanting to hang around.
• Are you paying attention to your surroundings as you leave? Is Charles still driving?
What do you do?
"'Overload'?" Yasmine says. "No, I just need to see it in action." She is watching the 'tattoo' through two pairs of glasses, one only covering one eye.
• How does Circe's revelation make you feel? Do you believe her?
What do you do?
Persephone’s back becomes hot enough to the touch that a faint smell of burning emanates from her—though whether it is her flesh, body hair, or clothing isn’t clear.
Finally, she replies, her voice strained. She chokes out the words in a supreme act of control, saying, "I see. You , ahem, have violated my trust, Circe. And I.." She hesitates, seeming to struggle with inner feeling in conflict.
Persephone's eye continues to twitch and she continues to stammer. The smell of burning flesh grows stronger now. Finally, whatever internal struggle was occurring subsides and Persephone's eyes become clear. Her eyes narrow as she turns her baleful gaze upon her little sister. She speaks, her voice absolutely emotionless. Matter-of-factly, she says, "I lied to you about why he and I broke up, you know. I told you it was because he wanted to travel and I wanted to stay and work on my startup. The truth is I found out he was sleeping with pretty much anyone who would let him. Last I heard, he had contracted several STIs, so you may want to get yourself checked." Circe looks stunned, as all the blood drains from her face.
She turns to Benji and Yasmine and says, "This is ridiculous. I have a date and you are wasting my time." She waves her hand dismissively, turns on her heel, and walks out.
"Fascinating." Yasmine says, seemingly not caring about the family drama, but intrigued by the results. "You know, I think you may be able to overload the mark enough to cause it to burn off her... though I am not sure how safe that would be." There is a slight emphasis on 'you', meaning Circe, and not just anyone in general, having this overload ability.
"Would you say that was a characteristic reaction... or was it... Hmm... meaner than usual?" She asks curiously.
What do you do?
Meanwhile, Persephone heads back to her condo to prepare for Viv's arrival.
"Sorry about all that," he says to Yasmine, sheepishly, in the silence that follows. "And thank you for your help."
"Any time, my dear." Charles says, starting to relax as you near the perceived safety of home. "David will be fine. You both will be." He says, trying to sound reassuring.
He is probably dying to ask about the bag of money that was kept safe by 'a security guard' while you were in hospital, but he really has no clue how to approach the topic, so he is choosing to ignore the facts that don't fit with his worldview.
What do you do?
"I would think so." Yasmine says to Circe. "There is that little voice in the back of our heads that tells us not to say or do things that will hurt those we love. Both that voice, and probably also the love, have been switched off for your sister. I do not think whoever placed that mark on her has her best interested in mind. But I do not know how how to tell her that."
She smiles sadly at your apology. "Ah, well. You are always welcome, Benji. It was nothing." She does not imply that that 'always welcome' invitation extends to your oft rude friends.
"If she wants to, I may be able perform a ritual to expunge the mark from your friend." Yasmine offers. "But it is not a tattoo. Tattoos are below the skin. I suspect if one were to carve out the flesh at that mark, the mark would remain, floating just above where the surface used to be."
Circe looks distraught. Yasmine's consoling words only help a little.
What do you do?
Your car whisks you back home, and you have time to change or dry off before Viv arrives. She has brought Champaign, and chocolates, and also flowers, but she got shy about the flowers and left them in the hallway by the elevator.
What do you do?
There is a police 'indecent' happening near the lower Mayfair edge of Hyde Park. Blue flashing lights and a white evidence protection tent.
• Do you choose to get involved? (How?) Or do you wait for tomorrow's papers to tell you about what happened? (Both are valid approaches.)
What do you to?
Persephone arrives at her condo and begins straightening things. Every so often, though, her hand begins to shake and she looks down at it, willing it to stop, until it does. She doesn't have a lot of time before Viv arrives, after all. She puts on an appropriate playlist of recent alt pop that is mellow enough to serve as background music, but not overtly romantic--yet. That playlist is waiting for later. She ensures she has several bottles of wine, as well as some small chocolates. She heads into her bedroom, straightens her pillows, and opens up her 'naughty drawer' to make sure a few relevant toys -- vibrator, strap, cuffs, blindfold, riding crop, lube, feather, etc -- are in reach of the bed. She gets a whiff of her own burnt flesh, so she heads to the shower.
Emerging after a quick wash of her back (which is sensitive to the touch, now), she retouches her hair and makeup, gets re-dressed, applies some perfume, and heads out to await Viv's arrival, which should be at any moment.
She stepped into the small flat, so eager to sit down in front of her laptop that she had to remind herself to check on David first. Putting her umbrella into the stand by the door and peeling off her coat, she caught the faint, homely smell of soup coming from the kitchen.
"Hi" she said softly to Evelynn, who was stirring a pot on the stove "How has it been? Is he doing any better?"
It does not seem like Viv to arrive late, so when you check the door you find that she has been hovering right outside, thinking about knocking but nervously unable to get her hand to move the last inch each time.
In imitation of your prep she has brought Champaign, and chocolates, and also flowers, but she got shy about the flowers and left them in the hallway by the elevator, you can see them there if you look out.
What do you do?
It has been many hours since the police set up their cordon, that and the weather has thinned the numbers of looky-loos standing around and gawking at the scene. But there are still enough people around that you can blend in without much difficulty.
The police have set up a forensics tent to keep the rain off and hide the details from onlookers, so you can't tell just by looking what happened. There are enough bobbies on hand to suggest that someone is dead, but you don't know if the body is still there or if it has been moved to the morgue. Parked among the police vehicles you also spot a animal-control van.
• Do you know anyone in the police? If you are looking for someone who knows a bit about the weird side of things, maybe you can seek out Sgt Kenedi?
Depending on your relationship to Kenedi (or whoever you might choose to seek out) you may need to roll Hit the Streets [ref] or some other Move to get information from them.
"He's doing much better. Would you like some soup." Evelyn says turning to you. Seeing you walking on your own, a look of annoyance crosses her face.
"You are doing much better, I see." She says, sounding a lot like she 'knew all along that your injury was not that serious and that you have wasted their time'. "All fixed up, are we?"
How can you explain to her that, under normal circumstance, and for all you knew yesterday when you called, you were going to be in and out of hospital for weeks? Whatever grievance she has against you —Charles suggested some connivance of Mrs Spunklecleif's may be to blame— is colouring her perception of the miracle of your sudden wellness.
What do you do?
"I do have her credit card." Circe says slowly, starting to calm down and think about the possibilities. "I could get a hotel, like she suggested. What would you recommend." She has not commented on spending the night with a vampire, but at least she has not outright rejected it. This whole day has been an ordeal, and she needs time to process everything, it might not be all that healthy for her to be alone?
What do you do?
She didn’t miss the disparaging note in her mother-in-law’s voice, but chose to let it pass without saying anything. It's not like Evelynn didn't have her reasons to be suspicious, and she decided that being cordial and warm would serve her better than taking offense.
"Yes, much better," she smiled at her "The guys at the clinic work miracles. I honestly didn’t expect to be back on my feet this quickly!"
She placed the last spoon neatly beside its bowl and glanced back toward the kitchen "Is there anything else I can do to help?"
Rolls
Put a Name to a Face - (2d6+1)
(14) + 1 = 6
Evelyn merely sniffs. She is going to say something, but is derailed by her husband, his timing prefect to distract her.
"None for me, thanks." Charles says to you when he sees you laying out a place for him. Evelyn gives him an exasperated look that is hard to read. "I will grab a bite at the pub." He says unexpectedly.
"This is not the village." Evelyn says scathingly. "You don't know anyone in London to 'go down to the pub with'."
"Sure I do." Charles says. "I'm going to meet Desmond."
They could go on like this for a while. Evelyn clearly does not approve of him visiting the pub, and he clearly uses this as his time away from the wife.
Evelyn has already started filling bowls, and one is on a tray for David.
What do you do?
But she was also the only in Max had. So instead of avoiding the Sergeant in shame, she waves her down and tries to catch her eye. Maybe the woman has some answers that she desperately needs.
Sgt Kenedi is directing some new arrivals to where the noddy suits are (white, disposable full-body-covering overalls) before they are allowed to enter the tent. She sees you wave, and then recognises you. You can see her swear, causing the cops around her to look in your direction. She appears to be considering pretending she did not see you, going home and getting drunk, but instead she makes her way over to you, scowling.
"This can't be good news." She says by way of greeting. "How are you caught up in this?" She demands.
• Does Kenedi know that you are a werewolf? If they are already thinking 'animal attack' this may lead them to thinking of you as a suspect...
... come to think of it, last night was a pretty full moon —though it is hard to keep track with the constant cloud cover and rain.
• Are you completely sure you can account for your every moment last night?
What do you do?
Circe's eyes narrow at you a bit suspiciously, wondering which ulterior motive she should be most concerned about, your being a vampire, or your being a man; either way inviting her back to you flat should be a red-flag, but she is feeling wrung out and more than a little reckless.
"That's my taxi." She says as her car pulls up in Charing Cross road. "Uh... thank you, for everything." She does not commit to coming by later.
What do you do?
Circe gives the taxi driver new instructions, instead of the closest clinic she heads to an expensive one, credit card in hand. She makes sure they clearly say 'Sexually Transmitted Disease testing' on the invoice statement, just to make sure no one mistakes 'STD' for 'standard testing', she is hoping it will come up on your phone, at just the wrong moment and that your date will see it... serves you right. She does not know that you have never seen any of these bills, that they go off somewhere for some drone to process.
Just so you know. :)
Or maybe, her mother-in-law just didn’t want to be left alone with her...
Instead of waiting for them to settle the matter, she softly said something about going to ask David if he wants some soup as well, before leaving to check on her husband.
It’s only a very short walk back to his flat. On the way, he decides to call Emma to let her know he’s alive (well… alive-ish) and made it out of the underground.
She opens the door and acts surprised, saying, "Oh! Viv! You have perfect timing! I was about to head down to check my mail and here you are, just arriving! Much better than mail, that's for sure. What can I say? I prefer receive a female over a male...Ha."
Her joke is corny and delivered in an odd deadpan. A socially awkward and nervous baby queer like Viv might actually laugh at how bad the joke is, thereby breaking the tension. Or perhaps she'll be put off, seeing Persephone lacking her usual causal confident charm.
She gestures for Viv to enter and feigns surprise and joy over the champagne and chocolates. She sets them on the counter, takes Viv's coat and hangs it up, and then offers her a drink, some snacks, or whatever. Once they are situated on the couch, Persephone says, "So, now you may tell me how you have been. Then we can decide how we would like to spend our evening, though I believe I have a preference."
David was sleeping, but he wakes up looking much stronger, and is able to sit up and even make it to the loo without support. He would be able to feed himself.
"More soup?" He says, trying not to sound unappreciative, but you can tell he has had enough soup for a lifetime, and really would have preferred something more solid, not that he is going to tell his mother that after she has slaved away in the kitchen.
What do you do?
"Uh... Ha? Ha?" Viv says —like literally says the words 'ha' and 'ha'— clearly a little put out by your 'joke', but then she has always been a little uncomfortable with your open talk about 'gender and stuff'.
"Um... I've been well." She says at your instruction to say how she has been. "Been thinking of you..." She does not comment on how this is, maybe, not quite how she has been thinking about you.
"How are you?" This last, reciprocal, question sounds a lot like it could have been phrased: "Are you OK?".
"Maybe something to drink?" Viv suggests, standing from the couch and walking over to the counter to open her Champaign. She looks a little uncomfortable in her sexy clothes —revealed but uncommented on when you took her coat— and she moves to put the counter between her and you so she can hide.
What do you do?
She looks around, licking her lips in a nervous display, then lowers her voice so that none can eavesdrop. "Listen. This is my turf, but I got no clue what's goin' on here. Let me help ya out. I can go where you can't, ask what you won't. Pay ya back for helpin' me out all those years ago. I just need somethin' to go on here. Just need a little information is all. Tit for tat, eh?"
"Police business. Move along." Kenedi says brusquely. She is not your friend and not impressed with what you have made of your life and the second chance she gave you. She has no reason to think you can help her or her case, and has no intention of letting a civilian mess things up by poking their nose in things. The people may consider you a protector, but the police take a different view, and use terms like vigilante... and not in a favourable way.
The fact that Kenedi isn't having you 'help the police with their investigations' (which is modern police speak for 'being interrogated') probably means that this is not drug or gang related (so far) and they don't think you are involved.
Is there anything you can offer her to incite her to trust you... or even just to consider you worth her time if 'trust' is too strong a word? Why should she share anything with you?
What do you do?
Her phone buzzed just then, and her she held her breath as she glanced at the screen.
"It can’t be!" she almost dropped the phone there for a moment. She tapped on it to accept the call, and lifted it to her ear. "...Benji?"she sounded unsure, half-expecting it might not be him but someone else who got a hold of his phone, just like what happened with Teddy.
Max holds up her hands in a helpless gesture and leaves Kenedi without another word. While cooperation from the police could have proven useful, Max honestly preferred not getting tangled up with them for obvious reasons. Time to get some work done her own way.
She wracks her brain trying to think of who might be able to help and comes up with Alara. She usually haunts this area and can see and hear far beyond what a human could. She might have noticed something. As Max understood it, Alara had been a vampire since the 2000s. She was from the states and certainly had a history there that she wouldn't discuss, and Max was far too committed to professional courtesy to press about. Still, she got the impression that the vamp was hiding from something.
She doesn't bother knocking on the door to Alara's flat, the night worker wouldn't be home at this hour. Instead, she goes roaming Alara's favorite streets, where she finds men and women who blur the line between customer and victim.
Rolls
Hit the Streets - (2d6+1)
(53) + 1 = 9
At some level, Persephone is well aware that this is NOT how she would normally conduct herself on a date. Normally, she is all feelings and instinct, going on vibes and gut. Now, however, she feels like a computer, evaluating from an outside POV watching the events play out. Suddenly, she notices another effect of this difference; she has no access to her libido, either. It was one thing to fake her way through conversation using rationality and analysis, and quite another to fake sexual arousal and orgasm from a place of cold reason. Perhaps she could fool a man with some well-timed and energetically performed moans and wiggles, but surely another woman would see through that, yes? Persephone is unsure, but for the first time, even her rational self recognizes a critical shortcoming in this sigil on her back. She sees no other option at the moment, however; the date must go on. Maybe it is time to skip ahead to what Viv truly wants.
