After Arundel (RP)
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You don't get any answer from Jacob. The hours pass and eventually the trains start running. It is a pity you did not bring your violin with you, but the crowds are small, at this village station, anyway.
Your train carriage home fills slowly, but, for most of the trip, it is almost empty. The other passengers look sleepy and easy prey, you don't know how Alasdair got home, but he would not have been able to manage a situation like this without succumbing to his baser instincts ... he would not see the reason to try. Does this bother you?
Lizabeth should still be at Jacob's place, but you don't know where Jacob is. It is still early in the morning. Do you check on her?
If you check, Teddy would confirm that there is still no sign of Elliot.
What do you do?
Kenedi sighs. "I can't just check traffic cam without a case number." She says, in the tone of voice of someone who has made this explanation too many times. "Has the disappearance been reported. You don't need to wait 24 hours, that is only in the movies. But 'he's been gone all night' also does not get much of a response, you know."
Your description of the fancy car makes Kenedi hesitant to believe this is your husband, and she does not want to assume anything.
What do you do?
"Hey!" Crowley says, offended by your accusation. "I tried to stop you, remember. You pulled me into this." He is completely skipping over all the previous where he tempted you into coming down here in the first place, but he is a demon, that is par for the course.
"How could you not recognise a doorway to another dimension?" He says. "I should have just left you to it."
It is true he did put himself at risk to try to save you from this, and you will Owe him for that. But that is a consideration for later.
• Are there any sounds? Birds? Traffic? People?
What do you do?
"I should have bloody known." Kenedi says in exasperation. "What with you coming to me asking for favours. Give me the details and I will keep a lookout for if anything comes across my desk. No promises though."
That is until someone sits down right beside him, so close that Benji can smell the coffee on his breath and the warm, fresh blood pumping through his veins. Benji freezes as a fierce stab of hunger momentarily overrides every other thought in his head. His mouth waters.
The man next to him is in his thirties, maybe? Benji finds it difficult to tell with humans. He’s wearing an ill-fitting grey suit and no tie. He pulls a book out of his satchel and opens it to a marked page in the middle, apparently completely oblivious to the fact that there is a hungry vampire sitting beside him, frantically trying to talk himself out of committing a murder.
I can’t! Benji thinks to himself, though it is difficult to remember why he can’t with the Hunger clawing at his insides. He’s… He’s in the middle of a book! If I killed him, he would never get to find out how it ends and that would be really sad… right? And he’s probably on his way somewhere important, like a funeral or a birthday party, and there are probably people there, waiting for him, who would be disappointed if he never showed up.
And, Benji tells the Hunger, once he runs out of flimsy made-up excuses, there are cameras on the train. If I kill this man now, I won’t be able to go home. I’ll have to hide, underground, like Alasdair does, for a few years at least. Alasdair doesn’t get to have friends or play music for people or do any of the fun people-stuff I like to do.
The man gets off at the next stop, much to Benji’s relief.
Once he arrives back in London, Benji decides to go back to his apartment to check in with Lizabeth. Perhaps she’ll let him feed on her or, if not, hopefully he’ll at least have some of those blood bags Jacob gave him left in the fridge.
He isn’t quite sure what time humans normally wake up, but he knows that Lizabeth usually likes to rise before the sun so he feels fairly confident that she will be awake by now. Even so, he knocks on his apartment door before entering so as not to startle her. "Lizabeth? Are you awake? It’s just me."
Suddenly he remembers something and reaches into his jacket. He sighs in relief when he feels that the dagger is still inside. It's strange that he just felt the urge to check it...
"Sunshine and green grass everywhere... I really hope this is not the Summer Court. I remember the Queen of Summer not being too fond of demons. Come on, Crowley, let's try to figure out where we are and how to get out of here as soon as possible," Jacob says. First he checks the place where he left his car in the real world. With parallel dimensions, you never know, it might still be there.
"That's an understatement." Crowley says about Titania not being fond of demons. If you are in Faerie, you really need to avoid getting caught.
There are some small buildings scattered around you, but the church itself is missing. Where it would have been, there are more eerily silent trees, but the castle is there, looking fairly unchanged. In the shade where you parked your car a donkey stands, head down, chewing on the grass.
What do you do?
"I don't exactly fancy running into any of the residents." Crowley says, hesitant about approaching the castle. "Do you think London even exists? And, would getting there get us there?"
As you approach the castle the donkey's ears twitch and it looks up and —still chewing— watches you idly. Crowley sighs. "If you are dead set on going to the castle: I heard a rumour that there was a pond at its center —in our one, that is— that was supposed to be a 'portal to another world'." He says. "Maybe, if that rumour was true, and if it is the same here, and if we can get to it, and if it still works, and if ... well you get the point. Maybe, from here, 'the other world' is home?"
It occurs to you that you can probably get back on your own. You have poured a lot of yourself into your Establishment, and, in the back of your head, you can feel a small connection that might lead you back to it. It would be quite easy to abandon Crowley here, taking care of a rival and some Debts in one fell swoop. So what if it costs you a little bit of your humanity.
What do you do?
Lizabeth is in her usual spot... or near it. The river has overflown its banks and flooded the road of Victoria Embankment. Some brave and foolish souls have tried to drive through the water, and their cars are stuck, mostly underwater, in a 'less civilised' area (say: the countryside) there would be droves of people to help them, but in London the most any of the stranded motorists receive is a snigger.
Maybe it's the hunger, or just paranoia, but, as you approached the river, you get the constant feeling that you are being watched. From the windows of the overlooking buildings, by the commuters on the bus, by those with the swamped cars, and by the pedestrians being turned away from Westminster and Embankment Tube stations because 'the line is closed, as a precaution'.
No one seems to be bothering Lizabeth, and she looks happier now that she is outdoors and free again. The change to the landscape of her riverbank does not seem to worry her, though she has not found anything worth picking, if you can judge by the empty bag on her shoulder.
What do you do?
But if Jacob had a sin to answer for, it would be curiosity. The same reason he picked up the dagger, the same reason he's in this business, the same reason he chose to stay on Earth. He can't just leave, at least not yet, until he sees where they are.
"A magic pond, you say? Come on, let's see what clues we can find"
All is extremely quiet as you approach the castle. But it is a castle, it doesn't exactly have windows at ground level [streetview].
The drawbridge is up ('closed'), but the moat is empty, it would not be hard to get around the drawbridge, if you did not mind getting your shoes a bit muddy.
What do you do?
"I wish you’d waited until I could come along with you, at least," he says by way of greeting, stopping at the edge of the water. He only has the one pair of shoes and he’d rather not have to walk around with wet feet all day. "It’s not safe for you to be out here all by yourself."
"You were gone all night." Lizabeth objects. "I can't just wait for you.
"It's perfectly safe, anyway." She declares while simultaneously a group of cyclists screeches to a halt as one of their members is swallowed by a water-filled sinkhole, and emerges —sans bicycle— looking confused as to what just happened.
Lizabeth is content to spend the rest of the say poking around the new riverbank, protected by her wellies and bright-yellow slicker. You can't see anything that threatens her, but still that sensation of being watched pervades everything. Off in the distance you can see the face of Big Ben, and the arse of Boadicea and Her Daughters, but neither of the are paying you much attention.
What do you do?
By the time you are finished dealing with Kenedi and getting her the needed —though redacted— information, it is too late to do much more before your lunch date with 'mom and dad'. Being late definitely is not a good option, not after bailing on them last night.
The in-laws have many questions: they want to know about your book (there is very little apparent judgement about when it will come out and start to contribute to the family income), and they especially want to know all the details about the soirée you got to attend in such a dress. But mainly they want to talk about David, so they are easily swayed away from their interrogation when you have had enough.
• How much do you tell them? Do they know are writing a 'vampire book'? What is their reaction to this?
Apparently David is up for a big promotion at work. You did not know about this —presumably this was information he wanted to surprise everyone with at dinner last night— and you get the impression that not knowing what is going on with your husband may be frowned upon.
What do you do?
She chatted with them as they waited in line outside the theater. She was happy to share the progress in her own projects. It was a topic that might make them feel more at ease. Better that, then let them consider the audacious nature of the show ahead of them.
"Oh, I'm still doing research for the new book" she smiled "It’ll be a while before I actually sit down to write it. I’m not in a rush" she treated writing the book like some sort of an art project, rather than actual work. She didn’t have any firm deadline in mind. The book will be ready when it will be ready. It did mean that all the financial burden was falling on David’s shoulders in the meantime, but she didn’t feel like being evasive. Her last book DID sell pretty well, as a matter of fact, for its genre. Unfortunately, it was her breakout novel, and she didn’t see much from it. It was her book, but her publisher financial investment. It was frustrating, but she was confident she would do better negotiating her next contract. Now that she had some recognition, she had more leverage. She just needed a bit more time, and she’ll make it.
The older Miss Harper, of course, wasn’t asking because she was waiting to read her new erotic horror novel. Emma gifted them a copy of "Under a Blood Red Moon" when it first came out, but it was sitting untouched on their bookshelf, collecting dust. She figured they were asking either because they were polite, or because they were trying to ascertain her and David’s financial situation. That didn’t make her regret her answer, however.
"The party?" that was a topic Emma was far less interested talking about. She evaded the topic, without outright lying: "Honestly, it ended up being a bit of a bore. Too many pretentious stiffs. It felt like everyone was more concerned with looking important than actually enjoying themselves" She handed their tickets to the usher with a quick smile "But the dress? Absolutely stunning. What did you think of it?"
She really liked that dress. It was glamorous, and sexy, and unforgettable. But the cab fare back to London from Arendell had been expensive, and she knew she’d probably have to sell the dress to make up for the cost. She and David couldn’t really afford to be so frivolous with their money. It was a shame, especially since when she thought about it, the dress was the only good thing to come out of the party.
"I am not a child!" Lizabeth objects. "I don't need a babysitter!" You appear to have struck a nerve. You don't know all the details, but you do know she has authority issues, and rebelled against her family in some way. You also know she hates charity.
You have inadvertently hurt her feelings. You know this will pass, but you also know that —especially if you hope to feed upon her any time soon— it would be best to unruffle her feathers. But your phone picks that exact moment to ring, number withheld.
What do you do?
"Oh. I am sure I could not comment on the dress." Mr Harper says with a sideways glance at his wife, but you see a glint of amusement in his eyes.
"It was very nice, dear." Mrs Harper says. "Though a little revealing, don't you think. Was your party anything like your taste in plays?" She is trying to reserve judgement, but you can feel it creeping in.
They quickly turn the conversation back to David. Your leaving last night has clearly put a suspicion in your mother-in-law's mind that you might be neglecting her dear boy in your wifely duties.
You promised to spend the whole day with the in-laws. Judging from the reaction to your choice of midday entertainment, it might not take much to get them to suggest your promise has been sufficiently fulfilled, but maybe you can recoup some points in the latter part of the afternoon?
What do you do?
"Well, it was different from any party I’ve ever been to, so, I guess it was like the play, in some ways?" she kept her voice light and casual, and was much relieved when the topic shifted to David and his upcoming promotion. Finally, some good news! Maybe she wouldn’t have to sell that dress after all.
"It’s about time they recognized his talents!" she couldn’t hide the pride in her voice "I always told him he deserved that promotion. And with all the extra hours he’s been putting in these last few months, because of the weather... it’s good to see his dedication finally being recognized"
Undeterred by her mother-in-law's shocked reaction to the play she’d chosen, Emma led them to grab a bite to eat. With money tight, she couldn’t afford taking them anywhere fancy. Besides – they were on an adventure! She received recommendations from her colleagues at the Independent about a place that promised an authentic experience, and she was eager to check it out. Maybe she could write a review for Mr. Thompson while she was at it.
The small Lebanese restaurant had soft oriental music playing in the background, blending with the clatter of pots, and sizzling from the kitchen. They were greeted by a friendly owner, who showed them to their table himself. The platters of appetizers arrived soon after.
"So, how’s James doing?" Emma asked, steering the conversation to David’s siblings. "And Betty?" She hoped the change of subject would keep things light and enjoyable, even if Mrs. Harper was still frowning at her choice of entertainment.
A little probing by the mother-in-law reveals the fact that you know less about the promotion than they do —understandable since David wanted to surprise everyone at dinner, but still a point she can hold over your head.
"It is a new position. Very important." She says. "They are just doing the final security clearances and such before they announce it." She is clearly proud of her son.
Mr Harper seems intrigued by the Lebanese restaurant. "So this is what they call 'London food' is it?" He asks an almost embarrassing number of questions about the menu, and wants to try a little of everything (inadvertently providing you with ample tidbits for your article/review). He seems to get along roaringly with the restaurant owner, and you think your father-in-law may be quite a bit of fun when not stifled by his wife.
"James is in Iraq." Mrs Harper answers, though Mr Harper seems like he is about to correct her on the detail. "Sorting out the mess, you know." She sounds proud of him as well. "Betty... is pregnant." She says with faux casualness. You can't tell if this is meant as a dig against you and the lack of grandchildren from your end, or if there is some other regret there. You don't recall Betty being involved with anyone, and if she were married you and David would surely have been invited to the wedding, so this may be a touchy subject.
What do you do?
Lizabeth wanders over to offer her aid in (locating and) extricating the bike from the water. "I don't see why I would need a bodyguard." She says right in front of the crowd. "Aside from the police and army, no one cares about little old me."
She does not seem to take the threat Jacob and yourself spoke of seriously. She thinks you are making a fuss over nothing.
What do you do?
She nodded when Mrs. Harper tells her more about David’s upcoming promotion. She regrated to have missed the announcement last night, but maybe it was for the best. This way, they could celebrate just the two of them, later in the evening.
"Iraq? That’s still going?" Emma was rather clueless on current global affairs. She wasn’t even aware that there were British soldiers stationed there. Mrs. Harper had every reason to be proud of James. He was her eldest, brave, and sharp witted – qualities Emma respected as well. Despite their differences, she felt empathy toward the older woman. She imagined it must be difficult to be a mother to a son deployed in such a tumultuous region—countless sleepless nights, constantly checking the news. Had she thought Mrs. Harper would have welcomed the gesture, she would have reached out to squeeze the palm of her hand.
But the news about Betty completely blindsided her. Emma wasn’t one to be lost for words, but the news of Betty’s pregnancy left her speechless for a moment. What could she possibly say? Betty was the youngest of the siblings, too young to become a mother. She wasn’t married, and Emma hadn’t even known she was seeing anyone. Emma could only imagine how much it was troubling her mother-in-law. She certainly couldn’t offer congratulations on soon becoming a grandmother. She couldn’t sound like she’s sorry for her mother in law either. She wracked her brain for something to say, regretting her decision to ask how Betty was doing in the first place. Finally, she managed a soft murmur of acknowledgment before quickly changing the subject. "How long are you staying? How do you like your hotel?"
For a moment it looks like Mr Harper is going to contradict his wife, but he instead says: "Uh. We'd appreciate it if you didn't bandy that about. There are no uniformed personnel in Iraq." His tone is casual but his eyes plead with you to 'pretend you did not hear what she said'.
"It's so small!" Mrs Harper complains about the hotel, overlooking the fact that it is barely smaller than your home. She is not accustomed to house sizes in London. "So we appreciate getting out and seeing the world." This last is a reminder of your promise to entertain them the whole day.
What do you do?
"That's sweet of him. Give him my regards. Tell him I am quite well, thank you." Lizabeth says about Elliot asking after her. Your missive of foreboding going right over her head.
Lizabeth tuts at your effort. As a veteran mud-pickier, she has 'fancy' tools for this sort of thing. Her fancy tool turns out to be an extendable pole (fishing rod?) which she uses to poke about in the watery hole until she feels the ting of metal. Once located, you can then easily fish the bike out, but you are soaked through past the shoulder.
The cyclist move off, giving you funny looks due to Lizabeth's talk of needing bodyguards and police and army interest.
What do you do?
"Anyways," she continued "It was fun showing you around today." She had already spent more time than expected with her in-laws, and though she couldn’t ignore the subtle hint from Mrs. Harper about staying longer, she did have other priorities. She had to search for leads on Eliot’s disappearance before the trail ran cold, and she had to do it before David came home for dinner. That didn’t leave her much time.
"If you need any tips for a night out, just let me know" she offered, a light tease in her voice: "I do write for the Independent lifestyle section, you know." Her column was aimed at people her age, of course, but she could easily point them in the direction of something fun. But maybe tone it down this time, and avoid suggesting clubbing, or popular pickup bars. "There’s a lot more to London than the usual boring spots. I’ll send you some recommendations."
"Don't worry about it." Mr Harper says, trying to steer you away from questions about James.
They both look disappointed when you try to cut the afternoon short. They were promised a whole day with you [ref], were expecting a guided-city-tour, and had more questions planned. Sending them out alone might not be wisest idea in the world.
"I wanted to ask you about your next book." Mrs Harper continues her earlier line of questioning. "It isn't also going to be about ... 'vampires' and such, is it? Don't you think you are getting a little old for fairy-tales?"
What do you do?
It is hard to tell with Lizabeth, maybe she is being deliberately difficult, maybe it was just thoughts of meeting with Elliot as an 'authority-figure' that bothered her? His being a vampire might not be a concern for her, your vampireness has never been something she even blinked at.
Case in point: Your request for breakfast is met with easy acceptance. "Sure. Me first, though." She says, starting to pack up her gear.
• If you buy her breakfast, does what she eats affect how her blood tastes? You have heard of vampires that keep ... harems (not the right word, but better than 'stables'?:) ... of kine in relative luxury, is that for to improve the taste?
There is the added benefit that she gets sleepy after you feed, so she will be inclined to spend the next while resting, indoors, where it's safe.
What do you do?
She stopped as an idea popped into her mind, and with that, a playful smile crossed her lips:
"How about I take you to my writers' circle later this afternoon? It's a bit off the beaten path, but I think you might find it fascinating. It's where up-and-coming writers, like myself, read selected chapters from the books they are working on. The energy is always so....electric. I know you've both already visited London's main tourist attractions in the past, so this could be something new, something a little more personal. What do you think?"
"Sounds fascinating." Mrs Harper says in an unreadable tone. She might not actually enjoy the type of stuff they read at your writers' circle, but her main reason for being in London is to get to know you better, so this, more personal, side of your life has its own cachet.
Mr Harper nods. In your experience he does not tend to voice his own opinions when his wife is around to make decisions for him.
What do you do?
Emma was the only one who had actually been published. Her darkness was much more subtle, too deep for any casual observer to notice, though her own novel was disturbing in its own right, a tale of forbidden lust and blood-soaked desire.
It wasn’t surprising that her in-laws felt out of place here. Charles was cautiously taking it all in, but Evelyn's fingers were gripping her purse just a little too tightly.
"They’re my father and mother-in-law" Emma continued, her voice warm and inviting. "They thought it’d be fun to drop by and listen to us today." She smiled at Evelyn and Charles before gesturing toward the circle. "Come on, join us"
The group greets your in-laws a little hesitantly. They are not accustomed to having outside visitors who are not writers, and your pointed statement about them being your father- and mother-in-law suggest they need to be on their best behaviour.
As the group parts to allow your party chairs, you realise that there are three visitors today. Sitting there, look smarmy, is the last person you wanted to meet with your family around... or, well, maybe not the last, but Henry Godfrey, your ex-boyfriend, is not what your day needed.
He watches you intently. "Emma. I wanted to have a word with you." He declares as soon as you are done with introductions.
What do you do?
She could feel Charles and Evelyn's eyes upon her. Already they were suspecting something. Henry didn’t look like he was part of the group. They must have already started wondering who he was, and why he was here.
A warm smile crossed her lips the moment she regained her composure, the charm she’d honed over the years sliding effortless into place. "Of course" she acquiesced almost immediately. She knew him well enough to know he wouldn’t back down until he got what he wanted. "Let’s talk outside."
She flashed a quick smile at her in-laws. "I’ll be back in a moment—just a quick chat outside." And without waiting for their reply, she moved toward the exit and waited just outside for him to join her, before closing the door behind them.
It is raining outside, forcing Henry to squeeze in close so both of you can stay under the awning. You can see the writing circle and your parents-in-law watching you through the frosted glass of the door —some of the writers titillated, the in-laws concerned.
