Joe opts to go home with Myra; this is, after all, a new town to him, and while getting lost with a modern phone should be difficult, peering at a screen too often makes one vulnerable, especially in unfamiliar surroundings. The Lockwood house is… imposing.
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Myra smiles as she can tell what her friend is thinking. "It’s not… haunted. It just has a presence."
"Where I come from, we’d say it certainly has character. There, you can mostly read the age of a building by its architecture, even if it runs in phases. Here, it’s more a case of what someone really wanted… how old is the house?" he wonders politely. He smiles nervously.
"Please excuse my curiosity; reflexive history geek!"
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Myra taps her boot against the first step before she climbs it. The sound is quick and deliberate.
Myra notices her friend noticing. "It’s for announcing yourself.
She taps the step a second time. My grandmother says it’s polite."
Joe contemplates tapping the step as fast as he can, an exercise in weight transfer and balance, but decides against it; this isn’t a dance studio, nor a dojo. Instead he taps each foot once, deliberately and precisely, as if knocking upon a heavy door.
"Courtesy is always an important tradition," he acknowledges.
"When in Rome…" he smiles, confident that finishing the sentence is unnecessary.
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Myra glances back to make sure her friend is still with her. "You might feel a little turned around." She pauses for half a second.
"Don’t panic. This place is just… particular."
The Lockwood house doesn’t just have character; it has presence. Indeed, it has what some martial artists might call "centre". Utter solidity; almost a sense of… fortitude? Watchfulness? Judgement, maybe? Joe has been in places which possessed such an atmosphere before, but never a private home, and never with such intensity. Finally he decides what the right word is: Gravity. In every sense. Joe feels that a light-hearted smile would be severely misplaced. His curiosity is not oppressed, however; rather, it is energised by an unfamiliar environment which he cannot help somehow feeling he should be able to understand on some level; he tries to take in everything.
All else apart, getting lost in someone’s home would be embarrassing.
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Myra relaxes by a fraction as she steps inside. She sets her satchel down with the ease of someone returning to the only room that always makes sense. Myra touches the hexagon pendant at her throat without thinking. "This is my favourite part of the house. I feel safe here."
She looks at her friend with a faint smirk that is warmer now. "If you get lost, come back here."
"Please wait here for a bit. I will find my grandmother and tell her we have a guest. She will insist on offering tea. Please accept, but feel free not to drink it, if you don't want to. Being a good host is important..."
So even Myra finds it hard to relax in much of the Lockwood house. Joe is not really surprised.
"Thank you," he says, finally feeling welcomed rather than admitted.
"I also tend to feel more comfortable in a library. And tea would be quite welcome!" With ancestry that could be superficially described as mostly-British-with-Asian-complications, this is literal truth for Joe; he’s intrigued by what kind of tea might arrive.
When Myra leaves, he sets off on a slow circuit of the room, touching nothing, but examining the books by title and organisation, seeing what impressions the library gives of the interests of those who created it and use it.
The brass plaque identifying the Lockwood donation is particularly curious; that implies that the Lockwoods only contributed part of the library. That suggests some divide, or change, of ownership.
Last edited May 19, 2026 11:14 am