"Viv, you look amazing in that outfit. May I see?" She stands up and walks around the island. "So lovely. May I...touch?" She steps very close to Viv and, with a practiced and steady hand, slides out of her cardigan sweater and the light blouse beneath it, followed by a quick flick of the zipper on her skirt. This leaves her standing next to Viv, wearing the lingerie she had put on beneath her clothes in preparation for this moment. She wears a black lace, open-cupped demibra, which leaves her breasts supported but exposed, no panties, and a matching black-lace garter belt, which holds up her sheer black stockings. She reaches out and takes Viv into her arms and begins foreplay.
She proceeds in a somewhat robotic fashion, but she recalls exactly what she had done the last few times that seemed most effective, and she strings those actions together skillfully, weaving a well-thought out and strategic tapestry of sexual pleasure for Viviana. Nevertheless, it lacks heart and soul--it lacks true passion. Persephone hopes that Viv is so nervous, inexperienced, and excited that she won't notice.
By the time he finishes talking to Emma, he’s climbing the stairs back up to his flat. He unlocks the door and leaves it unlocked, like he told Circe he would, before climbing into the makeshift casket he’s made of his wardrobe and swiftly falling asleep.
"Uh... I suppose." Viv says about being seen, but you don't give her much space to resist. She actually becomes more comfortable as her clothes come off, 'naked' apparently being a more natural-feeling state than the 'sexy getup' that really is not who Viviana is, she was trying to make you happy with the outfit.
"Is something wrong?" She asks, eventually, possibly noticing subconsciously that you might be avoiding being touched and focusing the evening's activities on touching her.
What do you do?
"Hey. I'm fine." David says, not wanting to be a burden on you if you need to go see your friends or work.
He reaches out and strokes your thigh —it has been a while— before realising he should be careful. "Sorry. I forgot, I hope I didn't hurt you." Quite the opposite, the touch feels like the you are being 'touched for very first time', the new flesh on your inner thigh is delicately sensitive.
What do you do?
She leaned in and pressed another quick peck on his lips, before gently pushing away
"I'll bring you some real food later tonight. In the meantime - eat your soup! You don't want to upset your mother" smiling at him one last time, she closed the door behind her and padded back toward the living room, and to her parents in law
Persephone looks at Viv with a blank expression and responds in a matter-of-fact tone, saying, "Wrong? No, not at all. Things seem to be going according to plan. And speaking of, I was hoping you'd allow me to shower you with attention and pleasure tonight. I want tonight to be all about YOU. So how about..." she walks her fingers up Viv's arm and beneath her chin, tilting it up subtly, and continues, saying, "...we go to the bedroom? I have a set of soft cuffs and chains I've been dying to use on you. You will be entirely at my mercy, unable to move at all! You'll have to just lie there and take all the pleasure I give you!" This way, Persephone thinks, Viv won't notice that Persephone is entirely unresponsive to touch or arousal. Persephone was starting to see the draw of people who like to Domme full-time; you can always retain the feeling of control.
Circe walks out of the clinic looking at her results. She went to a private, expensive clinic so that she can have all the rapid result STI tests, of course. She breathes a sigh of relief as she sees a long row of negatives, a little green check mark next to each one. She folds up the sheet and tucks it into her backpack and pulls up a map on her phone.
She finds her way to some shops and spends an hour buying things she doesn't need and hardly wants, dropping a thousand pounds or so in the blink of an eye. Next up is the most expensive restaurant she can get in to dressed like a college kid, and she spends a good 500 more there. She considers finding the most expensive hotel she can and blowing a few thousand on all the spa services, but she begins to wonder if she is taking this too far. Mostly, she feels sad and lonely, and the extravagant spending hasn't helped as much as she was hoping.
She sends some texts to a few of her new friends that work at the coffee shop--she's becoming a regular at the shop, as well as in their little circle of friends and lovers. Apparently, a large percentage of them are queer and polyamorous and are in something that Circe is just beginning to learn about called a 'polycule'. Unfortunately, it is "date night in the 'cule", as they call it, so most of them are busy and none of the others are free at the moment. She receives several offers to chat via text, and a few more to drop everything and be available if it's an emergency, but Circe isn't comfortable with that, so she says that she's just bored, no emergency here.
She is feeling sorry for herself and resentful of Persephone as she sits at the fancy dinner table picking at her dessert and sipping her fifth glass of ridiculously expensive champagne. Ugh! She's probably having sex, like, RIGHT NOW. This is so unfair! She just kicks me out like I'm a servant or something! She doesn't care about me, or if I'm happy, or safe or... She trails off and looks down at her phone, noticing Benji's number. Huh, let's see what she thinks when I tell her where I stayed!!
She sends Benji a rapid series of texts.
- hi benji its circe :D
- so earlier you said I could maybe crash at your place
- can I still do that
- i promise not to be a pest
- if you promise not to eat me
- lol
Certainly! Come over whenever you like. I promise not to eat you, he responds to Circe’s messages.
He remembers, suddenly, that he left his filthy blood-stained clothes from his misadventures underground in the bathroom, and decides that he probably ought to get rid of those before Circe arrives. He shoves the ruined shirt and cravat in a plastic bag and throws that bag in the bin, but his tailcoat is far too precious to him to throw away. He’ll wash out the stains of blood and ichor as best as he can later, but there are a few he suspects he will have to cover up with patches. For now, he puts the coat away in his wardrobe, where Circe will not see it.
It’s a claustrophobic little space, somewhere between cozy and dingy, with dim, yellow-ish lighting and outdated floral wallpaper. There is a wardrobe and a cluttered bookshelf against one wall, and a plush green couch against the other. An upright piano has been shoved into a corner, and a small round dining table with three chairs arranged around it takes up the rest of what little space remains.
Benji has hung paintings over the windows (probably to block out the sunlight), which doesn’t help much with the overall sense of claustrophobia. Cobwebs abound, but the rest of the apartment isn’t especially dirty or dusty (aside from the pervasive mouse smell), suggesting that Benji may have left the cobwebs there on purpose to avoid disturbing the spiders.
A white raven in a gilt cage glowers from atop the piano…
It is not hard for you to find Alara, but she is not where you expected —roaming the streets— and is, in fact, in the last place you look... at home... rather than working. This is strange.
"Oh. Hi, Max." She will say listlessly if you eventually knock on her door. "Haven't seen you in a while. What's up?"
Her coat is damp, and there is a wet patch under the coat-rack, if you check, so she has been out a few hours ago and may still have seen the activity in the park.
What do you do?
Evelyn is sitting at the kitchen counter, daintily eating soup, alone. David's and yours has gotten cold while you were in the bedroom, and she tossed it back in the pot, you will have to dish up again.
"So?" Evelyn says. "A plastic surgeon?" She is feigning casual interest, with just a smidgen of judgement that you would know such people. She was considered a bit of a beauty in her day, and it was all natural, thank you very much, but ageing is butting against her vanity. It sounds like she wants to ask more, but that clashes with her holier-than-thou attitude towards you.
What do you do?
"Uh...? 'Cuffs'? 'Chains'?" Viv says hesitantly as you lead her to the other room. This is all going very fast again, she has heard about introducing such toys, but always thought of them as things people need 'to spice up the bedroom', which surely means they are getting bored. She does not want to mess things up by suggesting such a thing... but this is not what she was looking for tonight.
She really wants to ask again if something is wrong, if something happened, or if she did something wrong, she is sure she must have and that this is all her fault, but complex arrangement of overlapping guilts keeps her quiet.
What do you do?
She landed herself a fresh bowl of soup, and carried it over to the table, slipping into the chair opposite her mother-in-law "How’s James doing?" she asked warmly, changing the subject away from herself "And how's Betty pregnancy? When is she due?"
Circe arrives at Benji's studio apartment. When the door opens, she already looks concerned; this is a very different vibe than Persephone's. When she enters, she wrinkles her nose, trying to identify the smell but also dreading the answer.
She gingerly steps into the apartment, clearly uncomfortable in the space -- perhaps because of Benji's vampiric nature, or maybe it's the claustrophobic, eccentric atmosphere. She looks around at the furniture, her eyes fixating on the sofa with a dubious expression on her face. She suddenly stops short and stare at the white raven. She turns to Benji and says, "Whoa! What is that?"
-- Persephone --
Once again, Persephone assesses the night's progress and realizes it is going poorly. And once more, she feels something in her gut twinge. She tries to turn her attention to her body, to the feeling in her gut. She reflects, Maybe...if I could at least determine what I WOULD be feeling without this sigil on my back, then I would know what to do... She turns to Viv and holds a finger up, asking her to wait a moment, and she sits down on the edge of the bed. Viv stands there at the foot of the bed, naked, while Persephone sits on its edge in revealing lingerie, looking down down at her feet and breathing steadily, trying to feel her feelings, but they just won't come. She feels her back burning and senses that, maybe, just maybe, she might be feeling ...guilty?
She knows she must act, even if it is on slim evidence, so she decides to try to be as honest as she can; maybe that will relieve the twinge in her gut. She looks up at Viv and says, "OK, I'm sorry. There is something wrong, but it's not you. It's... this new anxiety med I'm on. It's way too strong, I think; it's deadening my feelings and killing my libido. So it's ruining our date, and I really wanted this to go well, and for you to really enjoy yourself and be happy, so I was trying to fake my way through it, and it obviously isn't working, and I...I don't know what to do..." She cuts herself off, surprised. She realizes she was rambling, though her rational mind struggles to understand why. She suddenly feels full of self-doubt and she looks up into Viv's face, vulnerable and confused.
He waves at the couch and the chairs and even the piano stool, indicating that Circe is welcome to take a seat wherever she likes. "Please make yourself at home. Can I get you a cup of tea or anything? I would offer you a biscuit but I think the rats ate the last of them…"
"How did it happen?" Evelyn asks, most have sufficient manners to not ask such questions, though the curiosity is still there. "Were they able to fix it so it will heal without scars?" She asks, obviously assuming it still needs to heal, though she is still a bit fed up about something, including that you seem well enough that you don't need them after calling them out here.
"We don't get as much news about James as we want." She answers when the conversation turns to the family, sounding both sad and a little worried. "But he is enjoying the work, he says.
"Betty is due in four months." She still does not sound thrilled about her first grandchild, and does not sound like she wants to talk about it.
What do you do?
Viv let's out a little sob of relief, it was obvious something was wrong and she was convinced it was her fault.
She drops down onto the bed next to you, looking comfortable in her own skin and nakedness for the first time now that she is not hyper-aware of it. "Oh, honey. It's alright. You don't have to pretend with me... please don't." This last plea sounds important, Viv is surrounded by fakery all the time just wants something 'real'.
"We don't have to do... any of this." She says, trying to keep the distaste out of her voice. "We can just hang out together? Wait for the meds to wear off?" This may present two issues: 'just hanging out' could lead to more openness and learning about each other, which could be to the detriment of your mission —in two ways—; and ... the meds are not going to wear off.
Surely Wentworth must have known this was a possibility? Did he, maybe, do this on purpose... to sabotage your Job for your Dark Patron, in a manner where no blame falls on him? Is this part of his 'Machiavellian plan'? Are you but a pawn in his schemes?
What do you do?
If Alara sees you trying to catch a peek into her flat she probably assumes you are curious about if she has a john in there.
"It's getting bad, Max." She says, opening the door and letting you in to the empty flat. "I can't risk working most nights, and, now, with all that local fuzz out and about... I can't afford to have suspicion to fall on me."
You know that things have been tense for vampires since Elliot, the top guy in the area, vanished. There is a bit of a power-struggle and no one knows who will end up on top when it all settles out, and with no one 'in charge' some are 'making hay while the sun shines'... ironic as that term is, while others are trying to please all masters.
Alara seems particularly reticent to draw attention to herself.
What do you do?
She listened as Evelyn spoke about James and Betty, nodding but deciding not to ask any more questions. She wasn’t quite sure what James was really doing in Iraq anyhow, and as curious as she was about how Betty planned to manage, she noticed it was making Evelynn uncomfortable. She couldn't help but think how hard it was going to be for her. Having been raised by a single mother herself, she knew how difficult it could be from the other end of things. "That’s good" she finally said, and left it at that
Turning back to her soup, she took another spoonful and changed the subject. "This is really very good. I’ve used your recipe a few times, but mine never quite turns out the same." she gave her another warm smile "Maybe we could cook together tomorrow? You could show me how it’s done."
Circe approaches the raven with a look of awe and fascination. "I've heard of white ravens before, but never seen one! One of my majors for a while was zoology; I wanted to study the brains of highly intelligent animals that weren't mammals--like Octopoda, Bees, and Corvids. The fact that they were so smart but developed intelligence in a totally different way than we did is super cool! But the coursework was too hard and I wanted time to do my art, so... Now I like to draw ravens, at least.". She stands next to the cage and makes eye contact with the bird. She says, "Well, ravens, like all corvids, are omnivores, but I think they tend to eat bugs, nuts and seeds, and small lizards and mice in the wild. And, of course, human food garbage, too. But in captivity? They could be trained to eat almost anything." She's no scientist, but she does spend some time examining the raven, its cage, and its behavior.
Eventually, she turns back to Benji and apologizes, saying, "Oh! I'm sorry. I wasn't trying to, like, ignore you. But you have a Raven! That is so cool. Anyway, uh... So.". She walks over to the sofa and sits down, awkwardly shifting her weight. She says, "So, is this where I can sleep?"
-- Persephone --
Persephone looks at Viv and smiles, though it doesn't quite reach her eyes. Still, that weird twinge in her stomach seems to be gone, so maybe that was the right thing? Viv does seem more at ease now, at least. Perhaps more honesty will continue this trend.
She says, "So, I should tell you about my work. They are a very secretive corporate entity that uses unconventional methods, to put it lightly. For example, when I needed something to help with my anxiety and, um, PTSD, they gave me... this."
She turns, allowing Viv to see the strange tattoo on her back. She says, "You know how you can get a birth control device implanted for long term, constant protection? This is like that, but for anxiety. So this thing is likely to be there for a while, having this effect. I am looking into ways of removing it, however." She looks up at Viv again and shrugs, as if this sort of thing was entirely normal. She adds, "They are not morally good people, the ones I work for. They definitely operate outside of the normal legal and moral limits. I guess this is an example of that. I'm sorry."
She stands and hugs Viv, because that seems to be something a movie character would do after divulging personal information. She notices their naked bodies touching, but still feels no arousal. A hint of sadness accompanies this realization, but she ignores it. Then she says, "How about we get dressed and watch some movies? I believe they call it Netflix and Chill."
That way, she thinks to herself, we can spend time together without having to talk.
"Ah, yes, sorry about that," Benji says, when Circe asks about the couch. "Vampires don’t really like to sleep in human-style beds, so I don’t have one. I hope the couch should be comfortable enough? If it’s not and you need to book a hotel room, I promise my feelings won’t be hurt."