"I have been trying to get hold of you for ages!" Henry says, impatient that you would make his life hard. "Have you changed your number?" (or are you just ignoring his calls?)
"You need to be careful. That 'Elliot Parry' you have been hanging out with is bad news." How he knows that you have been spending time with Elliot you can only guess. "You are in danger." He says, echoing the words from last night. "The people he hangs out with have a tendency to disappear.
"I have people who can protect you." He says boastfully —you can see he probably believes this, but how likely is he to actually 'have' people who can do anything? How could he even know anything about Elliot's nature?
What do you do?
"I’m sorry, I had to get a new number after my book was published" she lied with a straight face.
The fact that Henry knew about Eliot Perry caught her off guard. As far as she knew, Eliot didn’t legally exist. Having been turned into a vampire decades ago, he had created a new identity to stay off the radar. But Henry, of all people, knew. Worse, he knew she had been seeing him.
How?
There were so many questions, but now wasn’t the time to probe for answers. Not with her in-laws and the rest of the group watching them.
"Maybe we can talk about it some other time?" she posed it as a question, knowing how it stroked his ego. Henry always wanted to be the one who made every decision in their relationship "We can meet tomorrow. I make my own hours, so I’m free just about anytime"
"Brunch." Henry says forcefully. Maybe does not want to leave this any later than absolutely necessary and the is earliest reasonable time tomorrow, or maybe he wants to capitalise on the implied romantic associations with 'brunch'?
"Give me your new number." He says, reasonably, taking out his phone and preparing to enter it. "In case something comes up. You still have mine?"
What do you do?
When he asked for her new number, her lips twisted into a smile. He caught her red handed telling a lie, but she wasn't in the least bit disturbed by it. She called out the digits - the same ones he already had, only now she made sure to take her own phone out of her purse and unblock his number.
"Send me the address and the time. I'll see you there"
Henry enters the 'new' number without (yet) noticing that it is the same as the one he already has. "I'll make the arrangements." He says, liking being in charge of such things. "See you tomorrow. And stay away from Elliot Parry."
What do you do?
She takes Benji to the McDonald’s on the Strand, and orders hash browns and pancakes with extra syrup off the breakfast menu. They sit down at a slightly sticky table and Benji waits patiently while Lizabeth eats, absent-mindedly chewing on a paper straw while he takes in all the fascinating smells and sounds of the fast food restaurant.
Benji’s heard some vampires claim that the food a human eats can alter the taste of their blood, although, personally, he thinks those other vampires are just being a bit pretentious, keeping humans fed on gourmet food and fancy wine just so they can brag about how refined they are. Benji doesn’t care much what Lizabeth chooses to eat. The nuances of flavour are almost entirely lost on him when he’s feeding anyway.
The little packets of pancake syrup Lizabeth was given smell intriguing, almost appetizing, but Benji knows better than to ask to try some. He has tasted human food, on occasion, out of curiosity, but it’s always a bit like biting into a bar of soap. Completely unpalatable, no matter how nice it smells.
It was easy to promise him she would stay away from Eliot, considering it was the vampire that has gone missing. Though she would have likely lied either way. She didn’t feel like she owed him anything after their breakup, not even the truth.
"Thanks for dropping by, and looking out for me" she gave him a not-so-subtle hint, before turning away and walking back inside.
Crowley has the advantage that people —other than yourself, and possibly some other demons— see him as he wants and not as he is. He therefore does not need to worry about fancy and uncomfortable clothes, and is dressed in a well-worn track-suit and trainers. It seems his fitness may be flagging and he has been using his layers of disguise to make himself look trim, something about this place has stripped away all his illusions, even the small ones that —apparently— do (or did) work on you, he struggles a bit with the climb.
Inside, the castle looks very much like it did before, though without the 'tourist tat' and with more of the sort of stuff one would expect in a real, lived-in, castle. What it lacks is any signs of life. It is creepily quiet and appears empty.
What do you do?
Happily sugared-up, Lizabeth still wants to go home, but agrees to go back to your place again. She clearly does not intend to stay very long, since she does not suggest grocery shopping to fill the empty (for her purposes) fridge.
Once you are settled she flicks her hair aside and offers you her neck. Once you are done feeding she sleeps.
What do you do?
"Who was that?" Evelyn asks suspiciously. The writers' circle look equally interested to know why such a dandy man would track you down here.
What do you do?
"So, who's reading next?"
"You are, dear. It's been ages since we heard any of your stuff." Rhonda says.
What do you do?
"This is still all work in progress" she offered a half-apologetic smile "It’s from my the first chapter of my upcoming book"
She sat back in her chair and waited for make sure she had everyone’s attention (her mother in law included) before starting to read. The protagonist of her story, a beautiful blonde named ‘Emma’, was an obvious self-insert. Just like herself, the ‘fictional’ Emma was an author of erotic horror novels. Just life herself, she was a bit too smart and too curious for her own good.
The chapter itself starts with the heroine sitting to interview a vampire lord – a creature dressed like a cut-throat businessman, but the part Emma selects to read for them pick-up from when the totally fictional protagonist, desiring to experience the sensation of being bitten, entices the vampire to feed on her. Not on her neck, she insists (she doesn’t want any visible marks, especially not for her husband to see), but on the inner part of her thigh.
It was sharp. Sudden. Cold. His fangs sank into my skin like a trap snapping shut, and for a moment, I didn’t know what was happening. It wasn’t like I’d imagined it. It wasn’t tender, or slow, or... sensual. There was nothing gentle about it. He didn’t care about me, or my beauty, or what he was taking. He just fed—like a spider wrapping its prey in silk, slow and methodical, his hunger unyielding, consuming.
There was no warmth in his eyes.
No lust. No desire. Only... hunger.
A cold, empty hunger. It wasn’t a hunger like the kind I was used to, the kind that lingers in the gaze of men. This was something far darker, something that didn’t even acknowledge the fact that I was human, that I was a woman. It was the hunger of a predator.
I gasped, feeling the pull of his fangs, sharp against my skin. He drank, each pull dragging more of me away. It didn’t hurt, not exactly. But there was something worse—something far worse than pain. I felt... empty. Hollow. My body went heavy, the weight of it dragging me down.
My hands came up, weak, trembling, but they barely touched his arm. "Stop," I whispered, but the sound barely reached my own ears. My voice was so weak, it felt like it didn’t even belong to me anymore.
I wanted to push him away. I tried. But my arms, my hands—they were useless. I felt... so small. So fragile. His grip didn’t waver. He didn’t even seem to notice. He just kept drinking, as if he didn’t care, as if I was nothing more than something to feed on.
I could feel my breath becoming shallow, my vision blurring at the edges. The world started to tilt, to fade. I wanted to scream, but no sound came. My body wouldn’t listen to me anymore. My mouth opened, but the only sound that left was a soft, strangled moan that didn’t even feel like my own.
Everything felt so distant. The fear, the panic—it was there, but it wasn’t close enough to hold on to. I felt myself fading, each heartbeat weaker than the last, as though the world was slowly dimming. My hands fell to my sides, and I couldn’t even feel them anymore. My limbs felt like they were made of lead, too heavy to move, too heavy to care.
"Please..." I’m not sure the word ever left my mouth. Maybe it was just a sound, a breath.
He didn’t stop. He didn’t care.
And then... nothing.
The world was gone, swallowed whole by the cold emptiness.
He suspects it was probably Shelyna trying to call him earlier and he would like to call her back. He texts Mark, asking for Shelyna’s phone number, and while he waits for a response, decides he probably ought to call Amira as well, like he promised he would. He dials the number she gave him and hums a little tune to himself while he waits for her to pick up.
"Self-inserts are soo hot right now." Rhonda exclaims. "I must send you a link..." and apparently she must, and she does [youtube - Jill Bearup - Just Stab Me Now: When Your Fantasy Heroine Rebels (Complete Series Plus Novel Excerpts)]. "... but do you really think...?"
What part she intends to question is lost from an unexpected quarter. "Why did you describe it like that?" This question is unusual, not just for its accusatory tone, but mainly because the asker almost never speaks and this is the most confrontational sentence you have ever heard them say. • Who is it from?
What do you do?
"Benji." Amira says by way of greeting. Somehow she knew it was you.
What do you do?
Emma was about to say the first thing that came to mind, a joke that would have passed for a harmless jest. No one would believe that vampires existed if she just told them that they did, right? But then a warning bell went off in her head.
She didn’t remember Sarah ever talking in their group. The young woman with short black hair and glasses appeared so much smaller than usual, swallowed whole by her oversized grey sweater. She was sitting with her knees pulled tightly to her chest, her arms wrapped around them defensively.
Why did you describe it like that?
The way she asked the question. Almost defensive. As if she knew more then she was letting on
Maybe lying about her reasons would be safer, until she had the chance to suss the young woman.
"Well, I wanted to make it more terrifying and visceral, you know? Something different from the usual cliché of vampires as charming seducers of innocent maidens. I wanted to evoke the feeling of helplessness. Of being utterly overpowered. To capture what it’s like to be prey in the jaws of a predator."
She spoke directly to Sarah, trying to read something in her posture, her expression, the way she sat so guarded.
Or in her eyes, when she posed her own question:
"Why do you ask?"
Sarah becomes more and more withdrawn as you speak about the feeling of helplessness. To the point where you decide you need to stop. She has not been bothered by some of the horrific stories bandied about in this group —not even the worst of Jonathan's scenes.
She pulls in even smaller and will not meet your gaze when you ask her your question. The rest of the group are watching the exchange in puzzlement.
Your mother-in-law looks very uncomfortable with what you read as well as with your explanation about why, it looks like she wants to get up and possibly go over and give Sarah a hug, but she feels like an outsider and hovers an inch above her seat.
What do you do?
Quickly, she turned the group’s attention away from Sarah. Everything to make the young woman more comfortable:
"How about you, Oliver? Why don’t you share something from your book next? We’d love to hear it."
"Oh? Yes. I hoped to get to speak to you last night." Amira says. "But you disappeared right after the main event."
She sounds polite and interested, but does not push you for information, neither on the topic of what happened last night, nor about what you found out about Lizabeth's artifact.
What do you do?
"Uh? Uh? Oh! Really?" Oliver stammers. "You, uh... actually want to, uh, hear my, uh... stuff?" You get the impression they wanted to say 'drivel' instead of 'stuff' (or a less polite word), but the group has been encouraging them to not use such derogatory phrases, even if everyone else does.
It takes some cajoling, but Oliver accedes, and hesitantly reads out some of their drivel newest work. It is derivative, but it really is not that all that bad, almost everyone was able to sit through it this time... almost...
Towards the end of Oliver's recital, though, Sarah quietly gets up and tiptoes to the door, slipping into her coat. You can tell she is disturbed and is planning to leave.
What do you do?
She had a few polite questions for Oliver, and some encouragements to give, but Sarah’s quiet departure had her worried. She was hoping for a moment to speak with her, to understand what was bothering her. Something about the young woman’s reaction to her reading unsettled her, and she didn’t think she would open up on her own. Right now, talking with her seemed more important than giving another critique. There were plenty of other people in their authors’ circle. Let one of the others pick up the slack.
Standing up, she gave Oliver a reassuring smile before heading straight to the door, catching Sarah just as the young woman headed outside
"Of course. Who could pass up the opportunity to poke around the old castle after hours. ..." Amira responds, but her sentence trails off and you can almost hear the inaudible 'Oh' oh realisation.
"You simply must tell me what you found." She says, sounding completely casual but you know there is value in trading secrets, even if you don't know the actual value of anything you may have stumbled upon. "Why don't I buy you dinner and we can talk... Oh! I am so sorry. I was not thinking! Was that very insensitive?" She apologises as soon as she realises who/what she is talking to and offering 'dinner' to. "It is so hard to say the right thing these days."
"The military?" She says changing the subject. "That is awkward. You really know nothing more?" She has noted the 'old, copper box' fact, but, as you say, it is not a lot to go on. She might know more, but tit-for-tat and all that.
"I know of her." She says about Boadicea (and Her Daughters), which means 'yes', no one clarifies that sort of detail if the answer is 'no'. "Why do you ask?"
What do you do?
Oliver looks panicky at what he perceives as two of the group getting up and leaving in the middle of his piece. He tries to finish and engage with the others, but something tells you he is just going to interrupt you and Sarah at the worst possible moment.
What do you do?
She didn’t wait to see Oliver’s response. She was too worried about Sarah, and didn’t want the young woman to leave without talking to her first.
You can't tell if your quick 'be right back' had any impact on Oliver's state of mind. The fact that you left your in-laws sitting there should speak to the fact that you are not actually leaving, but Oliver is not always all that rational and does not think things though, especially when he could instead find anything to interpret as a person slight.
You catch Sarah just as the young woman headed outside. "I'm fine." She says, obviously lying but also not ready to open up just like that.
What do you do?
"I’m sorry" she said quietly "I didn’t mean to bother you. It’s just..." her gaze dropped for a moment as she gathered her thoughts "I’ve been going through something recently. Something... difficult. I’m still trying to make sense of it all."
She took just a small step closer "I could really use someone to talk to. Someone who understands. You don’t have to share anything with me. Just listen, if you can."
Emma trailed off, her eyes meeting Sarah’s once more
"Not everything in my stories is made up" she added, hoping Sarah understands her intention
Rolls
Figure Someone Out - (2d6)
(32) = 5
Sarah stares are you in horror, her mouth flapping open and closed for many moments before she properly freaks out. "That was real‽ My therapist keeps telling me I imagined it." She wails, her hand going to her inner thigh, just as you described.
She looks around wildly, at the rain and the surrounding buildings. "I can't go home!" She says in a soft, soft voice that is more distressing than the wailing. "My ..., my roommate will be there. I have nowhere else to go." She realises, looking at you pleadingly. "But I can't stay here. Not with them watching me, judging me."
What do you do?
The castle is a castle, so it is not exactly 'clean', but it also does not leave you with the impression that it has been deserted for a long time. You might not have the reference points, but you don't get the impression that there is a whole lot more dust than would be normal if there were people here 'yesterday'. Nevertheless it also feels like yours are the first feet to tread these halls in a long, long time.
Every room you check is empty, though, showing no signs of hasty departure or obviously unfinished work, nor is there any sign if mice or other vermin damage, just a profound sense of emptiness.
You find the courtyard Crowley spoke of, it looks as empty as the rest of the place. In its center, surrounded by neat bushes and lawn, is a pond [streetview].
It does not look magical, in fact it looks a little stagnant and green —more duckweed, than duck-pond.
What do you do?
Returning to the topic of Boadicea and Lizabeth’s mystery find: "Boadicea seemed to have quite a high opinion of you and your sisters so i was wondering if that loyalty was reciprocated at all. I spoke to her about the item you’re looking for and she is of the very strong opinion that this object needs to be destroyed. Is that… something you and your sisters might be interested in helping with?"
Why did I follow her out here? Emma curses herself. If she hadn’t, she wouldn’t have to deal with this dilemma. How could she possibly help? Taking her back home seemed risky; what if the vampire still claimed her as his? What if he came looking for her? And how would she explain all of this to David?
She considered what to do in silence.
This is too much trouble, the selfish part of her whispered. She’s not your problem.
But deep down, she knew she couldn’t just turn away. She would never be able to forgive herself if she saw Sarah's face in the headlines: ‘missing’, or worse – ‘body recovered from the Thames’. That’s not something she could live with.
Or could she?
With a heavy breath, she looked into her pleading eyes:
"Let’s go sit somewhere. I’ll buy you some coffee" Maybe things will be clearer once they sat down somewhere. For now, she knew she couldn’t just abandon the poor girl alone.
"Come on" she urged her softly "let’s get out of here"
"After you," he offers Crowley. It was his idea, after all.
"You actually found something?" Amira sounds intrigued by all the details of your story. "If you could make an introduction, I would be in your Debt." Once again she is surprised by your openness, though she possibly has doubts about how genuine you are being.
"Are you for real, Benji?" She asks. "I am inclined to trust you." She sounds as surprised by her own words as by yours. "It is our intention to destroy the lamp if we can. But we might have to settle for containment again." She has let slip more than one hint there, and you get the feeling it is not like her to make such mistakes.
"I would dearly like to speak with Mss Greenback." She says, not pushing, but, so long as people seem to be trusting each other, she wants to get what she can from it. "And, do you think she would be willing to try hypnosis? It can sometimes unlock repressed memories, you know."
What do you do?
"OK." Sarah says, sounding despondent. You get the feeling she is mainly accepting your offer because it is out of the rain, and means she does not need to think about going home just yet.
What do you do?
"'After me' what?" Crowley says, poking the water with a already-mud-encrusted shoe. It does not smell good.
The water level is low, and a little probing with a stick reveals that it only a few inches deep in the middle.
What do you do?
With a quiet sigh, she pulls out her umbrella and extends it toward the young woman.
"It's just around the corner from my house" she offered a faint smile. It wasn't far, but with the relentless downpour both of them might arrive completely soaked, despite huddling under the umbrella.
She did text Charles once they started walking. Just a quick message apologizing for having to leave so abruptly, but that it was urgent, and that they shouldn't wait up for her. Her mother in law will complain, of course, but she couldn't help feeling that she made the right choice.
Your message goes through and you quickly see Charles start typing...
He is still typing when you arrive a few minutes later, it must be one doozy of a message.
You are pretty much soaked through when you arrive, but Sarah was mostly protected by your umbrella, just her boots and the bottoms of her tights are wet. She slips off her boots and hugs her legs to her chest again, not meeting your eyes.
What do you do?
"Huh? I don't know. Someone at the party mentioned it in passing. We did not go into details about 'activation sequences' or anything, it did not seem all that important at the time." Crowley says.
"You are the one with the penchant for opening these doors. I just recognise them ... And there does seem to be something here, though I can't quite put my finger... or toe, as it is, on it." He kicks that the weed-covered surface. "This is veiled. So I can't be at all sure this is what we think it is."
What do you do?
"Do you have anyone you can stay with?" she probed softly "Family, friends, anyone you can trust?" She watched her carefully. Maybe if Sarah had someone else she could stay with, someone far far away, then Emma wouldn't have to propose something she was reluctant to
"You don’t have to face this alone, but it might help to have someone else around. Just someone who is... safe."
Sarah shakes her head, her face hidden behind the steaming coffee mug so you can only really see her eyes below her fringe.
You don't actually know much about Sarah. She has not spoken about herself or why she is in London, but, from what little she has ever said, you think she has a rural accent and uses simple words except when speaking about farming. She has not mentioned her job, but you don't think she is a student based on her schedule of free time during the day.
What do you do?
He is very happy to hear that the Night Sisters interests align with his own, as he hoped they might. "Oh! That’s terrific news! I promised Boadicea I would try to destroy the object but, to be perfectly honest, I hadn’t the faintest idea how I was going to do that. I’d like to help you, if I can."
"I’m inclined to trust you too," he says, sincerely. "I’ve also spoken to Shelyna Artmitage about this, but I trust her less… I don’t know her very well but she doesn’t seem like the kind of person who would be interested in destroying a powerful magical object if she has the opportunity to use it for her own purposes instead."
When asked about Lizabeth, he responds a bit more hesitantly. He genuinely wants to help the Night Sisters destroy this lamp, but protecting Lizabeth is his priority. "She’s sleeping right now but I’ll ask her when she wakes up. I’m not so sure about hypnosis, but she’ll probably be willing to talk to you, at least."
But the thought of leaving Sarah alone to fend for herself felt like signing her death warrant.
"You’re welcome to stay with me and my husband if you need somewhere safe" she finally said "it’s not much; just our living room, really. But it’s better than being out there on your own." she paused before adding the disclaimer "I’ll need to check with David first, though, just to make sure he’s okay with it. I don’t want to make any decisions without him."
What would a two century old vampire know about GDPR laws, hey? Amira thanks you for Jacob's details, making a note. If Jacob is receptive to her advances she will Owe you a Debt for making an introduction, but you might actually need to make that introduction if he is screening his calls from strangers.
You have also, pretty much, revealed who your accomplice was last night —and after all the trouble you went to last night to avoid mentioning Jacob. If Amira knows Jacob is a demon and was at the soirée she does not show any surprise.