Circe tilts her head and smirks at Benji. She says, "Are you for real right now? How is it that one of the nicest guys I meet ends up being a blood drinking vampire? Um, no offense. Like seriously, though — you aren’t anything like my expectation, you know? Hell, you’re more human than my sister… "
She sighs and looks around the room, seemingly bored and not quite ready for sleep. She looks back at him and asks, "So, what’s it like being a vampire anyway? Do you live forever? What about, like, crosses and stuff? Can you enter a home without being invited? Oh what about garlic? That would suck; I love garlic!"

Circe takes it all in and sits for a moment, thinking. She looks like she could ask a million more questions, but instead she just smiles and says, "Wow. I wanna, like, pick your brain for hours about your experience, the history you’ve lived through, and so much more. But, um, you’re already doing me a big favor letting me crash here, so… Thanks!"
"Do you think we will have the time?" Evelyn asks when you propose cooking together, there is an element of 'how long do you expect us to stay... sleeping on the couch?' but also an underlying accusation of 'will you be around to perform such duties?'. You can just tell that, if your soup fails to be as good as hers, she will have endless reasons based on what you did wrong.
What do you do?
The flat is otherwise empty, and feels un-lived-in, like it is staged for the benefit of outside observers.
Alara looks 'underfed', or what you might think of as 'underfed', but you don't have a lot to base this on, she always looks a little gaunt, but that might be part of the design aesthetic she has chosen.
"Why do you ask?" She asks suspiciously, which is not an answer, and almost like she is preparing to cover her ass.
What do you do?
"'Netflix and Chill'?" Viv asks, cocking her eyebrow at you, possibly in an attempt to lighten the mood. "Isn't that code for 'sex'?" Like that would be a thing you need code for, what with yesterday and the decision to skip it tonight.
"Um... Where's your sister?" She asks, faux-casual, when you propose watching movies, possibly assuming that is to be done in the living-room.
What do you do?
Persephone blinks, stunned by her momentary mental lapse. She looks over at Viv and regains her composure, saying, "Well, that's the joke, right? We're going to actually just chill and watch Netflix. And Circe is out this evening, probably with her friends from the coffee shop. There's an older guy who has developed an interest, I think; I'm not sure yet if it's mutual. Here..."
She gestures at the minimalist sofa, which, truth be told, isn't actually very comfortable to sit on, much less cuddle up for a movie night. Still, it will have to do, as Persephone searches for the remote to the large flatscreen on the wall opposite.
"Yes. Because explaining the joke makes it funnier." Viv replies.
She does not look very comfortable with all you have shared. Possibly mentioning that the people you work for are evil is contraindicated for brokering a deal. Like with the metaphor-recognition difficulty, having this thing on may be leading you towards failure... and failure is not really an option if you want to get your powers back, let alone if you want to get into your Dark Patron's good books.
What do you do?
"I didn't say nothings wrong." Alara bristles at your tone. "And I haven't eaten anyone. It wasn't me..." She is scared and your approach, while not intended that way, comes across a lot like an accusation for some reason.
"... have you?" She shoots back.
Why Alara would feel the need to deflect back on you is unclear, but the animal control van and the evidence tent hint that the police out there may be dealing with something that could be placed at a vampire's front-door... or a werewolf's. You have heard that Kenedi is starting to get tasked with... well shall we say 'cases of a weirder nature', even though she does not like to be 'out and about'.
Alara possibly assumes you know more than you do about the indecent, she may be able to smell that you came from over there recently.
What do you do?
"Look, I didn't come here to accuse you of snacking on normies. Funnily enough, I didn't even bring up the subject, you did. Which tells me you have what I need. See, I just got back from a police cordon. Seemed like a major crime, noticed an animal control van which struck me as odd because I haven't heard of no tigers escaping the London Zoo. Kenedi was there but she stone walled me as usual, so I'm left with no fucking clue with what's going on. I came here because it was near your favorite haunts, so I thought you might have seen or heard something, since you can see and hear pretty well."
She sighs. "We both know I'm not the patient type. So, let's not keep dancing around the subject. What do you need? Is it blood? Are you hungry? Cause if that's what it is, I've got a couple ideas I'd like to try."
Alara is pretty sure you were actually the one to bring up the subject of eating, as the second thing you said to her [ref], but she can't be completely sure, the Hunger has been on her mind so she might have mentioned it inadvertently.
"I'm not complaining." She says pacifyingly, as though agreeing with the powers-that-be —often the safest way to keep one's head down— and treating you almost like you are one of the vampires enforcers, just in case. "But I would welcome any opportunity to feed if it were permitted."
"I had nothing to do with the body in the park." She reiterates. "Anyway: That was not a vampire. They are saying it was a big dog... or... or a tiger?" She does not sound convinced about this last part, but is willing to go along with your story if you want to it be a tiger, sure, why not a tiger?
What do you do?
The 'for David' part softens Evelyn's expression a bit, though thoughts of protecting the family secrets —recipes— are definitely still there... in case it does not work out...
"I am sure he is pretty sick of soup by now." She says offhandedly dismissing your plans to practice that dish. "Maybe you can show me what you have been making." This sounds like a competition.
What do you do?
"It's basically rice with lamb, with some raisins and carrots cooked together to make it sweeter. You want to try making it together for dinner?"
The dish did turn out to be delicious though, the scent of the roast even coaxing David out of his room to join them at the table, but Evelynn still didn’t soften. If anything, Charles licking his fingers clean after dinner only served to irritate her.
Still, she was happy David’s appetite was returning. She cleared the table, did the dishes, and saw that the couch was properly made before withdrawing with David into their bedroom, pushing him on top of the mattress and pulling down his pajamas. She tugged her hair into an elastic band to keep it out of the way, then knelt beside him, focusing solely on making him feel good.
Only once he drifted into sleep, in the hush of the dark room, did she set her laptop on her knees and slid the flash drive into the port…
******
The Brick was a small neighborhood coffee shop, quieter than usual at this hour, thanks to the relentless rain. Most people preferred to stay in their warm apartments, and those on their way to work usually got a quick caffeine fix from a subway stall rather than battle the wind with their umbrellas.
Pushing open the door, she found a quiet table and began shedding her outer layers. She hung her trench coat by the door, draped her scarf neatly around a hanger, and set her wool hat alongside it
Feeling more comfortable in her jeans and loose wool blouse, she let her eyes wander, looking for any sign that Benji might have already arrived.
hey long time no see
wish it were better circumstances but ive got a friend in need
shes hungry
you got any of those capri suns i always see you squirting down your throat?
i think shes worse off than shes letting on
Persephone looks at Viv and can see her discomfort on her face. According to Persephone's analysis, she has failed to connect with Viv in any meaningful way every time she'd tried tonight; indeed, she was in danger of irreparably destroying this relationship and absolutely failing her Patron. The rational thing to do, then, was to remove the sigil. Better to deal with the erratic emotions and have a chance of connecting with Viv, rather than ensuring failure without them.
She stands and says, "I need to have this, um, anti-anxiety implant removed. I want YOU, Viv. I want to be able to FEEL you. To Connect with you. And this 'treatment' is preventing it." She sighs and adds, "I need to pee. If you'll excuse me..."
She slips into the bathroom and closes the door behind herself. She sorts through a drawer and pulls out a microplaner, a shielded blade used to scrape the topmost layer of dry skin off the face. She squints at it, and then efficiently snaps off the safety guard. She turns to show her back to the mirror, and examines the sigil carefully. Almost like a puzzle, she follows the various lines and circles with her eyes, until she sees a way to carve a single gouge across the sigil that would break every line of the pattern. Hopefully, she thinks, this will disrupt the magic without her having to cut the whole thing off.
Rolls
Let It Out (+Spirit) - (2d6+0)
(22) = 4

Circe yawns, but when Benji says he is going out, she perks up and asks, "Oh yeah? Where are you going? Like... a vampire party? Oooh, is there a vampire bar in town? And do you have, like, vampire groupies? Like 'fangbangers', from True Blood? Can I tag along? or would I be, like, in the way, or in danger, or something?"
She stops suddenly and adds, "Oh, but um, it's not my business, obviously. Sorry for being intrusive."
Alara tries, surreptitiously, to sneak a look at what you are texting about right after she dropped the hint that the attack looked to be from a large dog... or a wolf... (or a tiger, improbable as that is).
• Did you react at all?
What do you do?
When you arrive at Piccadilly Circus station, violin in hand, you hear music. Someone is squatting on your turf, they have taken the opportunity provided by your partial absences over the past few weeks and complete absence over the past few days to move in, this being a prime spot for busking.
They have not had the time to move a piano in yet, and must satisfy themself with a guitar and song.
• Who is it that trying to move in?
• Circe thinks she likes music. Did Circe accompany you?
What do you do?
Hello Max!
It’s good to hear from you! I’m sorry to hear that your friend hasn’t been doing well. If you meet me at my usual spot at Piccadilly, I think I have a few bags left I could give them.
Yours,
Benji
When he arrives at the station, he pauses as the faint sound of a guitar reaches his ears. There is a brief flicker of territorial jealousy in some dark corner of his undead heart, but he loves music and he loves when people make it, so he cannot remain upset for very long. Besides, he’s glad that everyone still had something to listen to in his absence. Curious about this newcomer and as yet uncertain how he wishes to deal with them, he continues into the ticket hall where he finds a young man (in his mid-twenties maybe) with long hair and a scraggly beard strumming on a guitar and singing Here Comes The Sun. Benji finds a spot to stand nearby and listen to the performance.
great thanks
i appreciate it im sure she does too
well head there now to meet u
She glances up at Alara with a smirk. "Ya get all that? We're going to meet a friend in Picadilly whose got some blood bags for you." She rises up from the couch and grabs up her duffel bag, strapping it across her bag. "What the hell's this bullshit about getting permission to feed anyway? I sure as hell don't recall telling you not to feed, and this is MY territory you're in. So, who was it?" The question is more of a command.
- Still that night.
Elliot's backup drive contains lots of documents, he was an organised man. There may be some blackmail material in there, as well as some tidbits about the denizens of London that could be useful to you. His recent dealings seems to have been in real estate, it is complicated and boring stuff, and looks like months of work, possibly ramping up during the time of the rain.
The drive also has login details for his car's tracker, though it does not look like he has opened those papers.
If you use them to log into the website —good thing he did not enable two factor authentication— you will find that someone accessed the account right around the time he went missing. Presumably this was 'Teddy'. They were accessed a few more times in the days following the vanishing, but not since then.
On the night in question you can see Elliot's fancy car leaving the underground parking —it was tracked, even down there, right down to the exact parking spot— heading in a direction that would be congruent with Arundel, but, just as he is passing along Piccadilly, between Green- and Hyde Park, his signal vanishes... just gone.
David is asleep beside you, and Evelyn has made up the couch and is snoring in an undignified way. Charles is still out at the pub.
What do you do?
"You? You can give permission?" Alara asks, trying keep the scorn and disbelief from her voice. If she can get 'permission' from you and then lay any fallout at your door, that is fine by her.
You are a fairly new operator in supernatural London, so she is surprised to hear that you have risen so high as to have any authority over vampires, she thought you were merely a lowly (Status-1) member of a different faction, and thinks your grip on your 'Territory' as you put it, was not nearly as strong as you seem to think. Last Alara heard, rumours were that others were thinking of ousting you if you made too many waves, but she does not comment on that —not while you are present— especially not given the uncertainty of who is actually in charge since the Vampire Lord, Elliot, mysteriously vanished a few weeks ago.
If you claim to have authority to give her permission to feed, any harm that comes from that feeding would be your responsibility —though she is expert at not killing people. More importantly, those who have 'not given permission' may come calling, wondering who you think you are, poking your nose into vampire business.
What do you do?
She has transformed. Immediately she spins to Alara, lupine eyes wide. She stretches her paws forward and lets out a low whine, trying not to make any aggressive movements. "Alara!" She growls. "Uhh... don't worry, I ain't about to go ballistic on you! It's just... had to deal with the cops, and then you were stonewalling me, and this is all so frustrating. Sometimes this happens when my emotions get the better of me. Just gimme a minute, I'll change back!"
"What happened!?" Viv exclaims, rushing to your side to help stem the bleeding. "Did you do this to yourself? Did you try to cut to patch off?" She asks when she gets a better view. She has ignored the smoke, possibly assuming you imbibed something for the pain.
Viv looks more than a little freaked out, like she is yet another person thinking about having you committed.
• How do you feel with the numbing mark deactivated?
What do you do?
She blubbers and weeps, falling toward Viv and resting her head at her feet.
That's interesting...
The tracker logs were more troubling. She had expected him to vanish outside the city, not right in the middle of his own domain. Hyde Park seemed to be a confluence of supernatural activity - of the worst kind. Demonic activity. Disappearances. Lots of different factions were interested in what was going on in there. Vampires. Cults. Wizards. Maybe Eliot was dragged into some kind of dark portal, the same way she had?
She stopped for a moment to listen to the rain at her window. Her cozy bed was so much more appealing then going out in this weather at this hour and start her investigation. This could wait for tomorrow. And besides, she couldn't go alone, not after what happened in the penthouse...
Closing her laptop, she leaned back, her fingertips brushing against the smooth skin of her thigh. She still found it hard to believe it wasn't some sort of an illusion, and felt compleled to make sure she wasn't dreaming it all. It has been a long day, and she was tired, but there was another concern still in her mind. She called Bev last night to fetch her some clothes so she could leave the hospital. She even left her a couple of messages, and still haven't heard back from her. She wanted to believe she was busy, but the long silence was starting to bother her.
If there was no message from her by morning, she would stop by her apartment to check up on her, she decided.
Curling up against David's body, she closed her eyes at last and fell asleep.
"Not answering...?" Alara starts to say, sounding confused about which actual 'questions' she was ignoring. Surely you were being rhetorical. She thinks, no one 'told' her she was not allowed to feed, but you don't just feed without permission, and no on really knows who that permission should come from. One does not want to offend whoever ends up in charge by appearing to side with their competition. She was being genuine in her appeal to you for permission, if you think you are all that and a bag of chips and can give it, and are willing to face up to the vampires...
... apparently even vampires are scared of werewolves, this is made abundantly clear as Alara scrabbles backwards to get away from you as you become angry and change. Her flat has no back door, as such, but you can see her seriously thinking about leaping off the balcony —five stories up— and risking the inevitable injury just to get away.
You have moments to act before she does something foolish.
What do you do?
Viviana is a bit squicked out by the blood, but she overcomes her revulsion out of care for you. Kneeling down with you, she awkwardly tries to embrace you —not really possible in your hunched over position— while also trying to avoid contact with your back, not wanting to hurt you.
"It's OK." She says, lamely. "You've OK, now. He is not going to hurt you again." She says, trying to be soothing and obviously making assumptions about what you 'describe'.
"'Circuit'? 'Shorted'?" She asks when she finally feels you are able to talk. "Is that thing electronic?" She is thinking about the smoke she witnessed when she entered the bathroom, and that it did not smell like electrical burning, she works with computers and has 'let the magic smoke out' on many occasions, so she knows that smell, but the possibility of electronically managed mood-stabilisers intrigues her.
What do you do?
"Oh! Uh, ya? Thank you. Since I was 12." The busker says, he has a distinctively dutch accent, from Amsterdam, you might surmise. He looks slightly worried that you have suddenly appeared, like he knows you usually play here, but he is trying to be brave and stand his ground.
What do you do?
She lets out a whine again and shakes her head at Alara. Then she lies flat in front of the door, making no effort to pursue her. Hopefully that will convince the terrified vampire that she's less dangerous than a five-story belly flop - for the moment, anyway.
Rolls
Keep Your Cool (situation to avoid: Alara panicking) - (2d6+3)
(62) + 3 = 11
Persephone looks up and embraces Viv, sobbing quietly until she runs out of tears. Her back has stopped bleeding already and, remarkably, the wound seems to be closed, though it is still red and angry, bisecting a burn pattern across her back where the sigil once was.
She pulls herself to a stand and wraps her arms around herself. She looks at Viv, her eyes red and bloodshot from how hard she’d been sobbing, and stammers, "I don’t know what it was, to be honest. But when I cut into it, it started smoking and burning … some kind of electromagnetic ink maybe? My employer… is very unusual…"
Gathering her senses, she reaches over and takes a robe from a nearby hook and wraps it around her naked body. She embraces Viv again and weeps softly, whispering, "Thank you. Thank you for listening. For not running away when things got… weird. And… for believing me. I haven’t reported what happened because… I didn’t think it would do any good."
She pulls back and gazes deeply into Viv’s eyes and says, "I feel safe with you." and then gives her a tender kiss.
— Circe —
Circe follows Benji a half-block behind him, feeling a little bit like Jason Bourne. Or maybe one of the girls from Mission: Impossible? Definitely not Tom Cruise tho — gross.
She catches up to him at Picadilly Circus as he watches a busker playing music. As he chats with the other musician, Cirice walks up and says, "Hi Benji! You guys gonna duet?"
The sky was still black at that hour, a shade deeper than the usual depressing gray. She took the Underground to Kennington, trying to focus on her phone rather than the odd early birds on the train.
Bev lived in a quiet working class neighborhood, long rows of old gray houses darkened by a century of soot. Most of the houses were partitioned into flats a long time ago, and most of the residents were the type who had no choice but squeeze into the tiny apartments. Bev's building, however, was one of the better kept ones on the row.
Slightly damp from the rain, she closed the umbrella and approached the doorway. She waited for a response after pressing the buzzer, but there wasn't any. She slipped inside the building when someone emerged from the building, brushing past him quickly. She walked past a couple of bicycles leaning against the wall, and climbed up the three flight of stairs as she closed her umbrella and took off her wool beanie hat, running her fingers through her damp hair.
Standing in front of Bev's apartment, she started to consider her options. Leaving and calling the police for a welfare check wasn't a bad idea, but who knows how many hours or days could pass until they declare her missing and do something about it? She was right here, wasn't she? Picking the lock did go through her mind, but knowing Bev, she likely had a spare key with one of the neighbors. She decided to try the door across the hallway, the one with the few potted plants outside. If whomever was living there didn't have a spare key, they could perhaps know who might, or at least tell her what they know about Bev's whereabouts.
Rolls
Let It Out (+Spirit): Gain access to a secure or locked-down location - (2d6+2)
(52) + 2 = 9
Alara looks on, agog at your wolf form and incongruously submissive posture. "Um... good dog?" She posits, noting that you are still between her and the door, but not feeling that strong need to flee anymore.
She is rather impressed that you have the self-control to not attack her, she has heard stories of werewolves being ... wilder. If this is the way it is, she is thinking, I may be able to use her as muscle in my dealings.
"Max? Can you hear me?" She asks tentatively. "Can you understand me?"
What do you do?
"A few weeks." He says. "But the weather has been even worse than I expected, so I have not been able to play outside." He is not coming out and saying it, but he is hoping you will take this as apology for him taking your spot.
"Really?" He says when you suggest playing together. He did not expect you to offer him such legitimacy. "Now I really wish I had brought my electric. Acoustic can't really compete with a violin. My names Aart." He says.
"Do you know: 'The Devil Went Down to Georgia'?" He asks, possibly judging from your old-timey look that you would be more into classic rock that most of the stuff he knows, and that being one where the guitar could prove dominant over the violin. "Or we could try 'Hallelujah'?"
Then Aart gives Circe an appreciative look-over. "Is that your girlfriend? Does she play? Sing?" He asks, not seeing an instrument.
What do you do?
She isn't exactly an electrical engineer, but 'electromagnetic ink' does not sound like a plausible explanation to Viviana, and she has to remind herself to focus on the people and not get distracted by the interesting tech.
"You are safe with me." She says sweetly, but then ruins it with logic. "But you still really should still report him, not reporting rapes makes the whole problem seem like a... a smaller issue than it is." There are undertones of hurt and guilt in her words, but they are well hidden.
She does not seem to know what to say about your thanks for her not running. "It never even occurred to me to leave.." She says softly, almost to herself, with a hint of wonder in her voice, like she has just realised this fact. "And I can't stand blood... so could we go somewhere else?"
What do you do?
The 'across the hall' was already awake, you could hear the television, on load. She is an elderly lady —reminding you slightly of your own elderly lady neighbour— which might explain the early rising hour.
"You a friend of Beverly's?" She asks, peering at you slightly suspiciously. "Much too pretty to be one of them dykes." She declares.
"Yes. I have her spare key." She agrees. "But how do I know you are not up to no good?" She is not going to just hand it over, but also would be more than willing trade gossip and information... and may violate her 'sacred trust' for a peek inside.
What do you do?
She took a deep breath to calm herself, and to keep her voice steady:
"Oh, no. Nothing like that. I’m just a friend of Beverly’s" she decided to go with the truth. At least, a part of it. "No one’s heard from her in days. I’m worried" she let a hint of urgency slip in, hoping she would understand this wasn’t just idle concern "Maybe you could open the door, and we could check on her together? I’m sure you would want to know what’s going on too…"
Persephone nods and shuffles out of the bathroom, the first few steps onto her bedroom carpet leaving bloody footprints. Ignoring this, she slowly regains her composure and draws a big breath. She blinks and says, "I was expecting to feel worse after that ...whatever it was got removed. When they put it on me, I was nearly catatonic with PTSD. But now I feel... I dunno, not good, but not like that any more. Huh...Maybe I was still processing the trauma while being unable to, like, feel it? Whatever."
She looks at Viv and smiles, and then breaks into a laugh. The musical sound, and the earnest pain in her voice in the bathroom, stand in stark contrast to the cold monotone of her speech earlier. She looks at Viv warmly and says, "This has NOT been a very good date, has it? I'm so sorry! Let's... I dunno, do want to just sit with each other and talk, or listen to music, or something? I think we need to start over, and take it easy."