"for sure we both have a better chance of destroying it if we work together?" She points out. "Though it may be advisable to not tell too many others about this plan. Some may want to use it, and many will oppose the destruction of an ancient artifact on general principle. 'It belongs in a museum!'" She quotes Indiana Jones, whether you get the reference or not.
"Yes. Mss Artmitage is precisely the sort who would be aghast at such an action. Though she is unlikely to be foolish enough to try using it... I don't think..." She does not sound all that confident about Shelyna's ability to resist the lures of power, though. "Why did you bring her into this?" Amira asks, curious about the connection.
There is a brief pause, and you think she was about to say something about last night, but does not find the words so that moment is missed.
"Oh, hypnosis is quite safe." She assures you (expressing her own opinion which does not necessarily reflect the opinions of the GM or the game). "Will you give me a call when you have spoken to her?" You can tell that Amira is quite eager to speak to Lizabeth, but both times she has allowed you to take the lead, using words like 'when you have spoken to her' rather than 'as soon as she wakes up', for instance, inherently leaving Lizabeth the option of refusing. This seems like a very soft-touch in this hard world.
What do you do?
"Oh! Thank you! Thank you!" Sarah exclaims with so much obvious relief that you may have a difficult time rejecting her if David does say 'no', though he is a caring soul, so the chances of that are very low... He is also unavailable on the phone right now —in an emergency you can (almost) always (usually) get hold of him on the radio via dispatch, no matter where he is— so you possibly can't check with him till he gets home this evening.
You do, finally get your reply from Charles. For the typing time it took it is surprisingly short, also —possibly unsurprisingly— very supportive:
The young lady seemed distraught. Take care of her. Dont worry about us.
"Did he say 'yes'?" Sarah asks eagerly, like a puppy.
What do you do?
"I can’t seem to get a hold of him" she frowned after her call went to David's voicemail. It was unusual for him to be unreachable, but with the weather and everything going on, she figured he might be running all over the city. No matter. They could talk once he got back home.
"But it’s okay, we can head back to the apartment and start thinking about dinner" she smiled reassuringly at Sarah "- right after you finish your coffee"
"Umm? Oh, yes." Sarah says glancing down with less enthusiasm at her untouched coffee that was purely being used to warm her hands and face, before drinking it down in one long gulp. She springs to her feet, ready to go.
What do you do?
"Here we are" she set down her umbrella and slipped off her coat before heading straight to the kitchen. She decided that for now, it might be good to keep Sarah's mind off things. She kept her busy in the kitchen, asking her to chop up vegetables for the stir-fry while she was getting to work on cooking the ground lamb for the shepherd's pie. "I can loan you a few things until you’re settled in" she probed gently, trying to gauge how big Sarah's predicament was. If she was too afraid to go swing by her apartment to fetch her clothes and some personal items, then it must mean she was still worried the vampire might be back for her.
You are substantially more than 'damp', having focused the umbrella to shield Sarah as much as possible.
All Sarah has are the clothes on her back and her phone. "I'll be fine." She says when you offer to lend her 'essentials'. She still has not spoken much other than to answer your questions, but she follows up slipping out of her wet boots by slipping out of her damp tights as well, draping them over the radiator (or windowsill or whatnot if you don't have a radiator) and padding around in her bare-feet and knee-length, oversized jersey.
"It's delightful!" Sarah exclaims about your apartment, looking around you small place. She seems completely at ease and makes herself instantly at home —her shyness at the group clearly not being related to her confidence.
You would not call her 'proficient' in the kitchen, but she is curious, and interested, and willing, and follows instructions fairly well. Your vegetables are not quite all the same size, but they should stir-fry up well enough nonetheless.
It is probably still an hour or so before you would expect David home.
What do you do?
She kept the conversation light as they worked together in the kitchen, trying to get a sense of Sarah’s situation without prying too much. "So, what’s your routine like during the day? Are you working? Studying?" She glanced over at the young woman. She wanted to know more about her, but was unsure where to start. She hardly knew anything about her. Not even how old she was.
Sarah looks uncomfortable, surely it can't be the very light questions you have gently left for her? She puts a hand to her stomach, and looks at you. "Where's the bathroom?" She asks before darting off in the direction you indicate. She is in there for a while. You think you hear her throwing up quietly.
But before you can do more, David arrives home, (slightly) early for a change. He looks unhappy, you can almost see him 'put on a happy face' as he walks in. He does not like to bring his work troubles home with him.
What do you do?
Her face lightened up the moment David walked through the door. As she always does when he arrives home, she practically leaped into his arms, throwing herself around his neck and pressing a kiss to his lips. "Hey, you’re home early!" she says, breaking the kiss and looking up into his face, immediately noticing the way he was trying to control his emotions. Her smile widened as she teased him gently: "You know; a man with a beautiful wife and a hot dinner waiting for him when he gets back from work has no right to wear a long face."
His mood markedly lightning at your greeting, David see the still-raw veggies on the counter and agrees: "Yes, well. Beautiful food and a hot wife will have to do."
Not knowing there are guests in the house his hands are strategically placed to hold you up and take the weight off his neck. Sarah gets an eyeful of him getting an handful, and you hear a suppressed giggle from behind you.
What do you do?
Right. Sarah.
She gently pulled herself away from him and turned her head just enough to catch his attention.
"...we have company"
"Oh. Hello..." David says, maybe just slightly slowed, as though he is trying to remember if he knows Sarah's name to avoid embarrassment. He is glad you are making more friends in London, but was not expecting guests, it does not seem like he has heard from his parents about you cutting their day short.
You know that David is a generous and caring soul, and will not toss Sarah out, even if having someone staying in the living-room will be in inconvenience in a place where there is not much other space to breath. The bathroom incident of a few moments ago reminds you that there is very little privacy with the cheap/thin doors.
What do you do?
Curious as she was, Amira does not seem upset that you are keeping some answers to yourself.
"I can guarantee she has all sorts of information." Amira comments about Shelyna. "But if she shares it, you can be assured it would be for her own benefit."
You get the impression that Amira almost wants to say something more about your visit with Shelyna, but does not know how to broach the subject.
What do you do?
"This is Sarah. She’s part of my author’s circle. Sarah, this is my husband, David."
Emma hadn’t thought through all the potential issues that could arise with sharing their small living space with another woman. She was certain they could work it out, with a little patience and consideration. And it was not like Sarah would be staying forever - only until she found her feet. It won’t take long to sort it all out, she was sure of it. Still, already her good intentions were being tested, when she found herself unable to freely speak with her husband in the confines of her own home.
"I invited her over for dinner" she hesitated "And… well, maybe we could talk it over in the bedroom for a minute?" She glances at Sarah with a small apologetic smile "Sarah, could you check on the shepherd’s pie in the meantime? It’s in the oven"
Once they’re alone in the bedroom, she turned to David with a sigh "I'm sorry. But she really needs a place to stay for a bit" she lowered her voice, hoping Sarah didn't have her ear against the bedroom door "She was assaulted, not long ago. And... she can’t go back to her apartment. She has nowhere else to go."
She met her husband's eyes, knowing exactly what to say to get him to agree: "I couldn’t just leave her out there."
Sarah does a curtsy-bob-nod as a greeting, her hands once more going to her face as she chews on the neck of her jersey. "Hi." She says quietly, but she does not seem any more shy around a completely new person than she is around the members of the writers' circle who she has known for ages.
She brushes past on bare feet to watch over the kitchen. Shepard's pie is pretty forgiving, so she should be fine for a while.
"Of course we can't." David agrees in the bedroom. "Do you know if she has gone to the police?" He asks, not pushing, but taking the default assumption most people would take if they did not know about ... well, all the other stuff you are into.
What do you do?
"I’ll try to speak with her in the morning, after she had some sleep. But right now, all I want is to make her feel safe and comfortable"
She didn’t want to be away from Sarah for too long, not while she was still so fragile. But there was one more thing she had to ask before they went back to the living room. "How was your day at work? Your mother mentioned you got a promotion" she forced a small, warm smile to her lips "That’s great, right?"
Instead of the happiness you probably expected at the mention of 'work and the promotion', David's face falls and he sighs in frustration. He does not really want to talk about this with stranger-visitors in the house. "It's complicated... apparently." He mutters.
What do you do?
"Well," she gave him a small smile, and changed the subject "Dinner’s almost ready. How about we sit down, have a quiet meal, and just… relax for a bit?"
"I am sure the work stuff is a misunderstanding, and they will clear it up. Let's not worry about it and focus on your friend." David agrees. "I am going to take a shower..." He is quite wet and cold, as are you, and he leaves the sentence hanging in case you wanted to 'take a shower' too.
What do you do?
"Well... I mean, it's not really my place to say." Amira replies, uncertainly. "Most people probably wouldn't just come out and ask that, you know. Just be careful with Shelyna: Every bit of information you freely share is more power to her. Make sure it is worth it and that you are getting something back in return. She is a slippery one and does not part with information easily. I can tell you that for free."
What do you do?
Returning to the living room with a fresh set of sheets for the couch and a clean outfit for Sarah in her arms, she smiled reassuringly at the young woman: "It’s all settled. You’re welcome to stay."
Ah, finally, there it was. One of the castle walls near the pond seemed to be pulling at him with an invisible force. Jacob touched the cold stones, imagining that some of these edges might form the threshold of a door. He knew it instinctively, he just had to push the right one...
Rolls
Jacob: Escape a Situation (+Blood) - (2d6-1)
(11) - 1 = 1
"Thank you." Sarah says, carefully placing the clothes on the couch. There is nowhere for her to change, and she would probably like to shower before doing so, anyway.
Her 'thank you' included the permission to stay, but she almost seems like she forgot that was even a question and just assumed it was happening.
"Can I charge my phone?"
• Is there enough hot water for everyone to shower?
• What did you bring Sarah to wear?
What do you do?
"I brought you something you can sleep in" she held out the clothes she’d brought; a simple, soft cotton shirt and a pair of leggings "You can change after dinner, before you head to bed. I’ll put your clothes in the wash, so they’ll be ready for tomorrow. It will do until I can take you shopping in the morning" shopping was Emma’s favorite pastime, and she stated taking Sarah as a matter of fact, without giving her the opportunity to refuse. Besides, it looked like Sarah's wardrobe was in desperate need for an overhaul. That sweater she was wearing was at least three sizes too big for her. Had she had to guess, she would have wagered it belonged to someone else.
"Okaayy." Sarah says, sounding a little hesitant about such overwhelming levels of generosity and maybe considering what it will cost her later. Despite her hesitation she accepts the offer.
During dinner, David tactfully does not bring up the assault, nor the housing arrangements —even though he has some recent dealings with social-workers for people who have lost their houses. He makes small-talk: "You enjoy writing?" small nod, "What sort of stuff do you write?" shrug, and so on. He does make the mistake of casually asking "So, what do you do?". He knows she is an aspiring writer, but also knows —to his pride— that you are the only one in your writers' circle to be published.
Sarah, again, clams up when 'pressed', though, this time, she does not need to use the bathroom, and merely pretends to be too distracted by her food to answer beyond another dismissive shrug.
After dinner Sarah has a quick-and-efficient shower, and changes into the clothes you supplied her. If you happen to look closely at her old clothes before washing then, you might spot traces of repeated blood-staining on the thighs of her tights.
When you eventually head to bed —after any additional conversation you might have— Sarah spends most of the night on her phone, and will arise very late in the morning (or even afternoon) if you let her.
She is skittish, like a wild animal, and wakes and watches every time anyone moves around the flat, but she returns to sleep if allowed.
What do you do?
Your hope of being able to avoid the foul water is not to be. The wall-section you tracked down is the trigger, not the portal itself. Upon triggering it you are thrown up into the air in a neat arc that culminates in the center of the pond. Maybe you worry that the fall into shallow water will break your bones, but you continue, at speed, and are plunged down and down, for long enough that the need for air becomes a concern, before you are able to swim up and emerge in a different place.
Copious amounts of the water and duck-weed accompany you as you climb out. Your clothes are in a state and you lost a shoe while swimming. Someone is going to be pissed off about the mess... And that 'someone', it turns out, is you. The portal took you home, right into your Establishment! Right past the wards and protections and null-magic field. There is now a shallow pond of odious water in the middle of your place, with traceries of duck-weed floating on top.
It all happened rather fast. You did not have time to grab Crowley as you were tossed into the pond, he is still back there.
You can feel the connection between the water here and the water there. With enough energy you are sure you could pass back through, and, if Crowley —or anyone else— was watching what you did, they could use the portal to come directly into your most secret and protected of places.
It is dark. You can hear the quiet sounds of night-time-traffic outside.
What do you do?
She used the opportunity while Sarah was in the shower to make sure she was settled, gathering a blanket for her and making the couch. When she made her way to the laundry to toss Sarah’s clothes into the washer, and couldn’t resist turning the jeans inside out.
Her heart stopped.
On the fabric were clear traces of dried blood, and her mind raced as the awful realization clicked into place. The pattern of the blood stains. Sarah’s youth. Her complete avoidance of discussing her work all pointed to one horrific possibility. The vampire. Sarah was someone’s....possession. Someone who had been feeding on her, using her, las a constant source of sustenance, without ever fully killing her.
Her stomach turned as the grim picture unfolded in her mind. This was convenient for the vampire. It didn’t need to go out hunting for fresh victims. It didn’t need to hide bodies every other night from the police. It was keeping Sarah alive, like some sort of a domestic farm animal.
Her heart clenched with fear. If this was true, Sarah wouldn’t be able to simply walk away. The vampire would come for her. It would hunt her down like a lost animal. She was his possession, and what’s worse – she knew it existed. She was a potential liability, and sooner or later, the trail would lead him here. To David and her.
What would she do? How could she protect Sarah, let alone herself? She knew she had to act fast, but she didn’t know how.
She couldn’t sleep.
The night dragged on, as she lay wide awake in her bed, watching David’s sleep soundly beside her. She envied him. No matter what she did, she couldn’t quiet her mind. She has made a mistake. What if Sarah never wants to leave? What is she’s already trapped in a cycle of dependency? What if they could never get away from whatever was preying on her?
Every creak of the floorboards, every rustle of wind against the window sent her heart racing. She would freeze, holding her breath, listening for the unmistakable sound of a footstep or a whisper of movement. What if the vampire was already here? What if it was watching them, right now?
The thoughts made her chest tighten. She reached out and grabbed the edge of the blanket, pulling it up around her neck like a shield.
Get a grip, she told herself. You’re just paranoid.
Still, she couldn’t relax. Her mind wouldn’t let go of the idea that the vampire would come for Sarah, and who knows what it might decide to do with David and her.
By the time dawn was approaching, she was no closer to sleep. Every muscle in her body ached with exhaustion, and her mind refused to allow her to rest.
The morning itself was a blur of restless energy. Still drained from a sleepless night, she tried to rouse Sarah from the couch, but the girl was as exhausted as she was. Her nerves were frayed, but she was determined to drag Sarah up to her feet and get her some new clothes that would actually fit. Something to help her feel human again, rather than livestock.
It was a quiet and tense shopping trip. Emma picked up some clothes for Sarah – something practical, comfortable, and that would flatter her figure. She barely noticed her own irritability as she rushed through the stores with the young woman in tow. Sarah seemed too tied to protest, not really present. She was on edge by the time they returned home, and Emma was almost thankful for the chance rendezvous with Henry the other night. Who knows, maybe he did have a way to protect her. Right now, she would not rule out anything, no matter how crazy it sounds.
Grabbing her bag, and letting Sarah crash back on the couch, she quickly left the apartment, heading to the restaurant Henry picked for their date.
"Huh? Yes, well... Good luck." Amira signs off, still struggling to believe your naivety.
Mark has not replied, nor has he seen the message you sent. His message from earlier indicated he might be unavailable —completely off-grid— and you are pretty sure you missed the call from Shelyna's people while dealing with getting Lizabeth to safety.
If you want to get hold of Shelyna', you will need to Hit the Streets to get contact details or an introduction. Amira was unable to help you. Who would you go to for this?
Henry is late, but you knew he would be, it is all part of his 'power play', making it clear his time is more valuable than yours. When he does arrive he is avuncular and charming, openly flirting with the wait-staff just like he used to when you two were a couple.
He tries to order for you, sparing no expense.
• Do you let him order for you? Does he (irritatingly) pick just the right food? :)
Urgent as his need to speak to you was, he seems quite content to treat this like a date, casually asking about your life: "How's David? And your family back home? Have you been back to the old Bellingham?" and so on, though he does not ask about your book. You might need to push him to get to the point.
Henry and Elliot's paths seem to have crossed with some 'financing of a real estate deal' —the specific details of which are not important. "He is a gangster." Henry confides. "The veneer of a businessman covers up the real activities he is involved in. You must have seen the sort of people he employs? Many of them nothing more than thugs. But he runs a sophisticated operation, with contacts in high places. I don't want to go into details about the sorts of stories I hear. Suffice it to say: He is bad news for those who hang around him."
What do you do?
There had been so many evenings where she sat by the window, watching the clock tick past the time he was supposed to come pick her up. Sometimes, he wouldn’t show up at all.
She only ever existed only to serve him. His flirting, too, was a constant reminder that she wasn’t enough. He would effortlessly charm the girls at school, just like he was doing now with the waitresses, while she stood by, feeling small and insignificant. And he always knew how to use it against her: 'Do this for me, or I’ll find some other girl who will.' He didn’t just flirt to boost his own ego. It was a weapon, aimed at eroding her sense of worth and make her feel replaceable. All the old wounds resurfaced as she watched him, and though she had no interest in him romantically anymore, he still had a way of making her feel uneasy.
He ordered for her. Again, nothing new. He always made decisions for her like she couldn’t be trusted to know her own mind. He never cared if she liked it or not either. As annoying as it was, she decided against challenging him. She was too tried, and letting him have that small win was a small concession to stroke his ego and make him more agreeable. Still, she couldn’t help feel herself slipping into that familiar role, the one where she tried to please him, tried to make him happy, even when it came at her own expense. He was getting the upper hand again, and she hated how easy it was for him to slip back into control.
"We’re doing fine" her jaw tightened when he asked about David while they were waiting for their order to arrive. How’s David? Like he had any right to ask. Like he truly cared. She didn’t miss his knowing smirk. The only way he brought it up was to subtly rub in the fact that David had never reached the same level of success. It was infuriating that someone as arrogant and self-serving as him had everything: wealth, power, success, while she and David were still struggling. When she was younger, after he dumped her and moved to London, she hoped Karma would finally catch up to him and kick his teeth out, but now, she finally realized the truth: men like him didn’t get knocked down. They thrived. They rose precisely because they were assholes, and the world rewarded them for it.
She deflected his questions about Bellingham too. She hasn’t been back in six years, and had no intention of doing so anytime soon. It was all just empty small talk anyways. Henry didn’t really care. He wasn’t interested in an update on her life or her family. Both of them knew it was nothing more than a thin veneer of politeness. They were just going through the motions, the prelude to the real discussion they were both there to have.
Her interest in the conversation finally piqued when he started talking about Eliot. She listened carefully. Even though she knew so much more about Eliot’s true nature, Henry was still right about how dangerous he was. More then he imagined.
"You offered to protect me from him"
She looked at him thoughtfully, waiting to see what exactly he had in mind. She knew he wasn’t making that offer out of the kindness of his heart. He was always looking for leverage, some way to gain from the situation. But right now, she needed to hear what he had to say, because if there was another vampire hunting Sarah, she couldn’t afford to overlook any potential ally, even if that ally was Henry.
"Oh yes." Henry says with relish. "If you think you need help getting away..." he frames is like it is your idea and you are asking him for help.
"We could move you to my villa at the sea-side." It does not surprise you he has access to a 'villa at the sea-side'. "David could come too." He adds magnanimously, though you get the impression this is another power-play.
He still has not mentioned how he knows about Elliot and your involvement ('real-estate deal in the past' does not quite justify it), nor why he has picked this time to push this agenda.
She forced herself to remain cool, maintaining her poise despite his audacity. His offer to move her to his seaside villa wasn't some goodwill gesture. It was another way of inserting himself into her life, and using his wealth and resources to make her feel indebted. And yet, she smiled softly at him, tucking a wayward strand of blonde hair around her ear. Her outward calm was a mask, but underneath, she was calculating, weighing her options. As much as she loathed to admit it, Henry still had power, still had resources. Perhaps there was something he could offer her. Something more... practical. Something she could use on her own terms.
"That’s a very generous offer, but we can't drop everything and leave. David’s work is here. Our friends..." She holds his gaze for a moment, letting the words sink in. "We can’t just run away"
She pauses, letting the silence hang between them for a beat as her fingers tapped against the edge of her glass. "So, you’ve been keeping tabs on my life for a while then?" Her voice is casual, but there was a hint of a challenge there, her eyes meeting his with a flicker of amusement. If he’s been watching her, it means he’s still invested, still clinging to some version of their past. Meanwhile, she blocked him on her phone, pushed him out of her life as best as she could. The old power dynamic between them had always been so clear, but now she felt like the balance was shifting. She’s moved on. Henry... still can’t seem to let her go.
Adding the two questions:
1. What's your character hoping to get from me? (I'd like to understand his motivations better regarding Emma. What does he truly want)
2. How could I get your character to help me without getting involved in my life?
Rolls
Figure Someone Out - (2d6)
(44) = 8
"His ... work? ... Oh, yes. Of course." Henry says, dismissing David's very important work as unimportant since it does not bring the prestige he values. "No, no. I suppose not. It was just a suggestion." It was also an opportunity to boast about his 'villa by the sea-side', making it seem like a new acquisition he is proud of and needs to mention.
"What? No! Nothing like that." He says about keep tabs on you. "I mean, I tried to get hold of you a few times, and read your book..." There is a guilty pause there, as though really hopes you don't press the matter and prove that he probably only read reviews. Having purchased the book is half the journey, right?
"No. Some business contacts came to me, worried. They were dealing with Elliot and mentioned the stunning blonde who has appeared in his orbit. And I knew from the description it was you." He is trying to flatter you, but 'stunning blonde...' —wow! did they really say that?— was probably less of a giveaway than '... who wrote a novel about vampires'.
Henry has tried to rekindle his relationship with you. Even if just to keep you as a trophy friend ('I knew her before she was famous, you know') if you were not interested in something romantic ('David never needs know'). But this sounds like there is another party who are motivating him to contact you now.
What do you do?
"So," she continued, the playful edge still lingering in her voice "Tell me, what did your ‘contacts’ really tell you about me? About... my connection with Eliot?" She lets the question hang in the air, light but pointed.
He’s hiding something. I can feel it.
He yawns. It’s getting late in the day and he’s rather sleepy. He would like to return to the comfort and safety of his Haven to sleep, but he’d prefer not leave Lizabeth on her own… He leaves a note on the table, asking her to wake him before she leaves, and then tries to find a comfortable spot to take a nap. Vampires usually like to sleep in dark, enclosed spaces. Coffins were the fashion for a while, but younger vampires consider them a bit cliché nowadays… After a bit of internal deliberation, he climbs into his wardrobe, pushing some of his clothes out onto the floor to make room, and swiftly falls asleep in the cramped darkness.
"Oh, they didn't... That is to say, they mentioned you and your book, so I ... knew it was you..." He is a little flustered and distracted by your cleavage as you lean forward and may have accidentally let slip that is was he, himself who used the words 'stunning blonde'.
The waitress it seems is also a bit distracted by your display. Henry might not be her type, and she was more flattered by the fact that the guy with you would flirt with her... plus, light reciprocity is good for tips. She hovers near Henry's elbow, enquiring —at just the wrong time, as waiters always do— if you need anything else, and trying not to be too obvious that she is watching you —while also trying to be obvious enough to signal her availability if you were interested.
"They did not know who you were." Henry replies, with a subtle put-down. "I recognised you and assured them you were not a threat. They were thinking corporate-espionage, or something like that. They are very paranoid."
Your experience over the past few days has shown you that the supernatural world operates on ... let's say: a slightly different frequency; and, to an outside observer, that may well appear as 'paranoia'. You get the feeling that Henry has got himself in the middle of a conflict between Elliot and these strange benefactors of his. He does not know what danger he is in (though possibly this is 10-minute-expertise, and your freshly opened eyes are leading you to see everyone else's ignorance as terrible.:).
Maybe these contacts of Henry's know something about Elliot's disappearance? Maybe —if they want 'espionage'— you can infiltrate their ranks and feed Elliot valuable information about the enemy? Maybe they are an even better source of information for your book?
Henry seems to be eating out of the palm of your hand, maybe you can Persuade him to make an introduction? These guys seemed interested in you.
What do you do?
"I get it" she lowers her voice "You’re trying to protect me from these... ‘paranoid’ contacts of yours. You’re worried they’ll think I’m a threat. But you know, I don’t want to cause any trouble. I’d like to assuage their fears, show them that I’m not some... corporate spy, like they think I am."
Her lips curl into a knowing smile "I think the best way to do that would be to meet them in person, don’t you?" She looks at him invitingly "Maybe you could introduce me?" She shifts even closer, angling her body toward him to make sure he gets the full effect of her presence, close enough for him to get a whiff of her perfume "We can go together. Tonight. You can vouch for me, and I’ll play the part of the ‘stunning blonde’"
She knows exactly what’s going through his mind. He’ll jump at the chance to spend more time with her, to feel like he has some important part in her life. And she’s already two steps ahead. If he takes the bait, she will have access to his contacts, and if they’re as paranoid as he says, she might get the inside track on what’s really going on with Elliot.
Rolls
Persuade - (2d6+2)
(35) + 2 = 10
"What? No. They would protect you, from Elliot." These are apparently who he meant when he said: "I have people who can protect you." [ref] You still don't know if he was just boasting or if they actually offered to protect you, nor at what price.
"Tonight? I will have to let you know." Henry says. "I am a busy man, you know." While this is true enough, what he is not mentioning is that he probably has to wait for them to agree to meet you... or him.
"But, while we are here... Shall we get desert?"
What do you do?
"Of course. I’ll be waiting for your call" Henry always made the time when it suited him. She knew it wasn’t about him, but about the availability of his contacts. But she wanted him to try harder. Send him a signal that the playful, flirtatious Emma was withdrawing, just a little, because he wasn’t able to give her what she wanted.
She held his gaze for just a moment longer, then slowly drew her eyes away, shifting her attention to the dessert menu as though she suddenly lost interest in their conversation.
"I am sure we can make a plan. If not tonight, then soon." Henry definitely picks up on your projected body-language and doubles down, trying to reassert his impression of control but in fact only appearing desperate. You have him wrapped around your little finger.
As you are leaving, having finished eating your desert and said your goodbyes, you see Henry focused on the waitress, obviously needing to relieve some of the tension you left him with, she returns his interest —flicking her hair and touching his arm, and such— but that is probably just for show, to increase her tip, she does not play for his team, you don't think.
• Does it bother you? Do you care?
Possibly you expect to need to be quiet as you return home, so as not to wake Sarah again, but, even from outside the door you hear high-energy music from within, and the sound of things moving.
Sarah, it seems, has decided to clean. There are pots and pans piled neatly on the kitchen-nook counter, and the cupboards are open. The couch and shelves have been moved and the floor scrubbed.
Sarah is dancing while she works. Even under the oversized jersey that she is once more wearing, you can tell that she is good, she has training and could be a professional.
When she sees you, she stops, mid-move. "Sorry." She says. "I needed to do something." She does not say 'to repay you for our hospitality' or anything, you did not get the impression she was thinking in those terms at all. When you turn back from hanging your coat and stowing your umbrella, the oversized jersey has vanished —hidden behind the couch cushions— and Sarah looks slightly guilty... about wearing it? Strange.
What do you do?
Her stomach tightened in annoyance as she watched Henry shifting his focus to the waitress, flirting with her the moment she got up from the table. He could have at least been more respectful, but no. She was just another option for him, discarded the moment someone else caught his eye.
She quickened her steps as she walked out, but the frustration remained. She shouldn’t even care. He’s an arrogant, selfish prick that always needs to feel like he’s in control. There was no doubt in her mind that he wouldn’t hesitate to follow through if the waitress let him. And who knows? Maybe she will. The idea stings her more than it should, that feeling of being...disposable. Insignificant.
Her mood was a bit sour when she reached the apartment, exacerbated by the lack of sleep, and it was hard for her to remain calm hearing the loud music emanating from her apartment. But she softened once she stepped through the door and saw Sarah, looking so lively and energetic after the previous night. For a brief moment, she felt a wave of relief. The young woman was coming back to herself. Must be the rest, and no longer having to contend with her blood being stolen from her. That was one positive, at least.
"That’s very thoughtful of you, looking after the place" she smiled warmly at her "and I didn’t know you had such moves. Where have you been hiding that talent all that time?" she made a subtle reference to her figure as well. Sarah deserved to be complimented. Boost up her confidence, after everything she has been through.
Asking Sarah about her dancing garners a similar response to asking about her work or her past —you can't be sure but there may be a connection— and she shrugs it away. "I used to enjoy dancing, as a kid." Is her wistful reply.
The complement generates a slightly larger response, but you may have imagined it, it is almost like she sags despondently before forcibly perking up and giving a smile that looks a little glassy.
The girl is full of mysteries, and talking to her has not proved fruitful in learning them. You have been paying attention to the clues and may be able to Figure her Out with time.
What do you do?
"Well; I think you’re great. Maybe I’ll take you dancing with me sometimes. David isn’t really into the club scene, and I do have to write reviews for them, every now and then"
She let the statement linger in the air as she studied Sarah’s reaction, half-expecting her to either dismiss the offer or deflect it like everything else.
"I’m going to lay down for a couple of hours. Feel free to use my earbuds if you want to" she gave her a subtle but firm indication that she’d prefer the noise level to stay down, but added a warm smile on top. She did want her to feel at home, not like she has to tiptoe around everyone.
Rolls
Emma: Figure Someone Out (+Mind) - (2d6+0)
(11) = 2
"Okay." Sarah says about your taking her dancing. "Whatever you want." Her response is off, somehow, but you can't fathom its nuances right now.
"I'll get some sleep, too." Sarah says, maybe she was not happy being alone before and is more comfortable with you around?
What do you do?
"Hey, Benji. Free this afternoon? Need to catch up. Let me know."
She hesitated for a moment after hitting send. Benji was also a vampire. Could she really call him her friend? Could she trust him? He was part of the very world that made her feel so vulnerable, and now, Sarah, too. But the thought of both of them being in danger, the very real possibility that whoever had been preying on Sarah was still out there, looking for her, finally tipped the scales.
She hit send, the weight of the decision lingering in her chest.
With a deep breath, she climbed into bed, pulling the blankets up and letting her body sink into the softness. Her thoughts started to blur, and before she knew it, she was drifting into sleep, hoping for a few hours of quiet before her plans for the evening.
It’s a claustrophobic little space, somewhere between cozy and dingy, with dim, yellow-ish lighting and outdated floral wallpaper. There is a wardrobe and a cluttered bookshelf against one wall, and a plush green couch that looks like it’s been slept on recently against the other. An upright piano has been shoved into a corner, and a small round dining table with three chairs arranged around it takes up the rest of what little space remains.
Benji has hung paintings over the windows (probably to block out the sunlight, Emma would guess), which doesn’t help much with the overall sense of claustrophobia. Cobwebs abound, but the rest of the apartment isn’t especially dirty or dusty (aside from the pervasive mouse smell), suggesting that Benji may have left the cobwebs there on purpose to avoid disturbing the spiders.
A white raven in a gilt cage watches Emma from atop the piano and there is, even more bizarrely, a giant tortoise basking under a heat lamp in the kitchen. The kitchen has been sectioned off from the rest of the flat with a short wall of books, stacked like bricks, to create a make-shift tortoise enclosure.
"That’s Hermes," Benji introduces Emma to the tortoise as he leads her over to the table and chairs. "He doesn’t normally live here. He’s just staying over for a few days along with my friend, Lizabeth."
He waves a hand at the raven. "And this is—well, I don’t think Jacob ever told me his name, actually—but I’ve been calling him Snowy."
"Can I get you a cup of tea?" he offers politely, pulling out a chair for Emma.
She scanned the room with her writer’s instinct for detail. This was absolutely perfect! All the mismatched furniture, the blacked-out windows, even the cobwebs that Benji seemed to leave untouched. She would have never thought to write a vampire’s lair like this on her own. Her readers will find Benji’s quirky space to be fascinating, and she made a mental note to herself about asking him if he would mind featuring in her next book.
Her attention caught by the tortoise basking under the heat lamp, she crouched down and smiled at it :"Hi there, Hermes" she looked at him like she was a wide-eyed six-year-old seeing a tortoise for the first time. Hermes seemed unbothered in the otherwise chaotic space. She was so curious to know how it ended up there to begin with. There had to be a story behind it, likely a story behind every object in the apartment. She could probably pick his brain and write an entire series based on his life.
Her gaze shifted to the raven perched nearby. The snow-white bird, Snowy, validated her conclusion. There was another story associated with that beautiful animal, though the mention of Jacob’s name darkened her face. Jacob suckered her into that ridiculous scheme, only to abandon her, and never call back the next day.
"Sure, I’ll take that cup of tea" she says while still looking at her raven, clearly distracted. Her mind was buzzing with ideas for the next chapter of her book, fresh with inspiration from the sights at Benji’s apartment. "Do vampires drink tea?" she asked, her curiosity piqued. She had no idea if Benji could even eat normal food, or if he survived entirely on blood. Or maybe he just entertained guests often enough to always have tea on hand.
The raven does not look happy about being here, and not at all happy about being called 'Snowy'. It makes a sound much like 'meals' but does not want to eat any of the food that is in its cage. Jacob really could have been more informative about the creature, he seemed very intent that it be kept safe, but, for the brief time it was let out of its golden cage, it did nothing but fly around frantically, trying to get out of the apartment. Fortunately the windows are sealed closed.
The raven is well cared for, especially for such an old bird. Jacob has had the 'pet' for as long as Benji can remember.
Sarah was still sleeping peacefully when Emma left.
• Where is Lizabeth?
What do you do?
He put the kettle on to boil before Emma arrived, so the water is already hot and ready to go. Careful not to trip over Hermes as he steps into the kitchen, he selects a pretty teacup decorated with cheerful yellow daffodils from the cupboard and sets about making the tea with a great deal of focus and precision. He doesn’t drink tea himself, so he has done extensive reading on the subject to make sure he gets it right for his friends.
"I’m afraid not," he answers Emma’s question while he waits for the tea to steep. "I could, but only in the same sense that you could technically drink dish soap if you wanted to. It would taste pretty bad and it would probably make me sick. But I like making it for my friends."
Once the tea is ready, he places the teacup on the table in front of Emma, along with a small pot of sugar and a tiny pitcher of milk from the fridge.
"So," he says, sitting down across from her. "You wanted to talk?"
"Yes; I need to talk to you about someone" her expression changed once she began to talk, a shadow crossing her face "Her name’s Sarah. She’s... a friend."
She paused.
Friend? She only known Sarah from her author's circle. She saw her once a week for a few hours, and the young woman barely talked at all. She was an acquaintance, at best. Still, she was now a part of her life, in the sense that she took some responsibility over her wellbeing.
"I’m not sure if you have a name for situations like this. There was a vampire, or maybe even several of them…keeping her like some sort of livestock. Feeding on her when it suits him" Emma’s fingers gripped the edge of her teacup "I don’t know how long it has been going on. A while, I think. She’s young, and vulnerable. She doesn’t want to talk about. She doesn’t want to go back to her apartment"
Her voice wavered slightly "I invited her to stay with me. I—I couldn’t just turn her away. But I’m scared. I’m scared that he’s going to come after her, come after me or David, for taking what’s his." She bit her lip, her gaze dropping briefly to her hands holding the cup
"I want to help her, I need to get her out of this situation, but I don’t know what to do"
She paused, taking a breath, before looking into Benji’s eyes. This wasn’t only about Sarah anymore. It was about her own survival, and that of the people she cared about.
"I need your help. I need to know if you’ve heard of this vampire, or if you know someone who can help me figure out what to do. If there is some arrangement or deal we can make with him, to give her up and leave us alone"
"That does sound very scary," he says sympathetically as soon as Emma has finished speaking. "It’s difficult to say who the vampire might be without more information, although the feeding pattern you described— feeding upon the same unwilling victim over and over again— is… peculiar. Deliberately cruel, even."
"I’m afraid I can’t interfere directly without risking antagonising the vampire and making things much worse, but I do know someone who might be able to help you," he tells her. "Her name is Miriam O’Connell. She’s a retired vampire hunter and a very good friend of mine. If you like, I could arrange a meeting? She can be a bit prickly but she has a good heart and I’m certain we can convince her to help you."
"I’ll try to get more details from her" It was time to press Sarah for the truth, even if it made her uncomfortable. She couldn’t afford to remain ignorant of the full extent of the threat. She took another sip of her tea, before glancing up at Benji with a raised eyebrow when he mentioned a vampire hunter.
A vampire hunter... The idea of someone actively hunting vampires sparked a surge of curiosity in her mind. And the thought of a vampire hunter and a vampire having a friendship sounded odd, even by supernatural standards. She was sure there was another good story in there. Benji was a font for inspiration for her novel - even better than Eliot!!
"A vampire hunter" she murmured, her mind already spinning with possibilities "I would have loved to meet her even under normal circumstances" She gave him a small, appreciative smile "I’ll be in your debt if you can arrange it"
"Any word about Eliot?" she segued into another subject that had been bothering her once she started thinking about Henry, and his and Eliot's shared business associates. There was a hint of concern in her voice, though it was more for what the implications of his absence meant for her, than any interest to the vampire-lord's wellbeing "It seemed like he dropped off the face of the earth"
You don't know Miriam's current habits, since she retired, but she used to be up all night... hunting. So, if Emma were amenable, you could surprise Miriam with a visit after her 'something else'.
As a vampire hunter, Miriam may also have tricks to track down missing vampires... like Elliot. But she would be inclined to end him if she found him unprotected, so involving her may be contraindicated.
• She kills other vampire. Why does Miriam accept you?
Jacob asked you to follow up on his quest for a book. You two were planning on going to see Byron (and the Horse) together, but Jacob is unavailable. There does not seem to be a lot of urgency from the statue —they are patient— but the longer you leave, the it harder it may be track down that particular book, especially without Jacob's expertise in that area.
What do you do?
You have not heard back from Henry yet, but it might have occurred to you that his new friends were offering to protect you from vampires. Maybe they can protect Sarah from her vampire? Of course, you don't know if you can trust them.
Miriam could be a valuable addition to your source of information. The way Benji describes her, though, makes her sound a little prickly, who can say if she will want to talk about her experiences.
Whether Miriam, Henry's people, or some other plan, you need to know more about Sarah's predicament. You don't even know her surname. Maybe someone from the writers' circle knows her better? She seems glued to her phone, you could probably learn a lot from getting a look at that, but you know she has a password-pattern-thing to get into it.
• Do you call Henry and nag about the meeting? That will make him feel important, and make you look desperate... which need not be a bad thing.
What do you do?
"Miriam works during the day, but she’s usually up late. We could go tomorrow evening or perhaps even later tonight, if you have time after your other thing," Benji suggests. "I don’t want to frighten you, but it’s only a matter of time before this vampire comes looking for Sarah. You need to protect yourself, and her, as soon as possible."
When the conversation turns to the subject of the missing vampire lord, he frowns. "Ah. Elliot. No. No word yet, although… to be perfectly honest with you, I’m not certain that’s such a bad thing."
"Later tonight then, if it doesn’t inconvenience you too much" She had already made plans to go out that evening, and if David wasn’t going to wait up for her, she might as well return late.
"He was my benefactor. He... looked after me." she objected meekly. She wasn't involved in the politics of the vampire world, but even she recognized Eliot for the authoritarian tyrant that he was. Still, his absence was making her life infinitely more complicated. "I guess... maybe you’re right" she sighed, conceding reluctantly "It's just that if he were here, I wouldn’t have to worry about this vampire hunting Sarah down, or about the Administrator, you know.." She trailed off in frustration
She sighed, her fingers tracing the rim of her now-empty tea cup "Just look at what happened in Arundel. I ended up getting dragged into the heist with Lady Halifax and Jacob, and now the Administrator has taken an issue with me" She didn’t put any blame on Benji; he had been the one constant in the mess, the only one who tried to deflect the blame away from her. But it didn’t change the fact that she was still caught in the aftermath. "Had Elliot been around, he would’ve stopped me from making those mistakes. He would’ve kept me from walking into situations with people I didn’t know." And he would've introduced her to all the interesting people, the very reason she agreed to go to that party in the first place.