Circe laughs uncomfortably and looks away. She says, "Follow you??? Oh no! I just left after you and saw you and... well, followed you. I'm sorry. I felt weird being in your place alone. Well, plus your bird, of course. I can leave if this is, like, business or something..."
Circe blushes at the man's words and says, "Oh! Oh, no, just a friend. Um, and I do play an instrument, actually... mom made Pers and me both learn. I play clarinet -- not well, but I still play a little -- and Persephone learned cello. But, I don't think she's played in years. I can sing a little, but mostly my mom made me do madrigals and early music vocals. So unless you guys know some Hildegard of Bingen or something... Ha."
With her mind made up, she reclaims her human form, her muscles twisting unnaturally, fur shrinking back into pink flesh, and her paws becoming agile hands again. Soon she's standing upright in Alara's abode, stark naked.
She holds up a quelling hand to the vampire and steps forward, panting. "Shit, shit. Alara. Sorry about that little display hun. Still new at this whole bein' a monster thing. Sometimes when I'm getting a little too emotional the wolf slips out. I don't go ballistic or nothing, it's just a thing that happens." Well, sometimes she did lose herself fully to the beast within, but even then it's not like she had ever attacked anyone she cared about or who wasn't a threat to her. "You alright babe? You had me worried you were about to go skydiving without your parachute."
His eyes light up at Aart’s suggestions. "Oh, yes! Either! Both!" he says, excited. "Let’s start with Hallelujah, yes? It’ll give me a chance to warm up a bit."
He begins getting his violin out of its case and ready to play while Circe explains why she followed him. "No, no, it’s alright! You’re very welcome to stay. I was just surprised, is all."
"Good. That would be such a waste." The crone says blithely. "Beverly," —you don't know anyone else who calls her 'Beverly'— "works funny hours." She points out. "At the hospital." She says this last bit proudly.
"But, now that you mention it... I don't think I have heard a peep from her. And I had to take her mail in, her box was overflowing." She looks at you suspiciously, gauging your worthiness. "Well, give me a minute to find the key." She decides. "Would you like to come in?"
What do you do?
"I am not sure you can process it without feeling it." Viv says clinically, but she is glad enough to see you laughing that she does not pursue it.
"What I want," she says. "Is to find the bastard who did this and cut off his..."
What do you do?
"Uh, yes." Alara says, trying to make light of her move towards the balcony. She gives you a thorough head to toe look over, her eye lingering, and not just on your scar, her lips pursed in hungry appreciation.
"Do you need to borrow something?" She asks, more eager than she needs to be to see you in one of her streetwalker outfits. "Or does Benji like when you turn up like that?"
What do you do?
"Pity." Aart says while stooping to clear out his guitar case of collected money. He does not want to have to share that part after the duet. "A cello would be great to play with, if she needs the money.
"You American?" He asks Circe, a bit more interested and laying on the flirt now that he knows he is not overstepping. "I don't know them. Or 'madrigals'." He apologises, them not being very easy to fit into a public busking scenario.
"Hallelujah? OK? Do you have music? I play by ear." He boasts.
What do you do?
"Thank you" she finally said, and stepped inside. She kept around the doorway, however, her damp umbrella folded nearly at her side. Her eyes scanned the room out of habit, but soon enough she turned her head to look back at the hall. If Bev was in some sort of trouble, she couldn't afford to dillydally.
Meeting Alara's desirous gaze she smirks confidently and spreads her arms. "Ya get all that? Or did you want me to spin around for you?" Actually, exhibitionist probably was the best word to describe her. Her expression, however, turns solemn when she remembers the decision she made. "Hey, listen babe. I uhh... sorry about before. It's a shitty situation, and it's frustrating for me too. I want you to know that you've got my permission to feed. Anyone has a problem with that, just direct 'em to me. At least... until you bloodsuckers get your whole vampire lord business sorted out. And uhh... don't kill anyone, or I'll have to boot you off my territory."
Persephone nods and replies, "Yeah… I’ll probably have more tears over it, and I need to book a therapist. It helps knowing I’m not alone though." She turns to Viv and smiles.
When Viv talks revenge, Persephone replies with a nod and evil grin, saying, "Oh yes. I have plans for him… I think I might be able to ruin him. Professionally I mean."
She cuddles up with Viv on the sofa and tries to relax. It does not come easily.
— Circe —
Circe smiles at the busker and says, "Yep, American! Visiting my sister. Oh, I’m Circe. Hi! Oh, and, um, let’s see, do you know any Billie Eilish, or Chappell Roan?"
Circe excitedly nods when Benji plays the first few notes of Pink Pony Club, but says, "Aww, that’s ok. I’m happy to just listen. I wanna hear you play!"
From your vantage point by the door you hear the old lady opening and closing drawers and containers till she eventually finds what she is looking for in a ceramic pot. Instead of a key, she returns with a whole bunch of keys, possibly enough for half the flats in this block, apparently she some sort of keeper of spare keys.
Back in the hall, she starts peering at the keyring, they have names written on stickers wrapped around the head of the key. She fails at first, apologizing: "No. That's Beverly on the second floor. Maybe this one?"
Her faffing with keys gives you time to assess the door and lock, you don't see any signs of recent damage to either, so it does not look anyone has forced their way in, which is always a relief... though not as much as it could be given the state of things inside.
From what you know of Bev, she is very organised, with everything in its place. If her have even been in her flat before you would know that that same level of organisation extends to her home as well...
There is broken furniture shoved to the side by the walls. The hanging light in the living room has fallen from the wire and the glass is roughly brushed to the side. The other rooms are in a similar state. The last thing in the fridge was purchased over a week ago.
The flat is empty.
What do you do?
"If you wouldn't mind." Alara nods, meeting your gaze and giving a little twirl of her finger to agree with your 'offer' to spin around, either calling your bluff or actually eager to see more, you can see her teeth... eh... fangs... as she grins.
Her grin fades as you turn serious. "We all have our cross to bear." She says, sounding like she understands being controlled by the monster within. "I haven't killed anyone in nine years." She says proudly, with just a hint of defensiveness. "You don't need to worry about me on that score. It's just a little blood, and they like it.
"Thank you." She says about the permission. She still looks a little hesitant to test the limits of your authority, but really is hungry.
"But, seriously. You can't go out like that... do you need to borrow something so we can go to Benji." She is clearly eager to get going and get fed.
What do you do?
"Oh? Really?" Viv says, her revenge was mostly theoretical-venting, but now she is intrigued. "How can I help?" She asks, licking her lips.
What do you do?
That didn't fit what she knew about Bev. She had a good handle on her emotions. And she expected she would have called her, if she was in some sort of trouble. Not vanish without saying a word.
"We need to call the police" she mumbled, both to herself and to the old neighborhood. Breathing in to steady her voice, she pulled her phone and called Kennedy: "Hi...sorry, hope I'm not interrupting anything, but someone broke into Bev's apartment. She's not here...and...I haven't heard from her in over a week"
Rolls
Keep Your Cool (search for hidden clues!) (+Spirit) - (2d6+2)
(65) + 2 = 13
She shakes her head at the offer of borrowed clothes. "Nah, my things are right here. Can you imagine if my clothes got shredded every time I wolfed out? You know damn well I don't have a lot of money, my wardrobe budget would bankrupt me!"
She gets dressed in front of Alara, trying to make sure the beretta doesn't make any uncomfortable noises in its jacket holster, and then nods. "So, you got a car or we takin' the train?"
Persephone and Viv cuddle in the couch as the chat. When Viv asks about her plans, Pers turns and faces her, a mischievous grin on her face. "Ok! So, the guy’s name is Chaudry, and he runs with this club of rich people who imagine themselves, like, an occult secret society. You know, like the Order of the Golden Dawn? Or the Masons or something? But with a focus on demon worship. Yeah, I know how it sounds. Anyway, they had this party and invited people to it, and it was all this elaborate ploy to get innocents, like me, into a compromising position, so this Chaudry guy could… make his offering to the demon. Um… at my expense…"
She wraps her arms around herself and shivers, as the images return. The hand holding the blade, up and down…so much blood… HER blood…
She shakes it off and makes an angry noise. "No! I won’t let him win!" she calms herself and continues, saying, "So, anyway. I got some info about shady real estate deals his little group is involved in. I just need to figure out how to leverage the info to ruin him. Does that make sense? This must all sound crazy…"
I’ve heard there was a secret chord
That David played, and it pleased the Lord
But you don’t really care for music, do you?
It’s a joy to play simply and well, just taking pleasure in the music and the act of making it with someone else. He so often plays alone and, while there’s joy in that too, there’s this great big feeling of alive-ness and belonging that comes with playing with another person as if his cold, dead heart were beating in time with Aart’s, with the music, with the city itself.
Well it goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah…
It is still early in the morning, and it sounds like you woke Kenedi, and woke her from not much sleep. She is grumpy and impatient, but Bev was also her friend.
"What sort of 'break in'?" Kenedi asks, and you know she does not expect you to know police procedures and such, so she is probably asking about 'supernatural involvement' and if that is why you phoned her instead of 999. "Are there signs of a struggle? Blood?"
Looking around again, this time with Kenedi guiding, you can pick out enough details to convince yourself that no one broke in and, while the place is wrecked, there is no sign of blood. In the trash there are a few empty blood bags, like the sort Bev brought with her to Chablis' place, Chablis would not drink them, but someone has. Disposing of them in the trash seems a bit reckless.
So there is no actual sign of a break-in or a definite struggle.
• Do you tell Kenedi this?
The neighbour has found a photo album, it looks like pictures of Bev and her school friends. The album has been torn in half. "Bit old-fashioned." The neighbour comments with approval, looking at the pictures of the kids and running her finger down the profile of one of them.
What do you do?
"I won't be any trouble. I promise." Alara says, crossing her heart. "I really appreciate this, you know."
She openly watches as you collect your miraculously undamaged clothes and get dressed.
"I haven't driven since I got to London." Alara comments, this not really being a city for cars. "Piccadilly is only two stops away."
• Do you do anything before arriving at Piccadilly and finding Benji playing in a duo?
What do you do?
"'Masons'? 'Demon worship'?" Viv asks incredulously. "And you are going to counter that with information about 'shady real estate deals'? You're pulling my leg?" She does not want to say that the other option is that you really are crazy.
She can not quite bring herself to believe any of this, but does not put it past Chaudy and the Masons to believe it.
"What exactly do you mean by 'Offering'?" She asks sceptically, not wanting to add to your recalled trauma, but also worried about if that means 'murder' and you have not reported it.
What do you do?
"What was incredible, man!" Aart says when you are done with the song. He is not bad, but your involvement definitely elevated his earning potential, and he knows this. Having him part of your band probably won't increase what you could earn by enough to offset having to split it two ways, and you are are slightly in need of funds since you savings went on Emma's dress and Elliot never repaid it. While being a vampire can make for cheap living, you still need to make payments on your flat, and electricity, and phone.
What do you do?
When they arrive at Piccadilly, Max follows the sound Benji and Aart's music and waits for them to finish their song, applauding vigorously when they do. Then she strides up to Benji. "Benji old boy!" She cries. "How are ya?"
Had a vampire gotten to Bev? Or...?
No. It can't be. Not Bev!
She forced herself to breath, her phone pressing more tightly against her ear "It looks bad. I think...the 'others' might be involved" she couldn't say more than that, with Mrs. Kaminski nearby. "You have to do something! She's missing. I'm reporting her missing! Can't you track her by her phone? I don't know what else to do!"
Rolls
One Way or Another (+Heart) - (2d6+4)
(34) + 4 = 11
Persephone sighs. She thinks about her life, her damned soul, and her feelings for Viv. Maybe… maybe if she gets Viv to sign, they can work together to escape the contract? Maybe … maybe then she wouldn’t have to be so alone in her situation…
She takes a breath and says, "Yeah, I know it all sounds kind of ridiculous. And I know I’ve made my employer sound awful. But honestly it’s been mostly positive so far. They bailed me out when my start up failed. They got me out of a jam several times. And they even tried to help me process the trauma, though it ended up being a bit too strong a treatment for my liking. They provide for every need, every comfort. Honestly, I’ve never had a better job. But yeah, they do business with some very wealthy, eccentric people."
She shrugs and says, "I… I could show you what I mean, if you want?"
Rolls
Let It Out (+Spirit) - (2d6+0)
(16) = 7
He knows that he can’t afford to let Aart stay and play here forever, but tonight, at least, it would not be fair to try to push Aart out of his spot. He wonders how long Aart is in London for… Maybe they can share the spot for a little while longer? Benji thinks he can probably scrape by with a bit less money coming in, for a few weeks, at least. It’s not like he really needs electricity in his flat after all. Or heating. He should probably keep paying the water bill though, so he can shower…
Benji’s thoughts are interrupted by Max. "Oh, hi Max! I’m great, thank you. And yourself? It’s been a while since we last spoke, hasn’t it? How have you been?"
Rolls
Put a Face to a Name - Night (Alara) - (2d6+2)
(62) + 2 = 10
Her eyes drift from Aart to Circe casually and then focus intensely on Circe. She takes a step towards Benji, looking quite astounded that this 'harmless' vampire would do such a thing. "Wait... is SHE the capri sun?"
Benji ushers his friends over to an out-of-the-way corner to talk, so that Aart can keep playing on his own in the meantime if he wants to, and also so that Aart can’t overhear the rest of their conversation. "I’m really sorry that you got evicted," he says, to Max. "And that things haven’t been going well. If there’s anything I can do to help, you need only let me know."

Circe stands back and listens as Benji and Max talk. When Max stares intently at her, however, she squirms, unsure of herself, though she feels some relief when Benji introduces her as a friend. Circe can't help but marvel at Max; she seems so effortlessly cool, but clearly not someone to be messed with. When she hears that Max is effectively homeless, however, she exclaims, "Ohmygod you're homeless? Like for real? You know, my sister and I could totally put you up for a while, if you need a place." Circe smiles warmly, but then stops short and looks aghast and says, "Oh shit that was really weird, wasn't it? Like, I just invited you to live with me, uh, with us and I don't even... OK yeah, um, Benji, help?" Circe seems to be flailing socially at the moment.
"Oh? Right." Kenedi says, catching on that you can't speak openly.
"I will try calling her phone, just in case." Though why Bev would be dodging your calls but taking Kenedi's is a mystery. "And then try finagle the authorisation for a tap and trace.
"Maybe you should exit the building so you don't contaminate any evidence?" Kenedi suggests, though she sounds dubious, she can't exactly get a forensics team in to sweep the place for vampire DNA, maybe she is just trying to get rid of the bystander?
What do you do?
"'Show me'? What do you mean 'show me'?" Viv asks, you have already opened her eyes to so many new things she is willing to go along with a little more.
What do you do?
She took a moment to look at the torn yearbook. That didn’t feel like the work of an intruder. No burglar would take the time to rip apart something so personal. This looked like something Bev would do, though she had no idea why. She took a few quick photos of the pages with her phone, and the tear itself, then turned back to the old woman.
"That was a friend of mine, with the police. She said we have to step out. It’s best not to handle anything else, since this might be a crime scene." her lip trembled slightly "I’ll...I'll need to make some calls to her family. I’m sorry…"
Persephone stands up before Viv and looks down at her, smiling, almost giddy with excitement. She says, "OK, so this is gonna be weird, but... Well, I'll just show you! Stay calm, ok?"
She spreads her arms and suddenly shadow and smoke billow out from her and envelop her in a cocoon. After a moment, the smoke dissipates, revealing Persephone, but now in a new and different demonic form. Whereas before, her form was horrific, now it is awesome and beautiful, though still filled with dread. Now, her skin looks like polished marble, with black veins and cracks running through it. Her eyes glow like hot embers in dark pits. Her hair floats wildly around her head, undulating like snakes. And wings sprout from her back, looking like large, iridescent dragonfly wings. Her body is naked, and identifiably hers, and she floats a foot or so off the ground. She speaks, her voice sounding like a Greek chorus chanting a song in a minor key. She says, "Don't be alarmed, Viv. It's still me! My employment comes with some unique perks..." She hovers backwards, her body passing directly through the sofa as if it weren't there. She lands and does a beautiful, balletic forward cartwheel in perfectly controlled, slow movements, bringing her back in front of Viv. She then sits down, curling her arms and legs around herself in a position that is eminently comfortable and relaxed, but one only a contortionist could accomplish. She smiles at Viv once more and then, as before, a sudden whirlwind of smoke whips out of her and, with a spin, dissipates, leaving Persephone sitting on the sofa comfortably, her human self in her human clothes, just as before.
She smiles and says, "Cool, huh? Oh, and check this out..." She turns around and shows Viv her back, where the gash she had made a few minutes ago was entirely healed, leaving only a faint line up and across her back. She looks back at Viv and says, "What do you think?"
She turns her attention to Circe again. "Nice to meet ya, Circe. Kind of you to offer up your place when we just met and all, but I'm gonna have to pass. I've got needs beyond just a simple couch to crash on, and I'm not sure if you and your sister are up for accommodating them." By which she meant that the Morgan's who she was staying with were willing to take care of Madison when she couldn't and even had a kid of their own who was only a few years younger. Not that she'd object to changing things up a bit, but she doubted Circe had daycare in mind when she made the offer.
"So," she continues, still addressing Circe. "What do you do? Where do you know Benji from?"
Circe frowns and says, "Well, um, I’m a recent college graduate thinking of going into graphic design. I’m here visiting my sister Persephone, who introduced me to Benji. My sis works for… um. Like the corporation from hell, I guess? And she knows Benji from… uh… work? I guess? And I’m hanging out with Benji because my sister is …" she blushes visibly and stammers, "Um she needed the condo for the evening, for, um, stuff."
"I met Circe’s sister, Persephone, through a mutual friend," he supplements Circe’s explanation. "She made a pact with a demon that she’s trying to wriggle out of and I introduced her to Yasmine—do you know Yasmine? She has a bookshop in Cecil Court—to help her begin looking for a loophole in her contract. And then there was a bit of messy business with a cult and a hellhound a few days ago and we ended up trapped underground together for a while…"
Rolls
Put a Name to a Face (I'm assuming Power?) - (2d6-1)
(45) - 1 = 8