"It’s just harder now. I honestly don’t know who I can rely on anymore" Her voice softened "But maybe you're right. Maybe being involved with Elliot wasn’t the smartest thing, in the long run."
She placed her empty tea cup on the table and stood, her movements a bit stiff as she straightened
"I really appreciate you trying to help me. I just... I hate feeling like a burden"
With their conversation drawing to a close, Benji takes Emma’s empty teacup back to the kitchen and escorts her downstairs. "I’ll see you later tonight. In the meantime… don’t go inviting any strangers into your home, alright?"
*******
She slowed her pace after a few blocks, ducking into a narrow alcove to escape the rain. Benji’s warning had unsettled her more than she wanted to admit, and though he was very kind offering to help, she didn’t know if she could rely on a retried vampire hunter to protect her.
She hesitated for a moment, fingers hovering over her phone. Texting felt too impersonal. Henry would just love it if she called him. Make him feel important, like she depended on him for help. With a deep breath, she dialed his number, leaning against the wall as she waited for the line to pick up. "hi" she forced some cheerfulness into her voice when he picked up " I thought I’d check on you. We’re still on for tonight, right?" The words slipped out as if she’d said them a hundred times before – because she did. It wasn’t the first time she called him inquiring about their date, and wasn’t the first time he would assure her he would pick her up. But then he would flake on her for no other reason than to rattle her nerves and destroy her confidence. The mind games, the missed plans, they were all part of his routine, and she hated how it made her second-guess everything. Hopefully, this time would be different.
"I managed to arrange a meet, yes." Henry says, giving you the time. "I'll come and get you, half-hour before." He does not tell you where the meeting is to take place, this is one of his usual ways of maintaining control.
David is home early again. You hear Sarah and him laughing in the bedroom. This is such a clichéd contrivance that you might laugh at the absurdity of it. You know that David would not cheat on you —though can't say the same about Sarah— and, besides, the bedroom door is open. You have not really heard David laugh in a few days, and you don't think you have ever heard Sarah laugh, it is good to hear.
The rest of the flat looks spotless —even if some things are not put back in the right place, and they are now cleaning the bedroom.
What do you do?
Though she wasn’t suspecting anything was going on between the two, it was best to set the record straight. Walking inside the bedroom, without missing a beat, she crossed over to David and kissed him, slow, deliberate, passionate kiss, making sure Sarah saw it. It was firm, and possessive kiss. Just to make sure there was no mistake.
"Hey, you," she murmurs as she pulls away, a teasing glint in her eye "How have you been?"|
David is a little flustered by your PDA and can not frame an answer; but Sarah merely watches impassibly, like it is something she sees every day; she does not turn away, nor pretend to be working, though.
Your mattress is standing against a wall and the entire contents of your wardrobe is spread on the bedstead.
What do you do?
"I’m going to take a quick shower; I’m heading out later tonight." Her gaze shifts back to the bed, taking in the disarray. "You’ve got lots of work to do while I’m gone, huh?"
With a playful wink, she disappears into the bathroom. When she emerges a long while later, already dressed in the black mini dress, that rides dangerously up her thighs, hugs her frame like a second skin. Her hair is already styled to perfection, and she applied just a touch of makeup to accentuate her eyes and lips. As she steps into the bedroom, her gaze looks between David and Sarah, her playful smile daring them to say something. She knows the effect she has, and she’s not shy about letting it show.

Sarah turns from where she is bent over, cleaning the far corners of your wardrobe in preparation for reloading it. She shows no reaction to how you are dressed, you get the feeling she is waiting to be told what happens next, as though she is ready to 'spontaneously' start moving if you indicate she is expected to come with you, stay with David, or play along with whatever you are doing.
You know that it would be useful to know more about Sarah before seeing Henry's people or Benji's ex-hunter if they are to help you with this conundrum. But you also fear that trying to question Sarah might break her rare good mood right before you leave, leaving David to pick up the pieces.
"You going dancing?" Davis asks. He knows the dress from when you go dancing, and barely shows any jealousy when everyone at the clubs hits on you. He did not know you were going out tonight, and possibly wanted to talk.
"Mom and dad said I should thank you, and wish you goodbye." He comments. Apparently they did not raise a fuss about your abandoning them... again.
What do you do?
She takes one last glance at her reflection in the bedroom mirror, checking her profile and admiring the way the dress flatters her figure. She tilts her head, checking the angles, savoring the way the dress molds to her curves.
"Take good care of Sarah while I’m gone, alright?" her voice sounded a bit detached as her gaze was still focused on her reflection. Running her hand over her hair, her lips curving into a satisfied smile before finally turning to her husband "How do I look?"
David seems a little disappointed that you going to be away again. It is like you never get to see each other anymore. But he does not say anything about it.
"Scandalous?" He suggests in reply to how you look. "You will have to write stories about yourself." He jokes.
He is a little confused by Sarah, and how long she is going to be staying, but he does not object. Sarah takes the queue that she is not involved and returns to her work. Cleaning seems to calm her, though she has pretty much finished the apartment and won't have anything to do tomorrow.
Speaking of 'tomorrow': "I am not going in to work tomorrow." David says, trying to sound casual, but there is what might be an undertone of suspense to his words. This is unexpected, given the amount of work, and you can tell there is more to the story, but don't really have the time for the details right now. "Maybe we can... hang out together?" He asks, sounding plaintive.
What do you do?
You kinda, sorta 'promised' to call Teddy back. Did you ever follow up on that? Do you plan to?
Return traffic is probably picking up about now, if you are going to play for a living, now is probably the time you want to do it. But that does mean leaving Lizabeth alone for even longer. You can not be sure —it is only a feeling— but maybe your place is being watched? You have not actually seen anyone watching, but, while someone is leaving might be an ideal time to try to get a better impression of the scene?
What do you do?
"Tomorrow? Sure, we can find something to do" she never objected to spending time with her husband, though she would have preferred if he suggested something concrete, rather than leaving things up in the air. "Just let me know when and where" she looked into his eyes, and gave his hand one last reassuring squeeze before heading out, picking up her coat and her umbrella on the off chance Henry wasn’t out waiting to pick her up on time like he was supposed to.
You have been waiting for several minutes, your legs getting cold and then numb from the wind beneath your coat, and —Sarah in tow— David has just come down to check on you when Henry pulls up, looking harried and impatient. Henry may almost be disappointed that you are waiting and can not be blamed for their being late.
You see Sarah recognise Henry from his ambush at the writers' circle, but David just sees you awkwardly getting into a low Aston Martin with a strange man. Good thing he is not the jealous type.
"We must hurry." Henry says from the driver's seat, not getting out in the rain and simply leaning over to shove the door open.
• Where does Henry take you? Is it a private diners' club? Or a posh restaurant? Do they have exclusive access to the venue or are there other patrons?
• Introduce us to who you meet with. How do they appear? How do they treat Henry? How do they treat you?
• Describe the reaction —from Henry, but also from anyone else you care to include— when they take your coat.
What do you do?
The sound of the engine interrupted her thoughts. She recognized Henry’s sleek Aston Martin through the misty rain, and stepped back quickly to avoid the splash of water from the tires. Characteristically of him, Henry didn’t bother to get out of the car and open the door for her. She was expected to climb in on her own, rather than him inconveniencing himself in the rain for some gallant gesture. She had just enough time to see Henry and Sarah walk out of the apartment to see her off when the car took off, barely managing to wave her husband goodbye before she was whisked away.
***********

Claridge turned out to be their ultimate destination. It was impossible to miss the opulence of the place. It had a fresh, modern look to it, while still managing to look effortlessly rich. Polished marble floors, intricate wall panels, and plush leather seating all came together to create a space that felt both cool and sophisticated.
She kept her composure as they were escorted to a private room – a dimly lit chamber with soft, golden hues, velvet-lined walls, and table set with crystal glasses and polished plates.
At the head of the table sat a bespectacled man with long sideburns and graying hair. His voice was slick and smooth, like a practiced politician or a snake oil salesman. Beside him was a tall, striking young woman, silent and still, more like an accessory than participant. Another man, older then the rest, with silvery hair meticulously combed, sat with his equally elegant wife. She was middle-aged, poised, and so perfect in her composure it was hard to imagine her ever letting go of control.
No one spoke as Emma shed her coat - deliberately slow. She could feel the heat of their gazes following her every movement, and she took her time, enjoying the effect she was having. She didn’t miss the hunger in Henry’s eyes, the longing for her body. It was exactly the reaction she wanted to draw out of him. He had made her wait on the street like some insignificant afterthought, and now he was the one squirming, unable to look away from the one thing he couldn’t possess.
She smiled politely when he introduced her, deciding against saying anything when he called her his ‘date’. Her expression didn’t change when he didn’t bother giving her the names of any of the others. It wasn’t an accident, or an oversight, but a clear sign of disrespect, something he had perfected over the years.
The conversation quickly shifted to business once they were seated. Henry’s world, not hers. He dove into talks of recent acquisitions and business ventures, sounding so comfortable and authoritative, while she couldn’t help but feel out of place. She had no way to contribute, and the more they talked, the more obvious it became. He was in his element. She, on the other hand, was just a pretty face.
Her attention sharpened, though, when the bespectacled man said something about an upcoming retreat, asking Henry if he will be bringing ‘Emma, Claire, or perhaps Christine’ with him. It was the first time she has been referred to by name, and for a moment, she knew his question was part of a show. Everyone in the room was playing a part, but for once, she wasn’t going to let them control the narrative: "If it’s anything like the snooze fest you’ve been having tonight," she interjected with a smirk "then there is no need for me to travel all the way for a nap. I can fall asleep right here in this chair."
Reginald Pembroke – an English aristocrat and a member of the House of Lords.
Charlotte Pembroke – Reginald wife is sharp, attentive, and carries herself with an undeniable air of authority
Alastair Sinclair– a smooth (and disingenious) businessman that fawns on Henry
Ekaterina – Alastair’s companion for the evening. Russian, barely speaks a word of English.
"The cheek!" The bespectacled man exclaims, apparently as outraged at your speaking as at what you said.
"Now, now, Sin." The older man says. "She is new here and does not know the etiquette." He scowls almost imperceptibly at Henry for not properly house training his women, and some hidden signal passes between his wife and he.
The elegant woman beside him stands and declares quietly. "I am going to powder my nose. Care to accompany me?" She says to you. The other young woman bounces up quickly when she sees what is happening, and they both make their way towards a side door, expecting you to join them.
Do you go to the bathroom, like a good girl?
What do you do?
"Thank you, but I’ve already ‘powdered’ at home" she smiled sweetly at the woman who invited her to accompany her to the bathroom. She wasn’t going to be ushered away like a child. She wanted to know what was really going on.
She didn’t hesitate once the women left the room. She turned her attention back to the older man and leaned forward slightly, meeting his eyes to make sure she had his undivided attention: "So, how do you know Eliot Parry?" she threw the bait out. She knew they had some interest in the vampire lord, and wanted to see if they suspected anything about his true nature. If they did, it could be the leverage she needed to play a different game, right above Henry’s unsuspecting head "Is he part of your... club?"
Rolls
Emma: Keep Your Cool (+Spirit) - (2d6+1)
(63) + 1 = 10
Rolls
Benji: Mislead, Distract, Trick (+Mind) - (2d6+0)
(25) = 7
Charlotte pauses, flabbergasted by your turning down her offer. She did not actually need the loo, but now has continue with the pretence anyway. Her implacable face possibly looks irritated that she is stuck with Ekaterina, who just looks confused that you are not coming. Ekaterina looks lost and out of place in this group, and was hoping for a friend.
Reginald looks aggrieved, but also amused. It is possible he liked seeing his wife put in her place. "You've certainly got spunk." He laughs, waving away Sin's spluttering protestations. "We like spunk!" Each utterance of 'spunk' is accompanied by flying spittle, but you are seated far enough away to be unaffected.
"'Elliot Parry'?" He muses, as though needing to think for a moment to recall who that is. "Oh, yes. He is a minor competitor. We did look into inviting him to our club, but he is not the proper sort, you know." You strongly suspect that you are 'not the proper sort' either. "Young Henry, here, has a bee in his bonnet about the man, so we indulge him. Otherwise we don't think of the man."
Henry looks like he wants to protest, but how can he really do that now that his personal secret vendetta has been revealed. He has tried to play it like they are the ones with the interest and he is helping them, but it looks a lot more like they are aiding him in playing out his power-fantasy... for their own reasons.
"And, as to the ... 'snooze fest', as your generation puts it. This is a business meeting, young lady. We are not here to play games." There is a slight hint of other meaning in that last sentence, but there is no way for you to be sure or piece together its meaning. "You," and by this he means Henry as well, "begged to be admitted tonight. And then you insult us and flout our conventions... But it is your first time." again, the way Henry squirms suggests he really does not want you to realise it is his first time here too. "So we can be generous."
He sighs, and turns serious. "But that generosity is about at an end. Maybe it it time for you to retire, get some rest, gain some perspective, and grow up."
What do you do?
It will turn out that they all assume you know who they are. They will be horrified at Henry's crassness at not telling you who you were meeting. His: "This is Emma" was enough for them to know who (which one?) you are. :)
Disappointment settled once she realized they only knew of Eliot Parry through Henry. She was never one to be impressed by wealth or influence. If they weren’t connected to anything otherworldly, she couldn’t care less about them, or their exclusive little club. Just like they clearly didn’t care about her.
She’d already made her decision. No point in continuing to engage in conversation with any of them, not when they clearly had no interest in her beyond what she looked like. She will play their game, smile and conform. At least she could find some enjoyment in the evening, even if it wasn’t for the company. She never had the chance sit down in an exclusive place like this before. A fine dinning experience and a few glasses of expensive wine were more than enough to make the night worthwhile, no matter how dull the conversation might be.
"I’m sorry, I overstepped my bounds" she shifted with a light apologetic smile and an almost demure voice "I’m not really accustomed to... these kinds of meetings." She let the words hang in the air, with just the right amount of hesitation to make it seem genuine. "I didn’t mean to cause any trouble. Blame it on the exuberance of youth"
It was the perfect act. Just the right amount of contrition, just the right amount of innocence. If they wanted to think she was an airhead, so be it. She was happy to play along, and let them think her as one.
"Well. Quite." Reginald agrees, and Sin looks affronted, but accepts your apology as well. This is slightly suspicious, and possibly indicates they want to have you around, else the suggestion that it was time to leave might have been enforced.
After an amount of time that you are pretty sure would not have been long enough for someone in such a gown to actually use the loo, Charlotte returns. The idea of Ekaterina holding up Charlotte's gown's skirt while she cops a squat would be amusing though.
A minute or so later Ekaterina comes back, looking a bit happier. It is possible she took the euphemistic 'powdering of her nose' literally, she keeps sniffing, and you see a white discoloration beneath her nose. She definitely has more energy, and tugs on Sin's sleeve, trying to suggest they should leave.
"If you don't think too badly of us." Reginald continues. "Might be you would reconsider joining for the retreat? It can be a lot of fun. We have a delightful villa by the seaside." So Henry's showing off was about their property, not his own.
"Henry, here, suggested you might also be in need of some protection? Mr Parry is not the sort of man you want to cross, but thugs like that are not a concern for us. If you ever need help, just ask." He clearly does not know what Elliot is, nor that he is missing. If these people know anything about the supernatural world it would be a surprise.
What do you do?
Her gaze shifted to Ekaterina when the young woman returned and took her seat. Emma had seen enough of the club scene to recognize the signs. She’d lost count of how many times she’d been invited to indulge, but no matter how tempting and enticing they made it look, it wasn’t a habit she could afford. Still, she didn’t judge. Everyone had their vices.
She turned back when he mentioned "protection." Now she knew for sure: these people didn’t know a damn thing about Elliot, or the supernatural world, if they considered the Vampire Lord of London to be a mere ‘thug’. Hell, they didn’t even know he has gone missing!!
But she couldn’t afford to blow the game now, after she had already used the "protection" angle to justify being invited to meet them. So she took another sip of wine, stalling to gather her thoughts. She needed to appear interested, even though she knew she would eventually turn down their offer.
"Elliot?" she feigned nervousness "I plan to keep my distance from him, now that Henry filled me in." She offered Henry a quick, thankful smile "But, just in case he becomes more... insistent, what exactly did you have in mind?"
After about fifteen minutes, he thinks he’s identified his tail – a tall man in his late twenties, with short brown hair and a pleasant but unremarkable kind of face. He’s wearing a suit and looks a little harried, like he’s running late for an important meeting or a job interview. He doesn’t look like he’s following Benji, or paying him any mind at all, but Benji’s seen him three separate times so far, which seems unlikely to be a coincidence given the peculiarities of his chosen route.
Having selected his target, Benji turns a corner into a narrow lane between two buildings and immediately darts into a recessed doorway, pressing his back against the bricks so that he won’t be visible to anyone coming around the corner after him. He waits for about a minute and a half before Mr Boring-Face walks past his hiding place and then hops out behind him. "Good afternoon! I thought we might have a quick chat."
"Certainly." Reginald says affably about your being 'a distraction'. You can't tell if he is alluding to your, rather distracting, dress-style, or just being polite. He is quite prim-and-proper, and, while he has openly watched you, there is more a sense of 'looking at art' than anything lascivious.
"Oh, I am sure we can work something out." This in response to your probing about protection. "If you feel directly threatened, there are personal protection agencies that one can hire. But the most effective counter to the sorts of easy vanishments criminals like Mr Parry employ is publicity. The sorts of people that go missing around him are those that are not likely to be missed. If you are widely know to be his associate, then questions would fall on him, meaning he can't simply 'get rid of you' with impunity.
"Not that I am any sort of expert on this, you understand. We have people." He adds. But that addition seemed to have been prompted by some unseen signal from his wife. It is only because you are alert to any strange goings on that you think you may have picked up on something. Maybe he does know more about 'unpublic vanishings'? There is no way for you to really tell.
What do you do?
Boring-Face had just slowed to look around. He did not appear overly concerned that he had lost sight of you in the alley, and was not overtly looking to doors and windows to pick up your trail again.
"You startled me!" He exclaims dramatically when you pop out. His hand goes to his side, patting his wallet, making a lie of his next protestation: "I don't carry any cash on me, just so you know." He looks relaxed, merely feigning fear of being mugged, you don't know what he would do if you pressed the issue, something about his bland presentation makes you think he knows how to handle himself in a fight, but that would blow his cover, and he does not yet know that you have twigged onto his purpose.
"I took a wrong turn." He says, making to retreat out the alley.
What do you do?
But inside, she was already making her own conclusions. Elliot was missing, and no "protection agency" was going to defend her from a supernatural vampire. But that wasn’t the point. She just needed to get through the night and move on to meeting Benji’s contacts. A vampire hunter, even a retired one, was looking more and more appealing than these clueless gentlemen.
She took another sip of wine, keeping her expression deliberately blank as she skimmed the menu. She made a point of furrowing her brows, pretending to be utterly lost in the options, before looking back at Henry with an almost apologetic smile.
"I’m sorry," she said with a small, nervous laugh. "I don’t know what half of these dishes even mean…" Her voice trailed off, a hint of embarrassment creeping in. She hinted he should order for her just like he is loved to, fully playing the role of someone utterly out of her depth.
Reginald narrows his eyes at you, possibly wondering if you are being deliberately simple, or are just another ornamental thing like Ekaterina. "Avoid him if you can. But, if there is a public profile, somewhere, on the face book, maybe, showing you two together, that should make him hesitate to casually do away with you, as has happened to so many of his other acquaintances. But I would not worry, if you stay away. Our intelligence would suggest people in his orbit stumble across incriminating evidence and then vanish before they can testify. It is a tale as old as time."
It genuinely sounds like he believes Elliot is some sort of gangster who makes people 'sleep with the fishes' if they learn too much. This is actually a reasonable explanation for what is more likely lethal feedings. There is some twisted logic in making sure blame would fall on Elliot if you disappeared, but would not help you much if you did. So far you think Elliot is being as careful with your safety as he can be, such measures are unlikely to have much effect if that changes.
Henry has been a bit mopey, his new friends are not doing the job he had hoped of 'bigging him up', but he does his best maintain the appearance of all being good. He mispronounces the menu items, but the wait staff are impeccably polite, and pay attention to his pointed finger, and, you suspect (a little googleing later could confirm) they make a few substitutions where his choice would have clashed.
The food is above excellent. Henry, Sin, and Ekaterina appear impressed, but Reginald and Charlotte make it seem like every-day-fare.
The trip 'home' with Henry will be awkward. Besides, going home and then being picked up leave again could be equally awkward, as would being dropped at Benji's ... though this would certainly intrigue Henry. Times were unsure, and it may be after the trains, so Benji may have offered to pick you up in his car? Do you tell Henry you won't be needing his services after the meal?
What do you do?
Internally, she was far from convinced that any amount of "publicity" would deter Elliot if he ever truly wanted to make her disappear. She had seen the police commissioner at the party in Arundel. He could make any case vanish for the right favor, probably like he has already done many many times before. There was a reason the authorities never looked too closely at Elliot, no matter how many bodies he dropped, right?
She turned her attention to the meal, letting the conversation slide for the moment. The food was superb, and for a moment, she allowed herself to get lost in the indulgence. A few sips of wine, and her mood lightened. For the first time in a while she was able to relax and just enjoy the moment; forget all about the scheming and plotting.
It was a shame Ekaterina barely spoke English, because she looked more like her sort of people than any of the others. Less full of herself, for one. She tried to engage her in conversation, and even managed to exchange some fashion tips with her, feeling an odd sense of camaraderie despite the language barrier. She followed her Instagram account too. Who knows, maybe she could contact her one day to get the inside scoop on that little club, in a much more inconspicuous way.
Meanwhile, there was a part of her that found a little guilty pleasure in watching Henry. The way his new friends weren't giving him the attention he clearly wanted, and how they were leaving him in a sort of subdued, mopy state. It was almost too satisfying. For all the humiliation he’d put her through, this felt like a small, sweet victory. Sweeter than the desert they were served.
As dinner came to a close, and everyone began to make their way out, she chose to play along and get in the car with Henry, though her mind was already turning toward the next phase of her evening. She slipped into the passenger seat, casual but clearly enjoying herself.
"That was a lovely evening, don't you think? Very interesting people" her tone was light, almost playful "The seaside villa you mentioned earlier… The man I talked to mentioned one too. I mean, I’m sure both are beautiful, but I was just curious if all members of the club own one" She paused, glancing at him to check his reaction, while inwardly she felt guilty over enjoying rubbing salt in his wounds "And what’s this ‘retreat’ thing they keep bringing up? Have you ever been to one? I’m really curious what goes on at a place like that"
Strange. Do Reginald, Charlotte, and Sin seem slightly disappointed that you are focusing on the 'stay away' part and not on the 'publicity' part of their advice? Why that would matter, you can't tell.
"Hmph." Henry says. "You were a bit rude." He scolds you like a child. "I am trying to ... do business with these people and you made me look bad." You get the feeling he changed what we was about to say to 'do business', probably something about getting into their club? It seemed he was, very much, a 'hopeful applicant', rather than an actual member.
Your talk with Henry is constantly interrupted by multiple Instagram posts from Ekaterina (Kat, as she calls herself), gushing about her dates and the food, though, you might notice, not mentioning the place or the people by name.
"There is only the one villa." He says defensively. "I never implied I owned it." He avoids answering about whether he has been there —you suspect not— and probably has no idea what goes on there.
"They are a private club." He says, sounding a little guilty that he failed to mention this before. "And like their privacy. I would appreciate if you did not write about them in your little column. Leave out the reason you were at Claridge." Even he does not try to persuade you to not write about such an experience.
It is amazing that a place like Claridge is less than a mile away (as the crow flies) from your home. Your whole flat could fit in one of their single bathrooms. So the trip home is quick, Henry speeding, apparently, hurrying to try cut the conversation short.
What do you do?
"I’m sorry. I was just... caught up in the moment, I guess" she said softly "I didn’t mean to make things uncomfortable for you, especially with your business dealings." She made sure to appear genuinely apologetic, even though, truth be told, she thought most of the blame lay on him. Maybe if he introduced her properly or bothered to include her in the conversation, she wouldn’t have felt the need to interrupt so rudely. Still, she acknowledged that she might have overstepped. She had no intention of sabotaging him.
"They all seemed like important people" She offered a small, reassuring smile. "I’m sure you’ll fit right in with them"
Her phone beeps interrupted the moment. She quickly checked it, making sure to like each of Kat’s photos as well as sending her a quick message: "Had a great time tonight, and you were the best part. Let’s do it again sometime!" She didn’t mind having Ekaterina as a friend, but it was also important for her to keep the connection open. Who knows when it might come in handy?
Looking up from her phone, she flashed Henry a playful smile. "I didn’t realize you actually read my columns" she teased him "I didn’t think they’d be your type of reading."
Rolls
Benji: Persuade an NPC (+Heart) - (2d6+2)
(53) + 2 = 10
"Well... yes." Henry says, agreeing both that they are important people and with your suggestion that he would fit in with them.
"Uh, I am aware of your work." He says. Was it possible he was actually trying to be polite? You know he does not read your articles, you know they are trash and beneath you, but you have to do what have to do. He does not need to agree that he would not read them... It is just surprising that he would avoid saying it.
Kat clutches at your offer to get together. "Great! Like, tomrrorw. Not to early." She starts making plans. But you already promised David you would spend tomorrow with him, and Kat is a little too eager, indulging her too easily might be overwhelming.
What do you do?
"Hey, now. There's no problem here." Your watcher responds, slightly out of kilter with the conversation. They take their hand away from their jacket pocket, holding them both up in a nonthreatening way, clearly not wanting violence.
"We mean you and the ladies no harm." —'ladies'? plural?— "Just trying to get an edge on the artifact, you know. Do you know where it is?" He tries to slip his own question in.
What do you do?
We can assume your threatening presence continues to work, and he will answer reasonable other questions while you have him.
"Tomorrow sounds great! I’ll call you in the morning once I wake up, and we will make some plans!"
She did promise to spend some time with David, but not for the entire day. She was sure she could find some time for Kat.
Smiling to herself, she turned to Henry, who was the last person she would think would refrain from critiquing her columns. He used to nitpick even the smallest things, usually for petty or imagined reasons. Her columns were actually pretty well written, all things considered, but gossip, fashion, nightlife, and new sexual positions weren’t exactly Pulitzer material. But they were her things, and a reflection of her life. Maybe he read them to keep tabs on her?
"What did you think of my book?" She knew the book was done well, and received positive reviews (for its genre). She was curious to hear his take on it. Would he, for once, give her a real compliment?
"Honesty?" Henry says, sounding genuinely supportive. "I could not get through it. All the vampires and such. It just makes no sense to have to drink blood, or to not be able to enter a home. I mean how would that even work? Homes are not magical," (shows what he knows, and why the real-estate portion of his financing is loosing to Elliot:) "What, would they just bounce off the front door? Vampires are an allegory for menstruation and virginal innocence and men taking that blood. They belong in story books." His criticism is very parochial, and overlooks the fact that your vampires were 'in story books'... and also overlooks the fact that they are, in fact, real and not an allegory at all.
What do you do?
"Aw! Come on, man! We are both gents, here. You know I can't tell you that." He says, pleadingly. "Besides. Everyone is watching you guys. Everyone wants a piece of the pie."
He thinks for a moment before continuing. "Though... and bear in mind I am not authorised to negotiate with you. If you wanted to join forces..." He leaves the offer unsaid, but has already revealed a fair bit. There are many parties watching you, and they all would probably be interested in talking about an alliance.
"Well, houses aren’t magical, sure" she said wistfully "but homes—homes are something else entirely. All the emotions, the connections. Memories. There has to be some magic in it"
She turned to look at him, her voice dropping a bit lower:
"But I’m curious. Have you never wished something magical could be real, even just for a moment?"
You are parked outside your flat. Henry seemed to revel in letting David see you climb into his shiny car, looking the way you do. But, as your voice drops, and he could reasonably get his hopes up, he swallows in nervous anticipation, but moves further away, against the car door.
"What are you talking about?" He asks, quietly.
What do you do?
She allowed her words to linger in the air before she finally pulled back, breaking away from him.
"Thanks for a splendid evening" He was the one who invited her to the restaurant she could never afford going to on her own. And she did enjoy herself, even if himself made for poor company. She gave him one last nod before slipping out of his car, leaving him to ponder what she truly meant.
"Uh... sure..." Henry says, not at all sure what you are on about. "When I was younger. But then I grew up."
At the last moment, just before the door closes, Henry calls out. "You do look amazing, by the way." It seems like a completely genuine complement (or observation of fact).
For a long time after you leave he sits in his car, contemplating.
What do you do?
She didn't take the stairs, instead waiting inside just long enough to make sure he drove off. Once the coast was clear she stepped out and headed for her car, parked further down the street.
... :(
Rolls
Benji: Figure Someone Out (+Mind) - (2d6+0)
(31) = 4
It seems for a while like Henry is never going to leave, and you are not dressed for waiting around in lobbies. Eventually he drives off, slowly.
• How careful are you to make sure he does not see you leave?
If you don't want to engage that sort of story (or not at this time), then Emma can wait long enough for him to be gone.
If you want to leave it to chance we can have the dice decide. (Keep Your Cool?)
If you want to chat about it, we can do that in the OOC thread.
"Of course." Boring-Face says. "You can call me Joe. Joe Pine." A boring name for a boring face. He offers you a card with that name and contact numbers printed on it, but no other identifying features.
As he turns to pass you the card you see a flesh-colored wire going to his ear. It might occur to you that some of what he was saying —'no problem here' for instance— was signals for his team. As he said, there is more than just him watching you, and more than just his team. Your life has taken a turn for the less-private.
What do yo do?
Something was definitely going on. Maybe he was just slipping. Or maybe something bigger was at play.
She sighed
There were only so many people she could help, and right now, a rich asshole was at the bottom of her list. If Kat couldn't shed some light on this mystery tomorrow, she was ready to let the whole thing go and let him figure things out for himself, like he always had.
Pulled out her phone, she typed Benji a quick message before turning the ignition key:
"On my way"
"Much obliged." Joe says, an almost imperceptible tension relaxing out of his posture. He did not seem all that scared, though, but he clearly underestimated you when he let himself get caught.
"It certainly is easier not to have to worry about staying out of sight." He comments as you walk. He seems a bit awkward just walking along, and tries to make small-talk: "So. They give me the mushroom treatment." He says in a friendly manner. "What do you know about this thing? What even is it?"
It may come as no surprise the Joe knows exactly where Lizabeth is on the river-bank, and can lead you directly to where she is picking.
What do you do?
When they reach the river, Benji bounds down the steps to join Lizabeth down on a muddy stretch of riverbank exposed by the lowtide. He hops from rock to rock to avoid sinking into the mud. "Lizabeth! Found anything interesting? This is Joe, by the way. He’s been spying on us."
"Ma'am." Joe says with an little 'hat-tip' to Lizabeth, and a sheepish, though friendly smile.
Lizabeth seem to take it in stride. "Hi, Joe. Can you carry these." She indicates what looks —to your uneducated eye— like nothing more than a crusty pile of old netting and rope. She is going to want to take that home with her, and 'home' is currently 'your place'. It is going to make a mess.
What do you do?
Joe takes a good look around the inside of your flat, not being too obvious about it, and not going where it would not be reasonable to go.
Lizabeth looks after her own stuff, so you are fairly sure she will be careful with yours.
Some hours later it is time to think about meeting with Emma, and you get a message from her saying she is on her way. [ref]
Lizabeth has been happily tinkering with her —mostly worthless (to your eyes, at least)— finds, and is thinking about heading to bed.
What do you do?
Upon receiving Emma’s text, Benji marks his page, sets the book aside, and hops to his feet. "I’m off to go see a friend with Emma," he tells Lizabeth. "I’ll be back later, but I’ll try not to wake you."
He takes his violin and his umbrella with him, thinking that he might pay a visit to Still Water and Lord Byron later, like he’d originally planned to do with Jacob.
He waits for Emma on the corner outside his apartment where he met up with her earlier, waving enthusiastically at her car as soon as he sees it approaching.
"Hi!" she greeted benji with a warm smile as he climbed into the car. She was wearing her coat, but the faint scent of her perfume still lingered in the air "How have you been? Hope this isn’t too late for you" she checked the rearview mirror, though the only thing she could hope to make out were the incoming headlights of approaching cars through the heavy rain. "Where are we headed?"
He gives Emma directions to Miriam’s flat on the South Bank, before telling her about his afternoon. "I’ve been very well, thank you, although I did discover that I’m being spied on, which has been a little disconcerting, to say the least. Speaking of… we’re probably being followed right now, just so you know, although I wouldn’t worry about it too much. I think they’re mostly harmless for the time being. Oh, and I’ve started reading your book! Anyway, how have you been?"
The problem was, if anything, that her second novel was starting to feel a little… lacking. It was missing the "erotic" part of the "erotic-horror" genre. She had been thinking about spicing it up with a few sex scenes, but she wasn’t sure which of the characters would hook up. She sighed inwardly to herself. Honestly, adding romance was the least of her problems. There was just too much going on. So many plots were spinning out of control, and she wasn’t sure how to keep track of it all. She might need to split them into separate books. Hell, maybe a series. But that meant editing would be an absolute nightmare. She hardly had time to write it all down, let alone clean it up later.
Take Eliot, for instance. She introduced him in the first chapter, but now he was missing, and she wasn’t sure whether to write him out or make sure he reappeared. Benji told her it would be easier for if he stayed missing, but it wouldn’t be good for her book. She had to find him, at least for the sake of the plot, but the more she focused on her writing, the more it felt like she was living in a story herself. A story that didn’t always go the way she wanted. She’d been so caught up in documenting her supernatural encounters that sometimes she didn’t stop to think if it was good for her. She was acting more like a character in her own book than someone who was living her life.
"I’m getting a much better portrayal this time, though" she finally said "I’ll send you some drafts if you’re interested. See what you think."
She glanced through the rearview mirror, hoping to catch a glimpse of any car tailing them. The downpour made it nearly impossible to see beyond the headlights of the vehicle behind them. She couldn’t even tell if they were being followed, though she had a feeling Benji might be right. If he said not to worry, maybe she shouldn’t. But then again, what a centuries-old vampire considered to be 'harmless' could still mess up the life of a mortal like her. There wasn't anything she could do about it, however, except put her trust in him.
"Had dinner with my ex and his business associates earlier this evening" she tried to keep her voice light "Henry was worried about my association with Eliot, but turned out he and his friends all think he is some kind of a mobster. They didn't even know he had gone missing. So, all their advice was pretty much worthless. Still, the food was fantastic!"
The mention of food reminded her of something she’d been meaning to ask for a while. It was a bit personal, but she was genuinely curious, and this seemed like as good a time as any to ask "How often do vampires have to eat? Like, is it every night?"
He is relieved by the change of subject when Emma asks about vampires. "Well, I usually try to feed once a day or else the Hunger starts to drive me crazy," he answers. "We don’t strictly need to eat that often, but I find that feeding more frequently helps to avoid… accidents."
When they arrive at Miriam’s flat, Benji presses the doorbell, rocking back and forth on his heels as he waits for Miriam to answer.
She turned her mind back to his words. Every day. Every single day. She imagined what it must be like for Sarah. How often the vampire must have fed from her. But now she was starting to realize that Sarah couldn’t have been the only one. How many others were there? How many men and women served as unwilling vessels for vampires? Did Benji have a similar... 'arrangement' with someone? Did he ever feed from someone against their will, over the course of all those centuries?
Did he ever kill?
She already knew the answer. He called it an ‘accident.’ Just like Mr. Christobal warned her about, back in Arundel.
The thought unsettled her more than she’d like to admit, and she visibly tensed as they reached Miriam’s door. Maybe it wasn't such a good idea to think too deeply about vampires' feeding habits. Better to think of Benji as a kindly sweet gentleman, than someone who preyed upon humans for substance. But for a moment there, she couldn't help but feel like she was standing in the presence of a monster.
Miriam's door cracks open, just enough for her to peer out at you from behind the thick, reinforced, door-jam.
"Who is it? What do you want?" She demands suspiciously. She does not question the time of the visit, though, and appears fully dressed, so you did not misjudge her schedule.
When she sees Benji, her face lights up and she opens the door, reaching over, out of view, to place something in a drawer next to the door, there is a clunk. "This is unexpected." She says, sounding pleased by the visit. "Come in."
"Hey. I know you." She exclaims when Emma steps into the light. "I read your book. It was rubbish, and trashy." She does not say 'and nothing like the real thing', nor does it sound like this is a complaint, and also, she read it. Is she blushing. "When's the next one?"
Her place is a bit of a mess, she has not been keeping up with the cleaning, and there are take-away boxes and wrappers stacked by the door —though not blocking the door, nor access to the set of draws next to it. She seems to realise once you are inside that the flat is not fit for company, and tries to change her mind, hoping you have not had time to notice.
"I need coffee." She says. "Shall we retire to the McDonald's?"
What do you do?
But there was more. All the clutter and reliance on take-outs, not taking care of the space she occupied hinted Miriam was suffering from some sort of depression; chaos in her mind manifesting itself physically. She obviously didn’t host guests very often, if at all. She imagined her loneliness was a choice born out of necessity. Being a vampire hunter was a very dangerous job, one that could put people close to her in great danger. Shutting herself out of the world might have been the best way to avoid vampires targeting people she cared about – because she didn’t have any to worry about.
The disparaging remarks about her book took on a different light in that context. It was as if Miriam was pushing her away, keeping her at arm’s length so she wouldn’t get too close.
The unease Emma had been feeling grew. What was at stake here; the danger to the lives of the people she cared about, was starting to feel more and more urgent.
" - but it sells well" she murmured, deciding against contradicting Miriam. She didn’t feel angry, only empathetic. She couldn’t begin to imagine the amount of willpower and sacrifice it took to lead the life she has chosen.
"Sorry to call on you at such late hour, but we have some sensitive things to talk to you about" She hoped Miriam would get the hint. She really didn’t want to go out in the pouring rain for coffee, especially at this hour. Aside from the practicality of discussing vampire-related matters in a McDonald's, she still hoped to get some sleep tonight, and more travel meant less time in her bed.
"Oh! yes! Trashy is wonderful!" Miriam agrees when you defensively point out that your book sold. She bought a copy and was nagging for the next one.
She brushes aside your apology for the late hour, but becomes immediately more withdrawn when you bring up wanting to talk about sensitive things. Her welcoming posture changes, and she does not invite you further into her flat, standing bullishly in your way.
It is probable she does not want to talk about her past experiences.
What do you do?
"I am out." Miriam says forcefully. "Out of that life, and not going back!" She does not invite you to come further in or to sit down, and her eyes dart to the door-side-drawer where you suspect she hid the weapon she was carrying when she answered the door. Whatever level of 'out' she claims, you can see her old life still has a strong grip on her.
You know that she struggled with getting free of the hunter life, her addiction was only a small part of that struggle.
• Does her blood smell clean of drugs? Can you tell this sort of thing from where you stand?
What do you do?
As he speaks, he begins to pay closer attention to his surroundings, taking in all the empty take-away boxes and the overall mess. Miriam’s never been particularly tidy, but it seems like there might be a few more old pizza boxes stacked up by the door than usual.
He focuses on Miriam herself, examining her with a more critical eye. Her blood smells clean, he thinks, but there are dark circles under her eyes and it looks like she’s been biting her nails. Maybe he should have called her. He’s just been so busy with Lizabeth and everything else going on…
She had half a mind to turn away and let the woman be, except Emma has faced this same dilemma a couple of nights ago. She could have turned Sarah away. And she could, even now, throw her out to the streets and let her fend for herself, while she and David slept soundly in their bed. But she couldn’t. Maybe it was because was being naïve, and didn’t have the same life experience as Miriam, but she couldn’t find it in her heart to leave Sarah to her fate.