Circe's eyes go wide when Benji produces the blood bags. She looks at Alara, her mouth open in shock, and says, "Really? You? Wow, I never would have guessed. Oh, um, sorry, this is all new to me...Is that rude? I apologize if so... I don't know the etiquette or, like, the rules. Benji, are there rules?"
Mrs Kaminski drops the photo album at the mention of police, wiping her hands on her dress as if to remove the evidence. "Uh... of course." She says stepping out the front door. "You will tell them I only came in with you?" She has watched enough procedural dramas to know that people get in all sorts of trouble for having their DNA at crime scenes.
"You're going to call Mark?" She asks, referring to Bev's older brother —the only direct family she has left. "What are you going to tell him?"
What do you do?
Viv looks on, remarkably calm given what is happening. When you sit back down on the couch, unchanged, her analytical mind causes her to to look around the flat for special effects apparatus (smoke machines and projectors), impressed, but not seeing how an FX budget is all that impressive a 'job perk'.
When you show her your healed back, though, she is less sure. "Wait. How did you do that?" She demands. "That blood looked real." She sounds slightly hurt that you would use your rather impressive acting chops to play such a trick on her. She is pretty sure there must be another explanation.
It seems you have your Demonic Form back, at least for the purposes of impressing Viviana, you can feel it within you, ready to be used at will.
What do you do?
"You don't actually believe those stories of the hound on the tracks?" Alara says incredulously to Benji. There have been rumours for decades, but no one she knows has ever seen the thing. The hellhound's reputation also only involves the train tracks, not the park, so Alara is dubious about your grasping at any other rational that does not involve 'wolf' attacks.
What do you do?
"They're horrible warm, too." Alara says, obviously disappointed that you are not offering her fresh blood. "I can't believe you drink these things." She says, the distaste clear in her voice, distaste both for the packaged blood and for those who drink them.
"Yes." Alara says to Circe. "'The normal social rules' like don't talk about others' secrets." She knows that you have never been good at the whole business of lying, and such. She is also filing away the 'Persephone wriggling out of her deal' tidbit for possible blackmail purposes later.
What do you do?
"Thank you, Mrs. Kaminski. I’m glad you were home. Let’s just hope the police finds her quickly, and that nothing bad has happened to her" …..also doubtful, on both accounts.
She exchanged numbers with the old woman, and told her to call her if she heard anything from Bev, before going back into the street and hurrying toward her meeting with Benji.
Circe grimaces at Amara’s words, mumbling, "Oh duh… right right…" After her faux-pas, she opts to stay quiet and listen for a while.
—Persephone—
Persephone smirks and speaks, her voice sounding like an infernal chorus singing from the depths of a void. She says, "You think it’s a trick? Hmm… Ok here…Hold onto me…"
She takes Viv’s hand and they both stand. She scoops Viv up easily in both arms, and Viv instinctively grabs onto Pers’ shoulders. Her marble skin feels cold, hard, and smooth to the touch, like a coroner’s slab.
Persephone smirks mischievously. As their eyes meet, her great dragonfly wings beginning buzzing, flapping faster that Viv’s eyes can follow, though she can certainly feel a breeze off them. She looks down and realizes that Persephone is a few feet off the ground now.
"Watch the window. And hold on tight."
Suddenly, they explode into motion, shooting toward the plate glass window. Somehow, just as Persephone did a moment ago with the sofa, they pass through the solid glass as if it weren’t there.
They’re flying now, upwards, up past the top of the condo building. They fly another fifty feet or so and the neighborhood around Persephone’s condo comes into view below them. The rain strikes them and runs down Persephone’s body, water hitting stone.
Persephone laughs and says, "Id take you for a longer flight, but…I don’t wanna piss off the boss."
Then, with a flourish, she flies in a loop and shoots downward, soaring through the air and back through the plate glass window, back into the living room. She lands and sets the rain-damp Viviana back on the sofa. The water on Persephone runs down her stone body onto the floor. She sits next to Viv and takes her hand. She places it on her stony demonic cheek and, under Viv’s touch, she transforms back, right before Viv’s eyes, with Viv feeling the transformation with her own hand.
Persephone sits, looking human, holding Viv’s hand against her cheek. Somehow, her human clothes look unwrinkled and dry. She smiles warmly at Viv and says, "Hey. It’s still me. You ok?"
When Alara brings up the hound, he replies, "Oh, I do! I’ve seen it myself – twice, in fact. I’m not at all sure it’s an ordinary hellhound, mind you. It’s definitely demonic but it’s big and very, very frightening."
Mrs Kaminski promises to call you if anything new comes up, if you do the same, and to let the police in, if she's awake. She returns home, and you leave.
Your phone rings. It is Dr Moss' promised call.
"Good morning. I hope this is not too early for you?" He greets, though he seems to know that you will feel energised by yesterday's experience. He does not ask after your wellbeing, apparently assuming you are feeling healthy.
"So, I have been researching the topic." He ploughs right on after giving you the minimum time to return formalities. "And I have been reading about a ritual. I discounted it before... but, if you are interested, I think we can pull it off?"
He does not really give you much time to stop him if you are not interested, aside from fact that you asked him to call you about this, he is like one of those nerds at a party who just does not know how to shut up about whatever it is that is exciting them right now.
"You've heard of 'the power of three'? Three is an inherently magical number, we all know that. Well, we need a 'maiden', that's you... don't worry, it is not literal... except in the old, agricultural sense where a 'virgin' is a heifer (a cow) what has not given birth... been pregnant... you haven't been pregnant, have you? Nevermind, I don't think that actually matters, it is more about the ... quality." It is lost on him that he sort of just compared you to a cow.
"We need a 'mother'... that is Blossom. I am sure you saw how mothering... uh... motherly she is... though, also, by the above definition, also a virgin. Mother enough for our purposes, anyway.
"And we need a 'crone', which is me. No don't deny it." He seems to think his joke is amusing.
"We dance, n... ah, under the sky, in a sacred place. Around a circle of rocks and water? I think the swimming-pool in my back yard might count? Else St James' Park is an option.
"Then we ... commune? And talk to the faeries?"
He has been getting less certain about this as he reached end.
What do you do?
"Ho! Ly! Shit!" Viv says breathlessly her mind whirling, trying to make sense of what just happened and not coming to any concision other than 'that just happened'.
"That was real? How? Magic?" She does not sound like that explanation is outside the realm of possibility, how else can she explain it?
"That was amazing! What else can you do? Can we do it again? I always wanted to fly, but couldn't, because of the contacts." She probably means contact lenses, preventing her from being a pilot.
What do you do?
"One probably shouldn't say so much, but I was mainly talking to that one." Alara says motioning to Benji. "Be careful whose bad habits you pick up, now that you are one of us. You are a sweet one." She says, stroking Circe's cheek. "We don't want the wrong sort getting their hooks into you."
"Are you sure you want to be talking about his in front of ... you know." Alara whispers to Max, still thinking she is protecting her, but Benji's claim loosen her lips a little.
"You for real?" She asks Benji when the topic of the hellhound comes up. "Of course you are." She adds, not thinking him capable of lying, nor seeing why he would boast about this, if he ever boasted at all.
Alara shrugs. "Late last night —just before dawn, really— joggers found a body in Hyde Park. It was torn apart, as though by a large dog... or a tiger." She adds hastily, in case Max still wants to try going with that excuse.
"I already told you this." She says to Max. "I don't know what sort of 'details' you think I am leaving out? What do you want to know for? Do you know them? I don't."
What do you both do?
It just felt...off
Still, she didn’t want to dampen his excitement, and it did sound like the ritual had some merit. She chose her next words with care:
"That does sound promising. Could you send me the details of what you've read, so I can look them over first, before we try anything?"

Circe steps back from Alara, and looks at Benji with concern. "What does she mean, one of us? Benji?"
Persephone laughs, and otherworldly but not unpleasant sound, that echoes all around them. She says, "Haha! You are adorable. Um, a lot of the things I know I can do keep me safe from harm, heal me, and stuff like that. Like, I can make claws and armor on my body. And my form can look different—scarier—if needed, too. And when I change back, I feel like I’m totally healthy, and just had a good night’s sleep! It’s really lovely, to be honest."
She takes Viv’s hand and says, tentatively, "So… this doesn’t freak you out too much? I was really scared to show you… I don’t want to lose you, Viv."
"That does sound like the hound to me," he says, upon hearing Alara’s account of the body in the park. "It attacked someone on the tracks near here just the other week, so I tried to track it down. I followed it through Hyde Park and into some kind of portal, but I’m afraid I bit off a bit more than I could chew, as it were. There were a lot more demons down there and a wizard, and I ended up having to run away."

Circe looks them all over--Alara the apparent Vampire, Benji the vampire, She looks ant Max and whispers a question, "Um, hi? Max, right? Are you a, um, vampire too? And what does he mean by calling me an Aware?"

Circe struggles to contain her awe of Max—she’s so cool and, like, a rebel.
Circe stops and reflects upon what she’s feeling. Oh my god… I think maybe I’m bi? Um… I need to talk to Pers about this, see how she pulls it off…
"Of course, of course." Moss says, sounding a little disappointed that you want to take the time to research this yourself, he spent the whole night reading, and he was already versed in the lore and knew enough to get started. He rattles off a slew connected ideas and the books books they are from, mainly old folklore with a smattering of fairy tales. It is a lot, and he promises to text it to you, he plans to write it up as a paper for peer-review publication anyway, but that is a lengthy process.
"But... you think you may be interested?" He asks, not quite leaning on the 'you Owe us' angle since that feels counter to the emotional ambiance he is trying to cultivate. "You've felt their love and power." He says, not seeing how you are not jumping at the opportunity to be a part of this contact mission.
What do you do?
"That's not the term most people use." Viv mutters, she is not used to being called 'adorable'.
The talk of 'harm' and 'armour' and such make her a little uncomfortable, her talk of 'cutty revenge' being mostly talk.
"I didn't think it was scary." She objects, sounding almost confused that you would think that. "I thought you were beautiful." She says shyly about your stone form.
Maybe it hasn't fully settled in yet, but she seems to be taking this whole revelation remarkably well.
What do you do?
Alara seems a tad overwhelmed by your stream of questions. "I don't know." She says, trying to answer them as best she can.
"There was a lot of blood." She 'explains', not saying out loud that that drew her there. "I wasn't working, or anything." She adds, apparently still worried about getting into trouble, this being from before your 'permission'.
"I think he was a jogger, one of the early ones." Alara goes on. "The body was still a bit warm when it was found by the other joggers, maybe half an hour after death? That was, like, just before 5 a.m."
The talking about the blood and the body does seem to be making her a little uncomfortable, hungry as she is. She also seems to have seen the body before the joggers found it.
"He jogged in the park, quite regularly, but I don't know him, or the ones that found him." By 'don't know them' it sure sounds like she means 'watched them from time to time'. "I don't know where they are now? At home?"
If this happened before 5 this morning then it has been over half a day. The police forensics tent covers the area where the body, or traces of any evidence, was found, which spanned part of the park and Park Lane. The body has, presumably, been moved to the morgue.
What do you do?
She does not say this, not wanting to scare Circe who she has taken a bit of a shine to.
Eliot vanished right at that very spot, which led her to believe that there was some kind of portal there, or at least, that the 'veil' between the two worlds was particularly thin. "I want to call a few of my friends to come with us, just in case. I'll see you there!"
Now in her human form, Persephone gazes into Viv’s eyes and says, "Wow… I never knew how much I needed validation, or acceptance for my other form and my true self. Thank you Viv. You are special to me."
She laughs and hugs Viv, followed by a kiss… and things progress from there, into the bedroom.
—Circe—
Circe listens to the talk about hell hounds and then something clicks. "Wait a minute! Persephone had said she was, um, killed and fed to a hellhound to devour. And it was only her demonic patron that was able to rebuild her and bring her back. Is that the same hell houn?".
Was it possible that she had murdered an innocent man?
Even if she hadn't, this was bad. People knew she was a werewolf. Kenedi would find out. And like any other lazy pig, she'd take the simple explanation and try to pin the murder on her. She had to get to the bottom of this before she sank to the bottom of it.
"Benji," she asks solemnly. "This sounding like your hellhound?" She can't quite keep the quaver out of her voice.
"Hmm...?" Moss says when you suggest doing it this morning, you can hear him paging through books. "You sure? I don't actually see anything about needing to do it at night? I just assumed it would be? If nothing else, then to just to avoid being seen...?
"But I am just making this up as I go along." He says in reply to your wanting to check the ritual. "It's not like anyone has done anything like this in a long time, and no one wrote it down. But I think I understand what the pieces of oral tradition are getting at."
He does not object to your wanting to bring backup, but you can hear that he is hesitant. Not everyone has the required 'energy', and he is worried that outsiders might disrupt the flow. He may, later, object if you bring the wrong people.
What do you do?
Viv does not know what to say in reply to your response to her validation, she was just saying how she feels. While she struggles with all the veiled messages others send, she also seems to struggle with direct statement of such feelings, she is slightly feeling like she has done something wrong and should not have said what she feels, that always gets her into trouble.
"We did not even get to watch Netflix." She jokes as you drag her back to the bedroom, this time with warmer results.
What do you do?
"But if you think it could mess up the ritual, then we can find another time to do it. Maybe over the weekend?"
She didn’t mention exactly who she would be bringing along either. Dr. Moss might object, but after nearly being sacrificed in a a demonic ritual, and spending a couple of days hospitalized after losing a pint of blood, she wasn’t taking any chances.
"Well, it’s certainly the simplest explanation, isn’t it?" he says to Max, frowning. "A person was attacked by a big dog in Hyde Park — a place where I know for a fact that the hound frequents. What else could it be?"
"Huh... I'm not sure." Moss says, sounding not sure at all. "But if we have to, we can try. I just don't want to wait too long. This feels like precipitous timing, and I don't want to miss our window."
Moss does not seem concerned about your bringing people... provided they are the right sort of people. But there are almost always a few random people around during the day (and the police investigation will make that even more true (even at night), though you don't yet know of this).
Moss did not say anything about specific times, though there are traditional ones like sunset and sunrise, as well as midnight and other witching hours that he may have been assuming. You know that there is unlikely to be any actual need to 'miss dinner' and nipping out once everyone is abed would be a good fit. You are making excuses to avoid risk, and you know, deep down inside that that will never work out, you will never get anything done if you live in fear of failure.
What do you do?
"Yes. What else could it be." Alara says with barely hidden sarcasm that may only be apparent to one of you. "Not like there is any other great big dog running around in the park at night."
All the stories and 'sightings' and incidents of the hellhound have been underground, in the tunnels, but Benji certainly found a new connection within Hyde Park.
What do you do?
"That certainly is an unexpected benefit of cutting the men out of the equation." Viv says. "From what I remember they would always roll over and fall asleep right after... or was it still during." Her eyes have been opened to more than just the nature of the supernatural in the past few days.
"Um..." She says at a later point. "Do you think we can try with you... you know... other...?" Apparently she has read some of those 'paranormal romance' books (that being the polite version of the two word name for the genre).
What do you do?
She ended the call and exhaled slowly, coming to a stop under the rain. She was growing more and more worried for Bev; she doubted the police would be able to do much if vampires were involved. And maybe it was a bad idea to involve them to begin with, especially if Bev was now one of the undead.
She forced herself to think through it logically. If Bev really had turned - if this nightmarish possibility was true, who would she go for help? Benji, obviously, but he was missing, and only returned last night. Bev didn't know any other vampires, at least she didn't remember mentioning anyone else. Except, maybe, Chablis?
...no harm in trying
Sighing to herself again, she pulled up Chablis's number and pressed dial, hoping she hadn't already retired to her 'coffin' for the day
Rolls
Hit the Streets - Night - (2d6+1)
(66) + 1 = 13
You hear loud, thumping music in the background of Chablis call, it sounds like she is back at work, during the unpopular morning shift. After the customary 'who dis' negotiations, Chablis is thrilled to hear from you and confirm she is back at the Velvet Sin.
What do you do?
"Alright," she says addressing the group. "It's been a night for me, and I need some shuteye. I'm visiting the site of the murder tomorrow morning, hopefully most of the pigs will have cleared out by then. Benji, Alara, you're both free to join me if you want to get to the bottom of this. And Circe? How about you take my card? You don't strike me as being into the hard stuff, but if you want weed, acid, shrooms, I got you. Our service is top notch, and we do deliveries for a very reasonable fee." She digs into her jacket and hands Circe her shady card.
"ALRIGHT! I'LL BE THERE IN A FEW MINUTES!" she raised her voice one last time , before hanging up the call and sighing to herself. She was supposed to meet Benji in less than an hour for coffee, but this shouldn't be such a long detour. And she was sure he would understand, even if she did end up being late.
Sliding the phone back into the pocket of her raincoat, she adjusted her scarf and headed to the nearest subway station...
Persephone’s eye go wide and her mouth drops open when Viv suggests something. Persephone mutters, Ugh I don’t even want to know what my patron would think about this…
Then she smirks and says, "Naughty girl! I like it." Then as they sit there on the bed, naked, vocal watches as Persephone transforms once more. Her skin becomes like marble with throbbing veins of red throughout. Her eyes glow like hot embers in dark pits. Her hair floats wildly around her head, undulating like snakes. And wings sprout from her back, looking like large, iridescent dragonfly wings.
She leans in to kiss Viv and she feels a potent surge of sexual energy, a wild animal craving. Her demon form is powerfully lusty, apparently!