"Please" she merely added to Benji’s appeal for help
Rolls
Emma: Figure Someone Out (+Mind) - (2d6+0)
(21) = 3
Emma: Lend a Hand or Get In The Way - Night - (2d6+1)
(62) + 1 = 9
"Advice!? Stay away from vampires! Garlic and beefy locks!" The pizza boxes by the door do smell slightly of garlic, but not enough for that to be their purpose. Her locks are large, but nothing more than most people in this sort of neighbourhood. You did not see any signs of damage or attempted forced-entry to her place, and, so far as you could tell, no vampire attention upon her.
You can see no external reason for her to be so paranoid.
"I need my weapons." Definitely a glance to the drawer. It is not a very large drawer, so maybe a few stakes, or even an illegal gun, but Miriam has not 'kitted herself out for war', or anything.
Her reaction, though not wholly unexpected, is worrying.
What do you do?
• what does your character worry is going to happen?
seems like a good first option.
Miriam is Mortalis, so Emma would get an extra question, even on a miss.
Rolls
Benji: Figure Someone Out (+Mind) - (2d6+0)
(24) = 6
This woman is clearly in distress, grappling with her own problems. She obviously has a wealth of experience that would be invaluable to your current situation —and to your book-research— but you can tell that she will not be much help to you in this state of mind.
What do you do?
"Have you gone daft?" Miriam demands. "I still have enemies, you know. I still matter!"
Maybe you should have been checking up on her, it has been longer than just since the Lizabeth distraction, you realise, and maybe you could have caught the signs earlier?
You thought she was clear of that life, but it is possible her exit was not as clean? That there are still some clan members that hold a grudge against her for the extensive exterminations she spearheaded? You have not heard rumours of such, but you can not rule it out, you haven't exactly been keeping abreast of the vampire politics recently, and the absence of Elliot at the top may have left a power-vacuum? Who knows what might be crawling out of the woodwork, bent on old vengeances.
What do you do?
It looked like she wasn’t going to get back home before David fell asleep after all. And she wasn’t going to get anything out of Miriam either– at least not tonight. She didn’t miss the signs of exhaustion; both physical and mental. The clutter. The way she was barely holding it together. She didn’t want to push her, unload her issues on top of the ones she was already carrying.
What Miriam needed most, at this moment, wasn’t to solve a problem or give advice. What she needed was to get out of her apartment and breathe some fresh air. Talk with someone about anything other than the dangers of the night, after being holed up in her apartment for who knows how long. She could do that much for her
"I promise we’re not going to talk about anything heavy. Just go out, and unwind for a bit. Alright?"
He brightens somewhat at Emma’s suggestion. "That sounds nice! Let’s do that."
Miriam was the one pushing for going out, but, now that that has become a reality it looks more like she just did not want you coming in and seeing more of her flat. The very thought of actually leaving her home seems to petrify her. The garbage stacked up as close to outside as can be while still staying inside is a hint that she has not stepped foot out her door in weeks.
With your support she steels herself. Rather than a coat, she tries —halfheartedly— to shield her action with her body as she reaches into the drawer and slips what is clearly a large pistol into her waistband, beneath her shirt.
She squares her shoulders, but almost chickens out on the doorstep. It takes a little gentle encouragement on your part —she really needs this outing— to get her over the threshold. All the way across the street —the McDonald's is right there— she is like a cat, coiled to spring away at the least provocation.
Maybe she forgot about the cold and the rain, but maybe she wants to feel the world again. She flannel shirt does little to protect her, but she shows no reaction. Though, when she turns her face upwards to check for threats from above, she does linger a bit, letting the rain fall on her.
Do you head straight into the shelter of the 'restaurant', or do you encourage Miriam to walk further in the world?
What do you do?
Moving closer to shield her with her own umbrella, she gently touched Miriam’s shoulder to get her attention, raising her voice so she can hear her over the drumming of the rain "Do you want to get something to eat too?" she tried to get her attention back from constantly looking over her shoulder for danger, as she ushered her across the street
"Nah. I'm not hungry." Miriam says, after jumping slightly at your touch.
She peers down the road intently. "Is there someone over there. Watching us?" She ask, her hand going to her gun. It is hard to tell, what with the rain and the dark. But there might be a figure leaning against the wall, under an awning, a block away, and two people in a parked car near where you parked.
What do you do?
"You brought trouble to my door, Benji? How could you." Miriam sounds hurt that you, one of the very few people she trusts, would do such a thing, but she also sounds possibly a little titillated.
"Do you want me to ask them?" She suggests, her hand still on her gun.
What do you do?
She barely registers the pull to the McDonald's, her only thought to get inside, out of the rain, and away from the danger. "Miriam, let’s just...let’s just get inside, okay? Please" She takes another step back, putting more space between them and the street, hoping to guide Miriam away from whatever this is about to turn into.
"Why?" Miriam responds, ignoring your movement and seemingly oblivious to the cold. "If they are threatening my Benji I can take them. I am not scared." Having something to confront seems to have galvanised her nerve. Getting her out of the house was clearly a good idea, but her emotions have rapidly swung in a new direction, her pent up frustration bubbling out in possibly-unproductive ways.
What do you do?
"They're threatening Lizabeth!?" Miriam exclaims, not backing down. "I'll have their guts for garters! Not that I need more garters."
Surely you have not been affected, but her actions here seem in line with a trend you may have noticed: Since the rain, people appear much more likely to act on their impulses, fears, and desires. While cooped up in her flat, Miriam was exhibiting borderline agoraphobia —Benji knows she has always been cautious, reasonable, given her past, but never paranoid— but now that she is faced with a thread she is almost hyper-aggressive, spoiling for a fight and the consequences be damned.
None of that matters, right now. Right now Miriam is likely to cause problems for herself. Gunplay in the streets —especially against polite people like Joe— will bring the law, and Miriam has had trouble with the law in the past.
What do you do?
Not just for Benji and Lizabeth, but for herself, and Sarah.
"This was a bad idea" she muttered under her breath
All she could focus on now was getting out of there before things escalated further. Miriam wasn’t in any condition to help her, so she might as well cut her losses and head back home. Her only reason for sticking around was her friendship with Benji, but even that was feeling less and less a reason to stay.
"What? You're sure?" Miriam says, sounding a little deflated but not wanting to doubt that you would have taken the appropriate actions if you felt your friends were at risk. So far these watchers' actions have been to watch, but you can not be completely convinced that they would not harm Lizabeth —or anyone else— if she got in the way of their goals.
It is the 'scaring Emma' part that gets through to Miriam for some reason. Her being there provided a lever for getting the situation (more) 'under control'. "Sorry." Miriam says with a suitable profanity, forcefully shoving the half-drawn pistol back under her wet shirt. She glares at the watchers, and you can tell she is barely controlling herself enough to not shout invectives at them as she is lead into the McDonald's.
In the state she is in, Miriam probably won't be much help to Emma. This has become a personal matter and you can tell that Emma is feeling out of place and is keen to leave. (You can easily get yourself home (or wherever you chose to go this time of night), and don't need her car.) Another caring face, and another perspective might help, though.
What do you do?
My readers are going to love this. It was a horrible, selfish thought to have at such a moment, but it was true. This felt real. It was going to give her novel a much darker, haunting angle. There was potential here. She decided she didn’t want to give up on Miriam as a character. She just had to find a way to get her out of the shadows to give her story the depth it needed.
"Miriam. There ARE people out there who need you. Innocent people." It wasn’t so much an attempt to guilt her, but a quiet reminder of her purpose. Whatever Miriam had become, she’d once hunted vampires. That part of her life must have brought her some meaning, the feeling of doing good, of being needed.
She let the words hang in the air for a moment, before leaning in to Benji, her lips pressing briefly to his cheek. "Thank you for everything," she said softly.
To Miriam, she gave a short nod, waiting just long enough for her to respond before she would head back to her car.
Edited:
Using 'one way or another' to try and get Miriam to help.
...And it's a hit.
Rolls
Emma: One Way or Another (+Heart) - (2d6+2)
(25) + 2 = 9
Maybe Miriam has good reasons for getting out of the game —she is not as young as she once was, and you can tell, through the wet shirt, that she has scars on her body as well as on her soul— but shutting herself away from the world is destroying her.
Your words drag her back to memories of what she used to be, when she used to matter. Miriam growls, deep down in her throat, her frustration palpable, but she sits, dumping sugar into her coffee. She did not bring coffee for Benji —she knows he can not comfortably drink it— or for you —the McD is empty, so you can help yourself in no time.
"I don't know what you think I can do." She says. "There is no 'self-defence class' that will help you against vampires. They are not muggers, they are monsters! —Present company excluded.— You stay away from them or you 'nuke them from orbit'. Find where the monster lives and firebomb the place while it sleeps." (She is not in the habit of burning down buildings to get the vampires, but a proper 'staking' requires more expertise and planning than she figures you have access to.)
You know there may be political solutions to this, if Elliot were around you could try that route, but she does not seem to consider that... and anyway, he is not around. As Benji said, though, if you had brought Sarah to him, that would be considered 'poaching' and would open its own can of worms; maybe Elliot would have had the same problems? Keeping it within Mortalis frees you of most of that complication.
What do you do?
"Sarah’s been bitten" she spoke the name to make it real, to make it close for Miriam and harder to turn her away "He’s feeding on her regularly. The vampire probably thinks he owes her something. He’ll come for her, sooner or later. What am I supposed to do? Just hand her over?"
She allows her irritation to slip through
"We need your help. All I know is that I don’t want to send her back to become some kind of farm animal. She’s not a chicken, or a cow. She’s a person."
"Lots of people get bitten." Miriam says hopelessly. "I could not kill all the vampires. Not even close. In the end I tried to focus on the ones who killed people," she looks disgusted with herself at this compromise, but Sarah was in reasonably good health, whoever was feeding on her was taking care to not do physical harm.
The problem is that Sarah does not appear to have consented (as Lizabeth does, or as you did), or even to remember that it really happened, and this is taking a psychological toll on her.
"Unless this Sarah invites him in, he can't come into her home." She reminds you, but you know it is too late for that with her and her roommate's place. (• Did you know that they can't come in uninvited? Or is this news to you?)
"What do you want from me? I'm retired." She says angrily. "I have told you your options: Flee, fight, or get fed upon. If you're going to fight, do it in broad daylight." Not much chance of 'broad daylight', but there is not much Miriam can do about the weather.
• What do you actually want Miriam to do?
What do you do?
That left the other option. ‘Flee’.
"You must know other Hunters" she says with a soft sigh "Safe houses, maybe? A way to move her to another city, somewhere that vampire can’t find her?"
She pauses, meeting the woman’s eyes "I’m not asking you to fight anymore. I’m asking you to help her run. That’s all."
"If she can get out of the city," Miriam says, "Then she should get out. But I was always more of a 'take the fight to them' kinda gal. Why should we run, they should be the ones who have to leave!"
If one can't avoid the vampire, Miriam's modus operandi is to tackle it head on.
"'Safe houses' aren't cheap. And anyone who can smuggle her out would expect payment... and not always just in money from what I hear."
What do you do?
You recall Jacob mentioning something about a friend of his who specialized in 'smuggling people' and fake identities —which Jacob helped forge. You think he called them 'Crowley', but you don't know how to contact this person, and Jacob is not available.
What do you do?
"Fighting is all I know." Miriam says, sounding frustrated, possibly by her inability to fit back into the world, or to contribute in any other way. "But I will ask if any of my old contacts know anyone who can help."
Miriam seems much better already, just getting out of the house has done her good. Even if Sarah does not agree to these arrangements, coming back to visit again may be beneficial to everyone.
What do you do?
It looked like the night wasn't a total bust after all, but there was one other thing she was hoping to get out of Miriam. She wasn't (only) thinking about her well-being, but about the stories she could gather from her for her novel. It was a bit selfish, but it would require her to drop by her apartment every now and then and spend some time in her company, which she was sure would be good for her. So, win-win?
"And I hope you don’t mind, but I’d like to drop by sometimes. Just to check in. I think it’d be good for both of us; keep some normalcy, you know?" she decided to leave it at that, and not mention how she would like to talk about Miriam's life experience. That would come later, once the Vampire Hunter felt more comfortable talking about what she's been through.
Miriam mutters something negative about 'visitors' but that may be due to the state of her home. Motivating her to clean up, and take out the garbage, would be beneficial to her on its own.
After a few more pleasantries Emma has to leave, it is late for normal folks. Miriam has finished her coffee and suggests taking a walk, she does not seem to mind the cold and wet —though she is shivering slightly— in fact, she seems to be enjoying feeling anything.
"I had no idea the weather was this bad." She says inanely.
It is less obvious, and the car that was watching you guys disappears around the time Emma leaves, but wherever you go, you still feel like you are being watched.
What do you do?
It is late when you get home, Sarah is —for a change— asleep on the couch in the living room, though she wakes like a startled animal when you pass through, and watches you from under the covers. David is asleep, but makes happy noises when you snuggle into bed beside him.
When you wake, it is already light, and the bed is empty. You find David at the kitchen counter with his laptop, looking through stack of flyers you left there. You don't fully remember where you got the flyers —I mean, who pays attention, really— the rain has meant less people handing out paper on the street, but these are probably from yesterday afternoon, on your way back from Benji's place.
"Do you know these guys?" David says distractedly, by way of greeting. He indicates a business card and his laptop screen on the website of a legal firm:
Shimmerman & Silverman are taking on pro bono work.
Sarah is still under the covers. Your flat is really only one room aside from the bed and bath, so she may have trouble with 'decency', getting up with a man in her space. You did not buy her all that much clothing, does she have enough pajamas?
What do you do?
The only thing holding her back was that she wasn't sure how he might react. Finding out the supernatural world was real could shake a person's beliefs to their very core. That it hadn't shaken hers, was only because she didn't spend a single moment considering the cosmological implications behind the existence of vampires. Or demons...
But how could she continue to call him her husband and still keep all these secrets from him? She had to tell him. She just needed to figure out the right time.
****
She woke up the next morning to the sound of heavy rain tapping against the windows. It was cold, and dark, and all she wanted to do was stay hidden under the warm covers for the rest of the day. Had David was still there, she would have persuaded him to spend the rest of the morning in bed with her. But her husband was already up, and she remembered how much she had planned for today
With a sigh, she pulled on one of David’s thick hoodies and a pair of jeans. She brushed her teeth, and ran a comb through her hair, before finally stepping out of the bedroom. The apartment was quiet. David was tapping away at his laptop, and Sarah was still asleep on the couch. The young woman’s presence in her home still felt strange. She hadn't fully adjusted to her being in their space, and modesty was the last thing on her radar that morning.
Not giving the sleeping young woman a second thought, she walked over to David and wrapped her arms around him from behind, leaning forward and pressing her cheek against his as she looked at the computer screen:
"Good morning" she said softly. Then, noticing what he was looking at, raised an eyebrow "Shimmerman & Silverman? I’ve never heard of them. Who are they?"
"Lawyers." David says in a mock-sepulchral voice, then less joking. "Apparently I need a lawyer. Background check says there's a police case that is standing in the way of promotion, or something like that. I have never had to deal with the police, I don't know how all this works."
What do you do?
"I swear I didn't do it!" David says, hands held up in a pantomime of a comedy villain.
Then more seriously: "It's obviously a mistake, everyone at work knows it's a mistake, I just need to clean it up, for which I need a lawyer. I don't know all the details, something about 'breaking and entering, and theft of priceless artifacts'. Did you know you were married to a jewel-thief?" He is trying to keep the conversation light, but these investigations dig deep sometimes, and they dig wide sometimes, and not always both at the same time, it is likely that they confused facts about another case with David...?
What do you do?
"There’s something I need to tell you" she took a deep breath, still looking out the window "While I was at the party in Arundel… someone accused me of 'breaking and entering'." she turned to meet his eyes, and pressed on with her explanation, before he could say anything:
"I was just touring the castle grounds, walking around, taking pictures. I found this old church. No signs, nothing warning me to stay out. So, I went inside for a bit, just looking around. And before I knew it, someone started yelling at me for trespassing."
She pulled a blonde lock of hair behind her ear "but I swear didn’t steal anything! Nothing like that. I didn’t even think they’d actually press charges, you know? I thought it was just some misunderstanding, but I guess the police got involved" she lowered her eyes, as if she was preparing to cower before him "I'm sorry" she lowered her voice to almost a whisper "-I didn't think it was such a big deal"
"Ha!" David laughs in relief, not (yet) sounding angry that your antics have caused a problem. "Well, that should easy enough to clear up. We go to the cops and explain. Sign an affidavit or something."
Not only is his idea idealistic and naive, you kinda skated over some of the facts, like that you are probably caught on camera appearing to do what they say you did.
You don't know about the 'priceless artifact', but you did see Jacob handling a rather fancy looking dagger right before you backed out and were discovered.
What do you do?
"Hyde Park?" Miriam hesitates only a moment. Hyde Park is around two miles from the South Bank, so there and back would be a couple of hours. "Wait. Did you say 'speak with some statues'?"
She steps in under your umbrella, though the wind is making that less effective than it could be. You suspect she has not been out of her apartment in a weeks and this was unlike her, so possibly an aspect of the 'funny things' being done to people's heads, so the rain itself is probably not the root cause. Her aggressive behaviour towards those watching was only slightly out of character for her, she has always been a 'tackle problems head on' type of gal.
What do you do?
The thought of going back to him and apologize for something she didn’t do made her skin crawl, but it seemed like her best option. She could only hope there was some way to get back into his good graces, and put this entire thing behind her.
"So, what are our plans for today?" She changed the subject, as if the entire situation were a minor inconvenience she could resolve with a wave of her hand "I was thinking of having a few friends over later this evening, and I still have some work to finish, but my schedule is pretty flexible."
"If you think you can clear it up with your contact, then great. I am at your service." He glances briefly at your house-guest, lamenting all the fun you could have had had you had the house to yourselves.
Deep down, you know that there is only a small chance Uskglass will be sympathetic today after how you spoke to him that night. But it can't hurt to try, right?
"Otherwise my plans for today apparently included 'lawyers'." He waves at the laptop screen.
David seems less than enthused by having 'friends' over, but that is just because he is tired and worried... and does not know all your friends. He doesn't object, or ask 'who', and may feel better when the time comes.
What do you do?
"Well, no." Miriam says, with a hint of a return of some her humour in her voice. "Because its a horse." She agrees, still not sure if you are messing with her about the statues.
What do you do?
Besides, searching for a lawyer seemed like such a waste, when there were so many better ways to spend their time. Even with Sarah staying in their apartment, they could still sequester themselves in the bedroom...
"Let me make a quick call to Arundel," she rubbed her hand over his shoulder "and then, I’ll help you unwind" With a playful wink she slipped quietly toward the bedroom and closed the door behind her.
She had Mr. Uskglass’s number, thanks to her hacking into his laptop. Her fingers hovered over her phone as she took a deep breath, trying to steady herself before calling that oily bastard. Only when she felt she could keep her cool did she finally place the call.
"Hi, Mr. Uskglass. It’s Emma Harper speaking..."
"Ah?... Ms ... Harper." Uskglass says after a moment just long enough for him to wrack his brain to put a name to a face, it has not been that long since you met, but maybe he really is busy enough that you are not in the forefront of his mind.
"What can I do for you?" He asks, though you get the impression what he really wants to know is: 'how did you get this number?'.
You knew the information you stole liberated from his computer had a short viable window of usefulness, and your busy life has degraded the value of what is left. You swear there was more, unless it was just the stress of waiting for it to copy. How slow was the USB on that old computer? But, aside from all the contact details you could need, you can't find anything in there to help you with this situation.
His tone is affable and friendly enough, but you well remember how quickly he changed the other night.
What do you do?
Maybe you try your Playbook Move One Way or Another, but that also needs to make sense in the fiction, so what would you have to offer to make him even consider it?
"Uh-huh? Really? Seems like a pattern with you people." He says. "I am not sure how I can help you with your husbands case. I don't know the man."
"What would you have to offer me?" He says, though it sounds a lot more like 'what could you possible have to offer me'. "I am a busy man, Mrs Harper." He says, getting your title right this time. "So I must ask you to get to the point."