Circe takes Max's card and looks it over, there she looks back up at Max. "Oh, you're a dealer? I guess I thought, I dunno, you were, like another supernatural thing. Like a vampire or a demon. What else is there, Benji? Are there werewolves too, like in Twilight?" She looks at the card again and says, "Sure. I don't really do drugs or anything but it will be nice to know someone else who knows all this... stuff." She blushes and looks sideways at Max once more, as she slides the card into her pocket. Then she looks at her phone to see the time.
Circe

Circe laughs and says, "But what about the song? Do you know it? Werewolves of London? Uhhh...anyone? Oh well...I guess it wasn't a funny joke..."
This time of the morning is not exactly busy for a strip-club, but there is still a bouncer on the door, he might be the same one from last time, though they all look alike.
• How do you get in? How do you get to speak to the dancers?
What do you do?
Circe

Circe sighs and says, "Well, I guess I should head home. Surely that has been enough time for Persephone's date, yeah?" She turns to Alara and says, "Um, nice to meet you." Then to Benji, she says, "Thanks for taking me around and introducing me to folks! I have so many more questions, but I'll spare you for now."
Then she looks at Max and blushes again, and says, "And, uh, nice to meet you too, Max. Um, bye!"
She turns to head back to the condo.
The young girl there, wearing nothing but glitter, was working hard for an audience that barely looked worth the effort. It was just a handful of lonely man slouching over their drinks, who could barely afford, or bother, to wave some fivers at her.
Emma wasn't a prude. Nudity never shocked her, but there was something uncomfortable about it all. Maybe it was pity for the poor girl that had to grind like this just to pay her bills. Or maybe that even with a naked woman twirling on stage, she still managed to draw unwanted attention. She didn’t fit here, and everyone knew it.
So when Chablis finally strutted onto the stage, she wasted no time. Rolling a folded bill between her fingers, she raised her hand just enough to catch her eye. She wasn’t here to drink, or watch the show. She wanted privacy, and she was ready to pay for it.
It is amazing how many problems handing out 50s can instantly solve, the note between your fingers draws nearly as much attention as you, yourself, do in a place like this.
If the other customers think it rude to steal their dancer the moment she steps on stage they are prepared to wait for her replacement, biding their time thinking of you and Chablis in the private room. You may have elevated Chablis' standing and popularity through this action.
Chablis seems nearly as happy to see you as the money, and she leads you into a private room. The music is less intrusive in here, but you still have to raise your voices to talk, these places are not exactly intended for 'conversations'.
What do you do?
"You’re looking good, Chablis" she did look more confident and put-together than the last time Emma had seen her, though, granted, that was a low bar to clear. Still, she couldn’t help but feel a little bit of admiration. And ....envy? "I’m glad to see you’re doing well. Must be easy getting your fix in here, isn’t it? So many men desperate to be drained in one way or another"
She hesitated for a moment, before continuing: "I actually came because I’m worried about Bev. She’s been missing for about a week now. I have reason to think she might have reached out to you?"
Circe

Circe gives Benji an impromptu hug, smiles at Alara and then stops and smiles at Max, saying, "Um, I can...I can call you, right? I mean... for, um, stuff. Um..." Then she turns and walks quickly away midsentence.
Circe sits in a RideShare taking her back to the condo; she didn't feel comfortable enough with London to even know if she was within walking distance of home or not. After a few minutes, she gets out in front of the stately old stone building, with the oh so tony decor in the huge chasm of a lobby, with tasteful and expensive art in alcoves on the walls -- not prints, mind you...those are paintings on canvas by some well-known artists.
Circe is preoccupied, replaying the evening as she enters the elevator. Mumbling to herself, she says, "Ugh... 'I can call you for stuff'??? Who says that? Ugh I'm such a loser. I never.... I always thought girls were Persephone's thing. I don't wanna be bi -- it seems like such a headache...UGH..."
At this point, she has left the elevator and arrived at the door. She absentmindedly taps in the code, opens the door, and is greeting by ... a scene that will forever be burned into her mind.
(more to come in a Persephone post...)
She embraces Viv and kisses her deeply, her marble lips smooth but somehow warm and soft against Viv's. When Viv finally regains her senses, she realizes the two of them are floating five feet up, as Persephone has lifted Viv and her wings are quietly buzzing away. They fly around the room, kissing, until Persephone gets a naughty look. Well, naughtier.
She drops the naked Viv onto the sofa, zips into her bedroom on the wing, and quickly returns with some gear. Working quickly, she pulls on and fastens the strap harness, including a sizable...member to the front.
Just then, as Persephone hovers over Viv, her naked demonic body in full display, including the harness and huge item on its front, the door opens and in walks Circe.

Circe's mind breaks. Ohmygod ohmygod ohmygod ohmygod ohmygod..." she can be heard as she runs back down the hall to the elevator, leaving the condo front door wide open. She pushes the button frantically.
Persephone sighs and says to Viv, "Just a sec, my sister ... uh..hasn't seen me like this yet. Or... um, like this." First she gestures to her demon body, then to her strap on.
She quickly buzzes to the open door and peeks around the corner, keeping her lower half out of sight. "So, yeah, this is my demon form, and um, I'm sorry you had to see it that way. But, it's OK, ok? We can talk about this later. Do you have a place to stay?"
Ding! The elevator opens, Circe jumps in without looking back and shouts, "Um yeah we talk tomorrow about ohygod ohmygod ohmygod yeah all that...Sorry!" As the elevator closes, Persephone sighs and returns her attention to her lover.
Circe, meanwhile, descends and tries to calm herself. She wanders out the door, and immediately get lost. She looks at her phone, and can't quite tell where anything is. She types in the names of places she knows, but they are all closed at this hour. She quickly does a voice to text message for Benji, saying, "Um, hi! So, um ohmygod I uh went back and interrupted Pers and her girlfriend... ohmygod and saw, my sister... ohmygod in like demon form... um."
Then, her hand shaking, her mind reeling, and her judgment heavily distracted/impaired, she also texts Max, and says, Um, this is Circe, from earlier? So, like, ohmygod... do you have something to help calm me down? I just saw... um my sister, as... like ohmygod... a demon."
...Mom?"
"S'right, Momma's here. Go to sleep, kiddo."
Madison closes her eyes and immediately falls asleep again.
Max goes to her own digs on the couch, but her thoughts are troubled and restless. Reluctant to fall asleep, she stares at her cellphone, checking for any news of the murder that may have been announced. She's interrupted by Circe's text.
course i do
tell you what
having trouble sleeping
your first treats free if we split it
cant use my place
think benji will offer up his digs?
Hello Circe! I’m afraid I’m not quite following. Are you okay? You sound distressed. Is Persephone okay? Why was she in demon form? Was she being attacked?
Yours,
Benji
Circe

Circe tests back to Max, saying, "Um, maybe? Yeah I think so? Do you have the address? Meet me there."
Circe regains her composure and, thanks to another ride share, she finds her way to Benji's eventually. As she is enroute, Benji calls her. She answers and replies, "Oh, hi. Um no! No, nothing like that... She was...with her lover? Who seems to be into that? It was SO traumatizing. She had like rock skin, and bug wings, and fire eyes, and the largest dildo I've ever seen! Ohmygod what.. how...Oh can I crash at your place? Max wants to come by, too, give me something to help me sleep. Is that OK?"
Chablis preens at the praise coming from you, moving sensuously, doing her job and assuming you are there for pleasure rather than work. Things become a bit more awkward when you continue to talk, and Chablis starts to feel weird about her lack of dress during a conversation, most people in these rooms do not engage in such behaviour.
"I tried calling Benji." Chablis says a little sulkily. "But he was not answering. I got very hungry again, and could feel my mind slipping away. I did not want to go back there." 'There' being back into that primal, savage state of mind.
"Bev came and ... helped me." It is still strange for her to say something like: 'Bev came and fed me'. "But I can't keep drinking her. So I got my job back. There are people who want to be ... you know. Bev told me about that stuff."
Chablis clearly knows something more about Bev, but is not telling.
"Where's Sarah?" She asks, changing the subject. There is a note to her voice, like she is trying to hold back strong emotions. You can't tell quite which emotions these are exactly, but your 'spidey-sense' is warning you to be careful... though this could easily just be paranoia from the last time you were alone with a vampire.
What do you do?
The 'news' mentions the 'mutilated body found in the park', but does not include any more details than you have already gathered.
What do you do?
Placing the smoke in her jacket pocket, she then takes the train to Benji's place, arriving around the same time Circe does and running into her outside the door. She gives the woman a confident smirk and a rough little pat on the shoulder. "Ready to forget your troubles for a night honey?"
She decided to steer the conversation back to Bev, more wary than before "...when did you last see Bev? Do you know where she might be now?"
"She was with you?" Chablis asks, sounding hurt that you hid this from her before. "Of course I called her! Every day! Where is she?" She sounds worried about her friend.
"Bev is fine." Chablis says when you push. "Don't worry about her." She does not see the hypocrisy in her not telling you about your friend while being upset you didn't tell her about hers.
She is definitely hiding something.
What do you do?
- Max -
Benji's apartment is small, and cluttered, it gives distinct 'drug den' flavour, though also hints of 'grandma'.
There is a bird in a gilded cage, it goes berserk at your presence. You may have never seen a snow white raven before, and, no matter your general view on birds, this one fills you with a sense of revulsion. Its cage is clean, with zero droppings or anything, but something —maybe the smell, maybe the squawking racket, or something else you can't put your finger on— makes you angry.
This is not exactly a scene conducive to a mellow experience, not with that thing in the room.
What do you do?
She exhales slowly, then pushes herself to her feet "I guess that goes for me too. If Bev is fine, and she doesn't want to talk to me" she trails off, and gives a small, resigned sigh "Than I suppose that's that"
Chablis (probably-)subconsciously moves to block your exit. "But where is she?" She asks again, a bit petulantly, either not processing or not believing you when you said you don't know. How can you not know!?
"You know she can't take care of herself on her own!" Chablis wails, which is a worry, given how incapable Sarah seemed the whole time you have known her.
What do you do?
The bird goes mad when you approach the cage, arms wide open ...to cover it, sure, but it may not know that. It beats itself against the bars and claws and pecks at the blanket till there is a hole in the nearer side, the blanket did little to block the noise and nothing to stop the bird's panic.
What do you do?
Circe

Circe stops short seeing Max at the door and stammers, "Oh! Oh you're already...um, good timing!"
They enter and Circe laughs in confusion at the bird's reaction. "Um, the white raven doesn't like drugs apparently? Here, let me see if I can help." She helps and, if necessary, they could maybe move the cage into another room and close the door?
Assuming they are able to calm the bird, or put it away, Circe says, "So, um... what'd you bring? And, oh, thanks so much for coming! Like, I um... I dunno, tell me all about you"?"
The cage is large —it has to be since the raven is large, and has large 'teeth' and claws (though the 'teeth' part is not literal)— but, between the two of you you can get a broomstick through the loop at the top and carefully move it out of the main room while remaining out of reach. The bird still makes a fuss, but that is, now, muffled by the closed door.
What do you do?
Intimidated, Chablis immediately steps aside, apparently not even realising her action, she looks away submissively. "But who's going to look after her?" She says pleadingly as you leave drawing a bit of attention from the other patrons.
What do you do?
Viv looks mortified to have been caught as she was, but she also looks ... a tiny bit relieved? Maybe she was not as enthusiastic about the inclusion of a 'male appendage' into the relationship... especially given where such a thing goes and the size of the appendage in question.
"Um... Should I go?" She asks. "Maybe I should go?"
What do you do?
Max sits on the couch and beckons for Circe to take a seat. She fishes the roll out of her pocket. "Just a joint to help ya relax a bit," she says, giving the smoke a waggle for emphasis. Relaxing even though she has not yet lit up, she continues. "Let's see... can't just open the book of Max in the middle and expect to get the full story. But... if you want to learn my secrets, you gotta promise to keep my secrets." She gives Circe a pointed look with a raised brow. When (if) Circe agrees to confidentiality she continues. "My parents were hardline Christians. And I was a stupid, reckless kid getting into all kinds of trouble, hanging with the wrong crowd. Got knocked up at 16. I wanted to terminate the pregnancy, I knew I wasn't ready to be a mother. But they threatened to kick me out on the streets if I went through with it... so I didn't. Of course, when my baby was two months old, I brought home my first girlfriend and the pieces of shit kicked me out anyway. Since then it's been Maxie and Maddie against the world. Just uhh... don't tell the vamps I've got a kid alright. I know Benji seems harmless, but how harmless can a bloodsucker really be, ya know? A mom has to be careful." She seems more at ease with Circe now that she has revealed more of herself. "But that should be enough about me to get yer lips wet. How about yourself, what's your story? Gotta be more to you than just a demon sister."
She looked into her eyes, more empathetically this time "That’s the rub, isn’t it? You’re not the same anymore"
Circe

Circe listens in rapt attention as Max speaks, agreeing immediately and with dead seriousness to confidentiality. She continues to listen, her mouth opening into an excited smile at the mention of a child. "Oh, is Maddie their name? That's adorable! How old now?" Circe is preparing to do the math to see how much older Max is than her--because Max comes off as very mature to Circe compared to herself.
When Max finishes, Circe's eye go big and she mumbles, "Get my lips wet...? Um...". She blinks a few times, clears her throat, and shakes off whatever thought was in her head. She smiles and looks at Max and replies, "Well, no, I mean, yes, well I mean... I am here in London to visit my, um, apparently very much a demon sister. Ugh, I dunno if I'll ever get that image of her, as a demon, naked, with that...giant thing strapped on... Ohygod ok no. Persephone aside, I'm a graphic artist looking for work in media, but, like, the US is a disaster right now, and AI is putting creatives out of work, so I guess I need to learn some programming... But that was always Persephone's thing. She always wanted to make that killer app, you know? She's always been such an overachiever... I guess... I guess I've kinda lived in her shadow my whole life, you know? I..."
She takes the joint from Max and holds it awkwardly. She says, "Um, do I hit it like a vape, or...? I've only ever smoked flower in a bong or a one hitter... Um..." She puts it to her lips and takes a drag, managing to get a good hit. Which means, of course, as she starts to exhale, she coughs violently for a moment and then says, only, "Whoa..."
Max takes the joint from Circe and enjoys her own leisurely drag, and perhaps unsurprisingly, fails to cough at all. "Madison's ten," she explains. "So, an artist huh? Gotta say that's pretty cool. Shame about the AI though. Kinda like that old song... video killed the radio star? We can't go back we've gone too far? Eh, I wouldn't know anything about that. How'd you get involved with the supernatural anyway? Your sister introduce you... or was it something else?"
Circe

Circe once again gets caught flat-footed blinking and trying to get the innuendo out of her head. wet my lips? popped my cherry? Um...
Fortunately, she is now high enough that she can easily just float away from those thoughts long enough to say, "26! Oh. Um, I mean, you had Maddie when you were 16, and now she's ten, so you're 26. I would have guessed older... But, you know, in a good way! Um, but yeah, I think I know that song reference. It was the first song played on MTV, I think! But yeah, no one knows what the future will be like for us. That's why I came here, hoping my sis could get my a job with her big company."
She laughs, somewhat bitterly.
"Ha! That didn't work out so well. It ends up that Persephone literally works for the devil or something, and, like, is a part-time devil herself. So, yeah, no thanks, sis, I won' be taking a job at your company..."
She sighs. Then she blurts out, "22! Oh. Um, I'm 22, but the way. Since, before we... FFS Circe get your shit together... Um, supernatural? No. Persephone tried to tell me she was a demon and I... um. I had her committed. I feel REALLY bad about that now. But I mean, come on who would believe that? And then I learned that Benji is a vampire! And so is your friend Alara apparently? Wait you said you're not tho, right? You'r just, like me, like a normal person who knows about this stuff. Is that rude? To call myself normal? That makes it sound like vampires and demons are abnormal. Maybe I should just say, like, I'm a mundane human. A normie? A typical specimen? WTF I am too high already..."
Circe leans back on the sofa and smiles dreamily, clearly more relaxed now than she had been.
"What!? I would never hurt her." Chablis says in denial of the facts. "I just need to know she's alright. That she's being taken care of." She does not believe you that you don't know, and is sure you are holding out on her, like you did before.
What do you do?
"I don't know, man." Aart says. "I'm not liking the weather much, but I can't afford to go back." Maybe with your help he can earn enough to return home, but you know hard it is to get out once the city has a grip on you, very few ever do.
What do you do?
"I don’t know where she is" she repeated again, with a hint of annoyance, as her hand slipped out of Chablis's "But if it’ll put your mind at ease, I can ask around. See if anyone’s seen her"
"Na, man. London's where it's at." Aart scoffs at the idea of going up north. "Besides, it can't keep raining forever." He does not add that this matters less now that you have offered him a place out of the rain to busk.
What do you do?
"OK." Chablis says. "Tell me when you find her." You get the impression she is expecting that to happen today or tomorrow.
"Can I have your number?" She chances. "You know, just to check up."
She has not asked for blood, and she really seemed to like your blood last time.
What do you do?
Rather than leave the station with Aart, he slips away into the tunnels and spends the rest of the night in his Haven, cobbling something together that he can play for Alasdair later.
She gave her my number, albeit reluctantly, before leaving; "Take care of Bev, alright? And tell her to call me. Or at least text. I want to know she's alright too..."
The Brick was a small neighborhood coffee shop, quieter than usual at this hour, thanks to the relentless rain. Most people preferred to stay in their warm apartments, and those on their way to work usually got a quick caffeine fix from a subway stall rather than battle the wind with their umbrellas.
Pushing open the door, she found a quiet table and began shedding her outer layers. She hung her trench coat by the door, draped her scarf neatly around a hanger, and set her wool hat alongside it
Feeling more comfortable in her jeans and loose wool blouse, she let her eyes wander, looking for any sign that Benji might have already arrived.

"Emma!" he says, perking up and waving at her as soon as he spots her. He smiles and she can see that one of his fangs is broken. "Over here!"
She considers Circe thoughtfully and takes a drag. "S'right, I'm not a vampire. The only blood I drink is from a gal named Mary, if ya catch my drift." She takes another drag. "But uhh... shit, I can't believe I'm telling you this. It's not like it's a secret or anything but... we just met and I haven't even got a chance to tell Benji yet."
Eventually she nods as if making a decision. "So yeah... normal is what I call people like us... I mean... like you. Is it rude? I mean yeah, probably, but I can't be bothered to think of a polite way to go about it. See... the thing is, six months ago I stopped being all that normal. I'm a werewolf now. The only one in London, as far as I or anyone else knows. Don't tell Benji, I want to talk to him about it myself. I need to ask him... ask him what it felt like when he first realized he was no longer human. Fuck of a lot to process, I'll tell you that much." She takes a second helping of the joint before she offers it to Circe again.
"Benji!"
She quickly made her way to his table, the sight of him made her break into an easy smile "God! you're alright! I was so worried!" she slipped into a chair next to him, and reached out to hold his hands "What happened?!? Why have you only returned now? Did this Chaudry asshole get you too?"
She brushed a hand through her hair, glancing away for a moment. "I tried reaching you, and Persephone, but there was no answer."
Her eyes met his again when he mentioned Pers "Yeah. I heard. She wasn't in the best state of mind when she 'came back'. Her sister tried to have her committed, but she pulled some kind of… demonic Houdini trick at the hospital" she sighed softly "...and I haven’t heard from her since."
"Oh, I’ve been to see her since then," he says, about Persephone. "The demon she made a pact with— or someone working for them— did something to tamper with her emotions and she was acting… strangely. I took her to see Yasmine again and Yasmine said she could help her, but Persephone and Circe had a… disagreement, and Persephone left before Yasmine had a chance to really do anything."
He is far less hopeful about Bev. "That’s… Oh, dear. That doesn’t sound good at all. I had been meaning to go check in on Chablis at some point anyway. I think I might go find her right after this and see if I can’t find out what’s going on. Do you think she’ll be at her flat?"
She tapped her fingers on the table as she considered something, not quite sure how to broach the subject, or she even should
"...listen. I found out where Eliot disappeared. The exact spot. It’s just around the corner from Hyde Park. I’m heading over there right now to have a look. Maybe I can pick up some clues, or find the portal he was taken through"
"Do you want me to come with you?" he offers, somewhat reluctantly, upon hearing Emma’s plan to go looking for Elliot. He is not particularly enthusiastic about the idea of leaping into danger on Elliot’s behalf, but he doesn’t like the thought of Emma going alone either. "If someone or something got the better of Elliot… well, it’s not the sort of thing you should go looking into on your own. You might disappear like Elliot did, you know?"
She shook her head, few strands of hair slipping loose down her neck. "Anyways. I'll be happy if you'll come along. I thought maybe calling Pers as well, but if you're saying she's acting strange..." she trailed off as she looked at him, uncertain what to do
"I think you should ask Persephone to come too, if she can," he says. "And if she wants to after… after what happened last time. I think the more of us there are, the safer we’ll be and it will give us a chance to make sure she’s alright."
With a resigned sigh, she unlocked her phone and typed out a quick message to Persephone*. The moment she hit send, she tossed the phone back onto the table "There. We’ll see if she answers."
Persephone lies sprawled sideways across her bed, naked, in human form, snoring. Viv lies naked nearby, similarly disheveled and sprawled awkwardly, as if she had collapsed and fell asleep where she lay. Persephone looks down and sees that the harness is on the floor--a bit of mess she will deal with later.
She sits up, stretches, and looks down. Seeing her human self, she shrugs and figures that she tired back after collapsing with exhaustion last night. Though, once again, she feels refreshed. Her phone buzzes and she finds it in a sofa cushion. Seeing it is from Emma, she opens it immediately and mumbles to herself, "Huh. I guess she's finished doing her Ice Queen thing. Good!"
She showers and begins to dress as Viv finally begins to stir, mumbling about how sore she is, though it's clear she isn't complaining. She looks up at Persephone with awe and admiration. Persephone goes to her and kisses her passionately and then says, "Honey, I have a work thing coming up. You can totally chill here while I go, if you want. Otherwise, it's time to get up! I'll make a pot of coffee." She buzzes about, doing hair and makeup, then makes the coffee and a protein shake in the kitchen.
Then she drinks her coffee and shake, checks in with Viv once more, and heads out to meet up with Emma. She arrives at the location from the map pin in a short time.
Persephone arrives at the cafe, well put together and relatively calm. She wears a camel colored soft Ralph Lauren cashmere trench, a Tom Ford charcoal ribbed turtleneck, with a little red foulard for a dash of color (or French silk scarf worn around the neck), some black Alexander McQueen flared denim jeans.
She smiles and says, "Hello Emma! Benji! Emma... We can talk more later, but I did want I apologize. I was in a lot of pain and said things I regret. And I never meant anyone else to hear, so I hope no one else did... Needless to say, I am grateful that you reached out today."
She shrugs at the end and then says, "So what's this about a lead on Elliot? He's the missing vampire, right?"
Circe

Circe's eye go wide and she jumps up on her feet, squatting on the sofa, as if she is ready to jump and celebrate. She says, "No Efffing Way! So like, what kinda werewolf situation are we talking here? Like, is it a curse? Like, you lose control when the moon is full? Have no memory of when you are changed? Or is more fun, like ou can control when you change? And you can smell fear? And you have super hearing? And you run with a pack? And you oh shit you DO tide a motorcycle, don't you? How effing cool!"
She rubs the back of her neck and begins answering questions. "I can transform whenever I want, actually," she says, leaving out that she can't do so on a new moon. That's a weakness. Never admit your weaknesses, especially not to new acquaintances. "I remember it all, and my senses are pretty good, but probably not smelling fear and hearing like Supergirl the way you're describing. There's no pack for me to run with, as I said I'm the only goddamn werewolf in London as far as anyone knows. I uhh... used to have a motorcycle, but I had to sell it to make my rent and look how that fucking turned out. Still, got a few prospects, might be riding again pretty soon."
"Persephone! Hi!" he greets Persephone as she approaches their table. Noticing that she seems to have lost that peculiar flat affect from yesterday, he asks, "How are you feeling? That mark…did you find some way to remove it?"
She decided not to bring up the trouble she caused after their last blowout. Mrs. Spunklecleif overheard every vicious word and wasted no time passing it along to her mother-in-law, who, of course, believed every detail. That soured her relationship with older Mrs. Harper, who already wasn't particularly fond of her daughter in law. But there was no point in reopening it here...
"Don't worry about it" she mumbled, then, sliding her handbag aside to make room, she invited her to join them at their table.
"Yea. Elliot.." she was happy to quickly get down to business, rather than continue an awkward conversation over what happened that night "He’s the vampire who was running things in London. At least, that’s what he told me. His disappearance is already stirring up all sorts of infighting and chaos" whatever happened to 'poor' Teddy? She wanted to help him, but after what happened at Eliot's penthouse, she decided it was better to find the man himself, rather than deal with all the consequences his absence is causing "Anyways...I managed to find out where he vanished. It’s close, just a few streets over, near Hyde Park. I was planning to go there now. See if there’s anything to be found"
She leans forward, takes a big drink of her coffee, and then looks at Emma tentatively. She says, "So, Em, how are you? How have you been?"
Circe

Circe doesn't looks surprised at what Max says, replying, "Well, I heard that the vampires and werewolves have been at war. Or is that just in the Underworld movies? Regardless, being a werewolf sounds like it doesn't have many downsides, tbh. What am I missing? Oh and, um, sorry to hear you've had a bad stretch but I hope you're back on your feet or, well, back in the saddle I guess, soon!"
She leans forward, super interested to hear all the gory deets about the supernatural, what it's like to be one, to be with one, etc...
She brushed a lock of blonde hair behind her ear when she asked how she was doing, her tone becoming more cautious "I’m fine, really. Been keeping busy, trying to track down a few people who’ve gone missing lately…" Teddy. Bev. And now Sarah. "- but today I want to concentrate on Eliot. He’s the one I actually got a lead on"
She stood and said, "Ok then, I’m ready to go. Lead the way."
She sighs. "There's downsides and learning curves, but I don't want to talk about 'em. I'm only six months in, still figuring everything out on my own, still getting used to all this shit." She waggles her brow. "The upsides on the other hand..."
Sensing Circe's interest, Max spends the rest of the evening making up all sorts of salacious details about the vigor and virility of werewolves, before finally it gets far too late, and she excuses herself to head home and to bed.
The next morning, she's up early with dark circles under her eyes, making a breakfast of pancake and eggs for Madison and the Morgans. She's living there rent-free, and while she doesn't really see it the same way she would have as a human (they're the ones in her territory after all), she's still grateful enough to help out here and there when she's not too busy. When that's done, she does the dishes and takes the train with Madison to her elementary school. She gives her daughter a goodbye kiss and a fist-bump, before she's off to the crime scene to see what she can see.
She slipped on her raincoat, scarf, and beanie, then picked up her cup and waited for someone to get the door. "Oh, I’ve been meaning to ask: do either of you know a Maxine Harvey? I met her at the clinic yesterday, and we’re supposed to meet again today. She’s…‘in the know', so I wanted to check if either of you know what she’s about. Is it safe for me to meet her alone?"
Persephone says, "I know this doesn’t need be said, but, well, I’d feel better if I did… So, Benji, my sis is off limits, right?"
That out of the way, she continued, saying, "Well anyway, Circe told me she’d spent the night at your place, Benji, chatting with someone named Max? Circe didn’t mention the drug dealer thing, but she did go on for an unusually long time extolling Max’s virtues. If I didn’t know any better, I’d say my allegedly straight sister is experiencing her first girl crush! Poor Max."
He smiles obliviously under Persephone’s scrutiny. "Of course!" he agrees, when she asserts that Circe is ‘off limits’. "I’m pretty good at not hurting the people I bite, but it’s still best not to risk it with family of friends, you know?"
She grew concerned when she learned Circe has been spending time with Max "Pers; you should meet her too, see what she’s about for yourself, especially if, or before, your sister is involved with her"