What do you do?
"How about a bit of information? From that night in Arundel?" she teased him before continuing:
"That Lady Halifax. The ‘fine woman beyond reproach.’ What if I told you she was the one who lured me into the Church? That the entire scheme was her idea? That she went out of her way to find something to steal that night?"
"Really, Mrs Harper." Uskglass scoffs at your accusation. "Hali," —so it's 'Hali' is it, his use of the familiar name does not bode well for your case— "tells a different story. One where Jacob and Benji threatened and kidnapped you both and forced you to accompany them. For reasons unknown. The fact that this does not fit with your story suggests you were not as innocent in all this as she believes, as does your attempts to cover up information when I offered you support and a way out."
"The video from outside the church distinctly shows her looking scared," [ref] "and trying to get away from your group." [ref]. Unfortunately it is your word against hers, and she is known and trusted, while you are a new and unknown entity and possibly 'a spy for the vampires'.
'Hali' has done a good job of covering her tracks, even her actions on the night lend credence to her story. She has not accused you, and even gave you a way out —even if a heads-up would have been useful so you could coordinate. You don't know what conversations (and threats) may have come before you were introduced. It may only be your trust in Benji that makes you think she was not, in fact, coerced into being there. Uskglass has not mentioned your case —surely he knows you are talking about that and not another case against your husband?— nor has he mentioned what is being done against Benji —surely that does not go into the mortal legal system?.
If only you knew more about how these things worked. Uskglass has been patient, but that is wearing thin, maybe you can nudge him to reveal something? Maybe Hali could help finagle you out of this?
What do you do?
She was sure Lady Halifax was lying, but she couldn't understand why she was trying to cover up for Emma, and pin the blame on Benji. Benji has been a part of the city for centuries, while she was a nobody. What use was she to Hali? She didn’t know what game she was playing, but she didn’t care for it. And she couldn’t believe Uskglass was actually buying into it.
"I’m telling you, something’s off," she insisted, though her voice began to waver. Had Hali only incriminated Jacob, Emma would have believed her version of the story. But not Benji. Not the kind, charming gentleman she had come to know over the last few nights. No, she could never accept that.
But how could she convince Uskglass? It was all a matter of who he trusted, and it was clear he knew Hali better. He would take her side, without question. And it didn’t help that Benji refused to name Jacob. It only made him seem more guilty in the eyes of the Administrator, and perhaps rightly so.
She sighed, trying to control her voice. She didn't want to sound emotional, but her exasperation was clearly coming through
"I’m sorry. I... I don’t know what to say" she not only failed to impress the Administrator, but worse, she was casting herself in a bad light.
She paused to gather her thoughts. There was only one option left. "Please, Mr. Uskglass" she pleaded "I know how this looks, but I swear I would never have joined them if I had known what they were planning. I was just a guest—Eliot's guest. It was supposed to be my debut, my first night out! Why would I start my very first evening committing a felony?"
She tried to keep herself from crying over the phone. This was all so unfair! "You have to believe me. I found myself in a terrible situation, and I made a bad decision in the heat of the moment. I didn’t know who to trust, and the thought of being alone in a room full of vampires... I couldn’t risk that. Please... can’t you forgive me just this once?" the desperation creeped into her voice:
"I promise, I could be of use to you in the future. Just... please. Let this slide."
"I do not know Benji." Uskglass responds. "He was not even on our radar before he made that speech. Now, suddenly, people are paying attention to what he has to say and his boss is missing. Convenient timing, you have to admit. The same boss who sponsored you for the party he did not make it to.
"I ask you, Mrs Harper. How well do you know Benji?" He retorts. "This Jacob was his driver on the night. He was explicitly not invited to the party, but we found his car on the grounds afterwards, traced it to him. We don't know how he got out, but he has closed up shop and, to use the common parlance, done a bunk..."
He leaves the sentence hanging, as though there is more and we wants to see if you will bite, if you know anything about that, or are curious. He does not deign to respond to your worry over 'being alone in a room full of vampires', he knows you hung out with Elliot, and even mentioned that you were warned of the dangers of your being there and associating with their type that night and rebuffed the warner. He also does not mention that vampires were not the only things there, no need to bring mortals even more into the know, after all.
The fact that he has stayed on the phone with you so long indicates he is not without sympathy. But he washed his hands of you that night does not see the profit in getting involved again.
What do you do?
Do you rise to the bait of showing concern or interest in Jacob's situation?
Does Emma know that Benji has been frequenting Jacob's shop? Uskglass may think he has information about Benji that you might find interesting, though it probably just deals with Benji being watched and caught up some artifact hunt (a second artifact to the one apparently stolen by your party), most of which you —tangentially— know already.
Show us how you respond, and possibly roll the Move, we can then use it to steer how the conversation concludes.
No matter Move's outcome, if he agrees to Overlook a Harm, you will owe him for that, in addition to anything else the Move might bring. Emma might not understand the importance of this, yet, but that does not change the facts.
Rolls
Benji: Put a Face to a Name - Wild - (2d6+0)
(26) = 8
"Benji is centuries old" she struggled to keep her voice steady "He plays the violin in Piccadilly Circus for spare change. The dress I wore that evening cost him his entire worldly possessions. He’s seen Vampire Lords rise and fall, probably more than he can even remember, and yet he has never gotten involved. You can’t possibly think a man like that would orchestrate the disappearance of Eliot, after all these years?"
She was in part hoping to prove she was more than just a pretty face, but mostly, she couldn’t bear the thought of Benji being blamed for Eliot’s disappearance. It's not like Benji shed any tears over the Vampire Lord (who did?), and she wouldn't even put murder on the spur of the moment as out of the realms of possibility. But the WAY Eliot disappeared? Benji was more likely to snap the Vampire Lord's neck if it got to that, then pull a disappearing act on Eliot's car somewhere along the way to Arundel.
"I don’t know anything about this Jacob" she added, with no small hint of bitterness "except that he was Benji’s friend, and that he ditched me at the party, and apparently the city, without offering an apology for stringing me along"
And Hali? She didn’t trust her either. No matter how she spun it, Emma wasn’t ‘kidnapped’ that night. The woman was lying, though Emma couldn’t quite figure out what the endgame was.
"Do you know anything about Eliot’s disappearance?" she posed her own question "You’d think people would be more concerned. His absence is going to cause infighting among his successors, and it’s going to be bloody, with plenty of collateral damage. Does anyone even care?"
She let her words hang for a brief moment. She realized Uskglass had no reason to care about the chaos. He would probably even welcome it. She was sure there would be many debts owed to him, and many other powerful figures, by the time the dust settled and a victor emerged. A little bit of turmoil in the city was probably good for him. Still...
"I thought the city had bigger things to focus on. Like the rain that never stops falling. In that context, Eliot’s disappearance seems a little… inconvenient, don’t you think?" she knew she was throwing out half-baked conspiracy theories with nothing to substantiate them, but that was all she had left.
"Mr. Uskglass" she finally sighed "Can’t you just put me on probation or something? You could always crush me like a bug whenever you feel like it, but is now really the best time for that? Let me help you! One extra pair of eyes on the streets, with everything that has been going on. It can't do any harm..."
Rolls
Emma: One Way or Another (+Heart) - (2d6+2)
(61) + 2 = 9
You can almost hear Uskglass shake his head in disappointment at you lack of understanding. "Yes, Mrs Harper," he explains. "A relatively young vampire, and at a good age to be thinking about his own power-base.
"And like all young people. He is unpredictable. We don't know much about him, except what we have seen in the past few days. Usurping his lords latest pet." By this he means you, you have heard this sentiment often enough you can't fault Uskglass from using the common idiom. "Stepping up to speak on behalf of vampires while there were others, more senior to him, in the room." He does not comment that everyone, himself included, probably preferred Benji over the alternative like Alasdair, but he is not wrong about how it appears. "We don't know what he is going to do next."
Uskglass does not mention the continued connection with Jacob's 'shop' —a known place of power in the city. He is not in the business of revealing information, information is power.
"'More concerned'?" Uskglass sounds genuinely confused. "Elliot Parry's disappearance is is a pretty big concern, at a time like this. Stability is what is called for, and Parry was a stabilising force. He understood the benefit of avoiding a street war, his rise to power was amidst an extermination effort, so he knew well enough to stay on our good side.
"He was a business man. We all can only hope whoever his successor is is half as rational as he was." He is now fishing for information you don't have. "If not Benji, who do you see taking over? Ideally we could find where Parry is and return to the status quo. If you know anything, feel free to share."
"'Bigger than'?" Again he sounds confused as to what you are getting at, then realisation dawns. "Oh, my dear. I must apologise. I am a daft old man, and missed the allusions. You think your case occupies any of my attention?" It sounds like he genuinely forgot about that part. "That's what the courts are for, and we can spare one junior lawyer, it is pretty open and shut. If you husband got caught up in the proceedings, I am sorry, but I know nothing of this or his investigation, the courts are a mess, I sympathise with your plight, I really do, but what did you expect? Even if you are as innocent as you claim, the people you hang out with matter. I have no interest in 'squashing you like a bug', in truth I had completely forgotten you." (just like a bug)
"Tell you what I will do. Mrs Harper. I will instruct our legal team to drop the charges against you. Someone will be in touch. You can then demonstrate the value of your 'eyes on the street', and we will see where to go from there. Again, I am sorry you got caught up in all this, choose your friends more wisely in the future?"
What do you do?
People will be in touch about your promise to help. You also Owe Uskglass a Debt for Overlooking a Harm. If you are not able to deliver on your offer to 'help' they may call in that Debt for something less pleasant.
"I don’t know too many vampires, but I can ask around if you want," She forced her voice to remain steady "I’ll get back to your associate with anything useful I come across."
Emma was eager to end the call the moment he agreed to drop the charges. She knew continuing the conversation would only give him more chances to insult her, and she might yet end with her foot in her mouth.
"Thanks for your help. And your advice" she tried to be cordial, to the end "I’ll do my best to make sure you won’t regret your decision."
"Good. Good." Uskglass says to you last promise to do your best. "Well, good day, Mrs Harper."
You hear him put his phone down... like literally put it down instead of pressing a button to hang up. You hear a straining chair creak as he stands and a fading, muttered complaint: "Now I have to change my number as well..."
She decided to send a quick text message to Kat before walking out of the bedroom to give David the good news. The Russian model looked like a wild party animal, if her Instagram was anything to go by. She could have suggested the two of them hit ‘The Box’, but she felt that yet another cocaine-fueled night of debauchery wouldn’t be particularly noteworthy. What she needed to do was offer something different—an experience Kat wouldn’t typically go for. A quiet, cozy night in, where they could actually talk and enjoy themselves. Maybe some group games, a few laughs. Something... different.
"Hey, Kat! How’s it going? How would you feel about a chill night at my place tonight? Just me, my husband, and a few friends?"
Not waiting for a reply (she couldn’t count on Kat being awake just yet), she strolled back to the kitchen, where David was waiting for her
"All taken care of!" she couldn't help but smile at the sight of her husband. She closed his laptop with a soft click before leaning in over the kitchen counter "What do you want to do now?" she looked at him with a hint of mischief in her eyes.
You know the statue of Byron is a lonely one, which seems appropriate from the man himself. You still don't know how closely the statues cleave to the people they are based on, whether any of the man 'imbues', as it were, or how much the personality of the sculptor shapes the entity.
Byron is famed for bringing the first stories of 'vampires' to England and the English consciousness, in both a fragment written as part of the ghost story 'competition' that spawned Frankenstein and published without his consent or blessing, and a note in a letter denying authorship of the novel The Vampire (possibly Polidori) where —in addition to a stated "personal dislike to 'Vampires'"— he states: "the little acquaintance I have with them would by no means induce me to reveal their secrets.", implying some knowledge of 'secrets' to reveal.
If he does not know your nature, it might not be in your best interest to reveal your secrets. But, so far, he shows polite interest.
"That old battle-axe is reading my notes?" He enquires, sounding intrigued, though inscrutably hard to read as to whether this is considered a good thing. Fawcett was after his time, so the statue of him may only know of the statue of her. "These would be the ones on the 'nature of women' in Mary: A Fiction, I wager, though I annotate other works of that dread mother-in-law."
The term 'dread mother-in-law' does not evoke images of Mary Shelley (as Jacob indicated), somewhere the message may have confused her with her mother Mary Wollstonecraft, the proto-feminist.
"I saw you greet the horse." He says with approval. "That is a lonely beast, trapped in a form it does not understand, and in a place it does not like." He could well be talking about himself as well, life in the park could have been grand, but the encroaching road network has cut him out of the park, and stranded him on a island that is dangerous to get to and seldom visited.
What do you do?
Emma looked much more at ease when she finally emerged from the bedroom a couple of hours later; calmer than she had felt in days. David was already drifting to sleep before she finished her shower, and once she slipped into a soft, loose sweater, she gently closed the door behind her to keep him from waking, and tip-toped to the living room, where Sarah lay on the couch, looking lost in thought.
She settled onto the small, one-person couch beside her, and took a moment to simply sit in silence as Sarah adjusted to her presence.
"Hey" she finally said, offering the young woman a gentle smile "How are you holding up?"
"Fine." Sarah says, seemingly not much bothered by the total upheaval of her life. This is the new normal now, it seems, and she has taken it in stride. She has not said anything about work, and, so far as you know, has not left your flat except where you dragged her out. Hopefully she contacted her work and let them know she would not be in? But she does not seem too cut up about that, like she has accepted that you are taking care of everything, and that is just the way it is now.
She has her phone, but not your borrowed earphones —you have not seen her playing music, or dancing, while you guys have been around, that is something she keeps to herself, it would seem— and your walls are thin, but you were not especially subtle about what you dragged David into the bedroom for.
"I am glad you sorted out your troubles." She says in a small voice. She was there when you talked about it with David, she is always awake when there is anyone in the main part of the flat. This is possibly the first time she has expressed an opinion of her own, or shown much interest in anything that was happening. There is a certain optimism in her voice, a —possibly misplaced— confidence that you will sort out any problem, including hers.
What do you do?
"Yeah, I'm glad we got that sorted too" she said gently, before continuing "But listen… I’ve been meaning to talk to you" She paused for a second, trying to find the right words "I know you've been through a lot, and that it is taking some time to adjust. But I need to know what really happened to you. I want to help, but I can't if I don't understand everything"
Sarah's chin starts to wobble, as though she is holding back tears. She looks worried for the first time she has been here. You know she does not want to talk about, or even think about, what happened, but might be having a harder time with the sudden confrontation.
"But you know what happened. You wrote about it in your new book." She says in a quiet voice. You recall that she thought it was a dream, and had been trying to convince herself that she imagined everything. She is scared, but might still be in denial.
"I don't know anything else." She says, sounding helpless.
What do you do?
"Some utter bastard stole a book from a statue!?" Byron demands, 'showing' emotion for the first time, though only you can 'see' it. "I had someone do that to me once. Put it right over there, where I could not reach it, no one came past for weeks, and it just melted before my eyes.
"How long has it been?" He asks, and after confirming that it has been 'days', he concludes. "That does not sound like one of the other Parliamentarians playing a joke. That would have come out by now, before Fawcett called in outside help, it ceases to be funny at this point." He sounds like an academic speaking on the topic of 'funny', like he knows what it means, but there is no trace of humour in his voice.
"My statue in Trinity College, Cambridge, tells me they kept copies they run off individually on their newfangled printing press." He probably mean a printer. Trinity College is a bit far to go, but you may be able to find another college or university in the area that has access? "If it is the substance of the writing she cares about, the binding should not matter." He observes.
"Is that a violin? Or a gangster gun?" He asks, indicating your case, though where Lord Byron would have heard of gangsters (American gangsters, to boot) storing Tommy guns in violin cases, you can't guess. "Are you going to play?" He sounds eager in a laconic way, but it is raining hard, and there is nowhere you could keep your violin dry, the few tress are soaking wet and dripping. Now that you see the location you probably need a water-proof violin, a tent —or tent-sized umbrella— or to fix the weather situation and try later. Byron would appreciate the show, even if you can't tell for sure about Still Water.
What to you do?
"It’s okay to feel scared. It’s okay to not have all the answers, but shutting it all out... it won’t make it go away" she leaned closer and held her hand "Do you remember his name, or what he looked like? When did it happen? How often? Anything you can remember will help. I have to know if you’re still in danger..."
"It’s a violin," he says, about the case. When asked if he’s intending to play, he sighs forlornly. "I was hoping to, but it looks like the rain is going to make that difficult."
"He? Who?" Sarah asks. "I don't remember anyone. I thought it was a dream, and could not look. Maybe I just cut myself." This last possibility is not really something she wants to admit or talk about either, and she may have been able to convince herself of it if you had not described the exact experience she was struggling to fit with her explanation.
"But, I am safe now." She points out, unhappy that you making her talk about things that are in the past.
What do you do?
"Oh, that's sweet of you. But it's nothing. I doubt they would have it, or that a gentleman like yourself would know of it. I don't know where one would get such books." He sounds positively embarrassed to talk about it, but a little probing would reveal it to be: "A piece by a new author, Emma Harper."
"The rain?" Byron says, as though this is news to him —a statue may not care about such things. "We can wait for it to stop. I am in no rush."
Lizabeth is cold and confused. She only sees your side of the conversation and it is not making a lot of sense, and she is not exactly dressed for standing in the rain.
What do you do?
She didn't want to worry Sarah if she couldn't remember anything, but there must be something she could tell her. Someone invited the vampire into her home. Someone must have seen it coming and going, because he (or she?) visited her on multiple occasions.
She stopped, considering her next words carefully:
"Can you give me your address? The name of your roommate? I want to drop by later and talk with them. Maybe pick up a few of your things?"
She didn't want to scare Sarah. Maybe the vampire wasn't that bad, if it kept Sarah alive while sparing her the memories of being preyed upon. Still, there is no way she could stay to live with her and David forever. "How would you feel about leaving the city? I have a few friends that can make arrangements for you. It might be safer, for all involved. At least until we figure out what to do?"
A little cajoling gets you an address —not a good part of town— and a malformed name for the roommate. Sarah pronounces it something like 'Shah-Bliss', but maybe it is supposed to be Chablis.
"Leave the city?" Sarah says, surprised. "But where would I go? Who would take care of me?"
What do you do?
She noted the address of the apartment, and the name of her roommate, determined to go talk with Chablis the first chance she gets "What’s your roommate like? Have you known her for long?" she tried to coax just a little bit more information "Can you send me her number?"
The barrage of questions causes Sarah to clam up, it was worth a try, but you know she does no want to talk about her job —if any— or the situation. The threat of sending her away is like pulling the rug out from under her, she was starting to feel safe, and you can see that eroding away rapidly as you speak.
You do get the contact details for 'Chablis Valour'. "I don't have a key. Shah-Bliss can buzz you in." Sarah says.
Continues in the main thread Paying the Price ...
When Byron suggests they wait until the rain stops, he shakes his head. "I’m afraid I can’t, but I’ll return as soon as the weather improves. It’s been a pleasure to speak with you, Lord Byron, and thank you again for your advice."
Upon wrapping up his conversation with Byron, he turns to speak to Miriam and is alarmed to see that she looks quite cold and irritated with him. "Oh goodness! You’re shivering! Are you cold? Do you want to borrow my coat? We should start heading back before you catch something."
"I'm tough." Miriam says. "They only thing I am going to catch is a taxi."
She looks at you, intently. "Which one of us is crazy?" She asks, only half joking. "Do you really think you were talking to Byron?"
What do you do?
"I mean, sure. I have said 'hello', but always in a joking way. I never expected them to answer, and they never have." Miriam says. "You know it was not talking back? Right? Just you, having a conversation with yourself."
She turns to the statue and salutes. "Hello, Mr Byron. Hello, dog." She greets, but the statue remains stone-faced, though Miriam watches you to see if you react. "See?" She says.
What do you do?
"I'll take your word for it." Miriam says sceptically as her summoned taxi pulls up on the roundabout.
"You coming?" She asks, shivering slightly.
What do you do?
"Or I will come visit you... tomorrow." Miriam says, sounding both nervous and hopeful. It is good that she is talking about getting out of her house again..
What do you do?